Shows, books, comics and movies that you have to meet halfway

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Queen Michael

has read 4,010 manga books
Jun 9, 2009
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One thing that everybody knows about stories is that they don't always make perfect sense. But we accept that, because we get a fun ride in return. As long as we accept that a wolf could impersonate Little Red Riding Hood's grandmother semi-convincingly, we get a fine fairy tale. Once we stop questioning the practical usefulness of lightsabers, we can enjoy some awesome fight scenes.

But that's the thing--in order to enjoy these things, you need to go along with the logic weirdness.

So which of the things you like requires you to accept the most illogical stuff in the premise?

Please note:
I'm talking about logical holes in the basic premise of a series, not every single plot hole ever. Also, I mean logical holes, not scientific ones. Superman being able to fly? Not what I'm talking about. Superman being disguised by just a pair of glasses? That's the kind of stuff I mean. It makes no sense, but I accept it, because as long as I do I get some great comics.


The series I like, that you need to meet halfway the most, is Detective Conan. There are lots of things that don't make sense in it, but it's an awesome series. For instance:

1. Conan and the gang always just happen upon criminal activity--especially murders. Nobody ever really points out how unlikely that is.

2. When Conan does his "Sleeping Kogoro" bit, nobody sees Kogoro's lips aren't moving.

3. Often, the murderer manages to pull off some super-complex murder plan without a hitch.

4. Equally often, the victim comes up with some ingenious way to leave a clue to the murderer's identity while dying.

5. The murderer always manages to act out the role of an innocent bystander perfectly. He or she never comes off as trying too hard to look scared. And conversely, he or she never lack feeling either. In the cases where the murderer is a trained actor, this makes sense, but in the other cases there's no explanation for why he or she manages to act the role of an innocent with a level of skill that would put an Oscar-winner to shame.

6. Kogoro doesn't question why he never remembers solving any cases. (Though this does make a bit of sense, considering his character--he wouldn't feel a need to worry as long as the success kept coming.)
 
Nov 28, 2007
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95% of police procedural shows have one big element that has to be ignored to enjoy the show: the success rate.

I'm not saying that I feel FBI/CIA/der polizzi are incompetent in reality. But, for example, let's take a show like Bones, which follows a group of FBI agents who work with a forensic anthropologist at the Smithsonian Jeffersonian.

The show has been going on for 12 seasons, but I'll only do the math for 10, because I'm sure there are some episodes that are not following murders. So, 10 seasons times 22 (the number of episodes in Season 1). That's 220 murders solved by 1 team of about 6 people.

Holy shit! If someone solved that many fucking murders, they'd be promoted so fast, their head would spin. And yet, 12 seasons in, everyone is still working at exactly the same position they started the show on.

Despite that, it's so satisfying seeing them solve murders, and would be boring watching them sort through paperwork, so the shows get away with stuff like that.
 

American Fox

Le Best Tank
Aug 14, 2012
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Dead Like Me

The Reapers are formed in teams in charge of deaths sorted by type. But does each city have all deaths taken care of? Rube and Mason had to get on a bus to reap the souls of senior citizens going to Vegas, but doesn't that impede om the Vegas reaper jurisdiction? Mason is a transfer reaper from England, and Daisy was from New York by way of Georgia. They get their daily lists from Death, but who organizes transfers between cities?

Rube said soul assignments were non transferable, but Roxy was able to grab the soul of the crazy redneck that formed a cult around her. Does that mean she was going to be the future reaper of Chuck?
 

bartholen_v1legacy

A dyslexic man walks into a bra.
Jan 24, 2009
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Hannibal. It helps that the show is sort of surrealist, but it still very much pushes the boundaries of logic and plausibility from time to time. Yeah, a brain doctor is totally going to let a patient whose brain scan is screaming bright red saunter on as normal under the guise of finding new information. A 70-year old man is totally capable of building a literal totem pole out of dead bodies on his own without attracting any attention. Hannibal just walks off massive injuries like nobody's business, while Jack literally sees him and just lets him walk away despite having tried to kill him mere moments before. And let's not even mention most of the ludicrous murders in the series and how easy it seems to be to just haul masses of bodies around, or even a fifth of the other shit Hannibal pulls.

It's a series with a bit of a barrier to entry, not just because there's tons of genuinely nauseating imagery (I made the mistake of watching it while eating too many times), but because the aesthetic is so esoteric and strange. Not only are the situations in it sense-defying, but the people as well act and behave in such strange and off patterns it really takes time to be able to get into. It's arthouse horror wearing the mask of a murder procedural show.