What Samantha Allen, Emily Yakashiro, Portman Doe, Cecily Carver, Heidi McDonald, Helen Kennedy, Adrienne Shaw, Ien Ang, Janice Radway, Julie D'Acci, Liz Bird, Nina Kiel, and Carolyn Petit all have in common is that they are feminists who are worse feminist gaming critics than Anita Sarkeesian.
There is very little feminist gaming criticism anywhere on the internet. The vast majority of feminist media critique is focused on television and movies, and most of the distribution method for what little feminist critique of games exists goes through books and bypasses the internet. What passes for feminist gaming criticism on The Daily Dot, Daily Beast, Polygon, and Border House is mild compared to what Sarkeesian provides. Sarkeesian is often cited by other feminists in a positive light.
Sarkeesian is far from ideal, and if as I expect more feminist gaming critics rise over the next decade Sarkeesian won't remain the best for long, but she's found her niche and for now reigns.
As I've often lamented over the years, gaming criticism in general is in a sad state, so we shouldn't be surprised that feminist gaming criticism is likewise in it's infancy. To paraphrase a work of Christopher Nolan, Anita Sarkeesian is not the feminist we want, but she's the one we deserve.
There is very little feminist gaming criticism anywhere on the internet. The vast majority of feminist media critique is focused on television and movies, and most of the distribution method for what little feminist critique of games exists goes through books and bypasses the internet. What passes for feminist gaming criticism on The Daily Dot, Daily Beast, Polygon, and Border House is mild compared to what Sarkeesian provides. Sarkeesian is often cited by other feminists in a positive light.
Sarkeesian is far from ideal, and if as I expect more feminist gaming critics rise over the next decade Sarkeesian won't remain the best for long, but she's found her niche and for now reigns.
As I've often lamented over the years, gaming criticism in general is in a sad state, so we shouldn't be surprised that feminist gaming criticism is likewise in it's infancy. To paraphrase a work of Christopher Nolan, Anita Sarkeesian is not the feminist we want, but she's the one we deserve.