The most out of place character turns in movies.

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Vrex360

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Mar 2, 2009
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Okay that title may not have sounded right so allow me to explain in proper detail:

There's a lot of talk about character turns in movies, you know where a character begins one way then over the course of the events he or she goes through they go another way. It's called a character arc.
Some good examples include Jim from 28 days later toughing up after starting out soft and helpless and Ellen Ripley going from harmless victim to asserted badass over the course of the Alien movies.
However this thread is about the ones that either made no sense or the ones not done well. Those moments where it feels more like a wierd and out of character behavior than actual characterisation and in turn just leave us scratching our heads and asking:
"What the hell just happened?"

I'll give my example right now, however I cannot reveal it without giving away some spoilers so I'll put it in the box however this is to do with the 'plot' of Hostel Part 2 so respectivley I don't think it is too offensive to suggest not that many people would be concerned if the story did get leaked but regardless:

In Hostel Part 2 there is a side story involving two men, Todd and Stuart. Todd is a high flying and frankly very cocky businessman who in an eager attempt to try out the extreme signs onto 'Elite hunting' which in Hostel means an organisation dedicated to allowing rich clients the joy of getting to torture and kill people for pleasure.
He also inexplibily ropes his best friend, a calm and gentle natured man named Stuart into coming with him. Stuart is reluctant but goes along with it, awkwardly being dragged into a situation he clearly does not feel comfortable with. This is made clear as they near the 'big day' as Todd becomes more and more psyched up and determined whereas Stuart becomes more and more disturbed by it.
Eventually the big day comes and then also does the pivital moment. The first being that Todd gets to the room with the woman he is intended to kill, named Whitney. And after teasing her a bit with a torture device he accidentally hits her, mortally wounding her face and he becomes instantly horrified and disgusted and drops the device. He then attempts to leave, unable to kill her and presumably tries to run off to the police only to instead be killed by a pack of dogs.
Now I actually think this aspect is believable because often we all think we are capable of doing dangerous and violent acts but in reality we can't. So I didn't think there was any problem with this.... but with Stuart, well.

Stuart enters his room, horrified by the power tools and sees the poor victim, makes an effort to untie her and then as she is about to escape he has some kind of powerful nervous breakdown and snaps and punches her in the face, ties her back up again. Goes back and kills the already mortally wounded Whitney and then starts torturing the girl he had originally intended to save. At this point he is now in a deranged state and finally he is tricked, overpowered and killed.
The thing is, that's so wierd and out of place, because while good guy's turning evil is by no means unseen in movies, usually it needs a bit of time and development first. But here it just sort of happens like someone flips his switch from NICE to SADISTIC in a flash and bam he's someone else. My own guess is they had a different ending planned and simply ran out of time.

But then I really shouldn't think much of a movie like 'Hostel Part 2' as giving off realistic characterisation so it shouldn't matter so much.

So yeah, that's my example. How about you? What examples can you think of where a clear attempt to change characterisation instead resulted in confusion and wondering how the bad guy suddenly turned good or vice verca?
Those simple out of character moments that are just baffling.
 

snow

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Jan 14, 2010
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A big portion of the Silent hill movie. I've come to the conclusion that everyone in that movie should have just gotten a spanking and told to sit in the time out chair for 5 minutes...
 

Prized Cup

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Jan 12, 2010
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whenever a villain from Dragonball turns good due to Goku's charm and seflessness. There's always this horrible inner monologue where the character literally lists out the goodness in goodness and suddenly 'turns' into a good guy. Examples of 'turning' would be either a knowing smile or a sudden snap of violence against the 'real' villains.
 

CowboyfromHell666

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does that one dude in Saving Private Ryan, you know, the guy who speaks German and French who was a pussy in the beginning count? if so, then him
 

RatRace123

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Dec 1, 2009
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Every time a villain or a rival suddenly joins forces with the hero, and the only reason given is "nobody kills you, but me."
 

Poke_Freak

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CowboyfromHell666 said:
does that one dude in Saving Private Ryan, you know, the guy who speaks German and French who was a pussy in the beginning count? if so, then him
Upham.
Actually, his turn is more realistic.
He starts out unprepared and idealistic (carrying a typewriter, arguing that its wrong to just shoot the german soldiers after they've surrendered), but as the movie goes on he sees more and more of the horrors of war, including the death of people he now considers close friends. That's why he finally lashes out and shoots the german soldier who stepped out of line. (And to further hammer in the point, it was the same soldier he saved earlier and the reason he stepped out of line was because he recognized Upham.)


tl;dr his change happened over the course of the entire movie, not suddenly in a single scene.



RatRace123 said:
Every time a villain or a rival suddenly joins forces with the hero, and the only reason given is "nobody kills you, but me."
If done right, this CAN work pretty well. Unfortunately, the line "nobody kills you, but me" usually means that it isn't done right.
It usually works a lot better with rivals, because then it's about pride and/or a personal vendetta. Winning by default is not good enough.
 

CowboyfromHell666

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Poke_Freak said:
CowboyfromHell666 said:
does that one dude in Saving Private Ryan, you know, the guy who speaks German and French who was a pussy in the beginning count? if so, then him
Upham.
Actually, his turn is more realistic.
He starts out unprepared and idealistic (carrying a typewriter, arguing that its wrong to just shoot the german soldiers after they've surrendered), but as the movie goes on he sees more and more of the horrors of war, including the death of people he now considers close friends. That's why he finally lashes out and shoots the german soldier who stepped out of line. (And to further hammer in the point, it was the same soldier he saved earlier and the reason he stepped out of line was because he recognized Upham.)


tl;dr his change happened over the course of the entire movie, not suddenly in a single scene.
ok ok i see now. i myself really didnt see the change over the movie. thsnks
 

Poke_Freak

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CowboyfromHell666 said:
Poke_Freak said:
CowboyfromHell666 said:
does that one dude in Saving Private Ryan, you know, the guy who speaks German and French who was a pussy in the beginning count? if so, then him
Upham.
Actually, his turn is more realistic.
He starts out unprepared and idealistic (carrying a typewriter, arguing that its wrong to just shoot the german soldiers after they've surrendered), but as the movie goes on he sees more and more of the horrors of war, including the death of people he now considers close friends. That's why he finally lashes out and shoots the german soldier who stepped out of line. (And to further hammer in the point, it was the same soldier he saved earlier and the reason he stepped out of line was because he recognized Upham.)


tl;dr his change happened over the course of the entire movie, not suddenly in a single scene.
ok ok i see now. i myself really didnt see the change over the movie. thsnks
Actually, I didn't see it either, until one day at school when we were shown the movie and we would learn how to analyze a plot, and our teacher pretty much explained it all. ;)
 

CowboyfromHell666

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Poke_Freak said:
CowboyfromHell666 said:
Poke_Freak said:
CowboyfromHell666 said:
does that one dude in Saving Private Ryan, you know, the guy who speaks German and French who was a pussy in the beginning count? if so, then him
Upham.
Actually, his turn is more realistic.
He starts out unprepared and idealistic (carrying a typewriter, arguing that its wrong to just shoot the german soldiers after they've surrendered), but as the movie goes on he sees more and more of the horrors of war, including the death of people he now considers close friends. That's why he finally lashes out and shoots the german soldier who stepped out of line. (And to further hammer in the point, it was the same soldier he saved earlier and the reason he stepped out of line was because he recognized Upham.)


tl;dr his change happened over the course of the entire movie, not suddenly in a single scene.
ok ok i see now. i myself really didnt see the change over the movie. thsnks
Actually, I didn't see it either, until one day at school when we were shown the movie and we would learn how to analyze a plot, and our teacher pretty much explained it all. ;)
oh ahha. well i saw the movie, but i just havent seen it a bajillion times or recently. so i kinda forgot a little about it
 

MiracleOfSound

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Jan 3, 2009
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Vrex360 said:
Vrex, you always make interesting threads.

OT:

Wheelie in Transformers 2.

'I'm a Decepticon, but I wanna be an autobot now so I can hump Megan Fox's leg! Hooray for franchise rape!'
 

snow

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Jan 14, 2010
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CowboyfromHell666 said:
does that one dude in Saving Private Ryan, you know, the guy who speaks German and French who was a pussy in the beginning count? if so, then him
(Edit to remove spoilers since I'm too dumb to figure out how to do that spoiler box :p)
He still was a pussy at the end of the movie though, if you watch that entire last fight closely.
I hate him dearly...
 

CowboyfromHell666

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Jan 14, 2010
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(i dont know how to either, i just joined like 5 days ago)
yea i wish he actually fought back and not watched as his friends die
 

RanD00M

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Oct 26, 2008
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CowboyfromHell666 said:
(i dont know how to either, i just joined like 5 days ago)
yea i wish he actually fought back and not watched as his friends die
snowfox said:
CowboyfromHell666 said:
does that one dude in Saving Private Ryan, you know, the guy who speaks German and French who was a pussy in the beginning count? if so, then him
(Edit to remove spoilers since I'm too dumb to figure out how to do that spoiler box :p)
He still was a pussy at the end of the movie though, if you watch that entire last fight closely.
I hate him dearly...
You two need to figure out that he was no soldier.And when he actually shot the German,he had a hard time doing it.
 

vodkainferno

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Dec 31, 2009
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I will have to agree with the guy who said the Asshole security guy in the Remake of Dawn of the Dead.
I'm just like "WHAAAA?" when I say him being nice.
That and the Zombie baby was messed up.
 

BonsaiK

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Nov 14, 2007
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Vrex360 said:
There's a lot of talk about character turns in movies, you know where a character begins one way then over the course of the events he or she goes through they go another way. It's called a character arc.

What examples can you think of where a clear attempt to change characterisation instead resulted in confusion and wondering how the bad guy suddenly turned good or vice verca?
I thought this concept was extremely poorly done in Equilibrium, and is a major weakness of that film, for me it's pretty much what turns it from an A-movie into a B-movie. That's the most film-wrecking example I can think of off the top of my head. I could probably come up with a few others but I'm having a bit of a mental blank right now.
 

Blackdoom

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Sep 11, 2008
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In a Zombie movie I was watching, I think it was called Severed or something like that.
One of the characters goes from being a hippie protesting that they can't kill them because they are people to it is fine to kill them because they are no longer human to stop you can't shoot him he is still a person even if he is slightly zombified. All of this happens within 5 minutes.