Wanted Review

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Protag

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Wanted

The trailers for this film didn't really do a lot to spur my interest in any massive way, but they did give my curiosity a little bit of a kick in the right direction. Not only did bending bullets seem like an absolutely absurdly interesting concept, but the promise of Angelina Jolie's bare arse on screen was the worm that caught this fish. Before all you keyboard straddling cock bags start questioning me, I know shes had it all out before in Gia, but a nude Jolie is like Christmas in many ways. Yes, you've seen it all before, but you still look forward to next year.

I decided to check it out, and I found myself greeted with the best action film to come from Hollywood in years. And just to rub it in, its made by a Russian.

Timur Bekmambitov is the gifted director of Night Watch and Day Watch, easily two of the most clinically insane films in cinema history, and Wanted doesn't let down the family.

The film starts as it means to carry on, with a brutal gunfight. Five minutes in and you've already had as many headshots, a man running fast enough to rile Wile. E. Coyote, and an improbable building jump ending in disaster for a couple of generic henchmen. This first scene sets the tone of the film, and you know from that point on that your going to be fed some seriously mental shit.

The story revolves around a hapless nobody called Wesley (played by James McAvoy), who's a down and out, cynical, world weary sad act. A droning worker bee in a hive of inferiority. Wesley works in an office with his 'anorexic boss', has a best friend thats sleeping with his wife and no money to get him through each day. That life is thrown out the window when he discovers he is a potential member of a secret society called The Fraternity, which is made up of the worlds deadliest assassins. McAvoy is surprisingly good as Wesley, and manages to pull off the whole Tobey Maguire thing quite well, he really draws you into the character and his situation. You feel really good for him when he snaps and fights back at his boss, and even more so when he twats his supposed best friend in the face with his ergonomic keyboard. A good example of the style of the film is when the keyboard connects, we enter slow motion, and the dismantled keys spell out the words 'Fuck You' in the air. I dont know about you, but i think it takes a great mind to come up with something as deranged as that, and still present it so stylishly.

After boarding the bus at Absurdville, we make our first stop at Lunatic Central. The Fraternity's base of operations. The base is actually a fully operational textile mill ran by Sloan, the current leader of The Fraternity, played with ease by Morgan 'I'm In Everything At The Moment' Freeman, who has a considerable amount of experience with this type of character. He plays the wise old master with gusto, and hardly breaks a sweat in getting across the right image. The mill acts as a hub for all the assassins to plan and train for action, and as a place for our hero Wesley to hone his particularly impressive skills. He gets beaten to a pulp to build his pain threshold and resilience, monkey knife fights with a butcher and bends bullets around carcasses of meat (and im not just talking about Jolie.)

As the montage is reaching its inevitable conclusion, Morgan Freeman decides that its time to unleash the big guns and really push the boundaries of disbelief.

He takes Wesley into a room housing a large loom and speaks the now immortal and iconic words:

'This, is the Loom of Fate'

Most of the audience simultaneously shouted 'What?' or choked on their popcorn, and suffice to say there were more than enough people humming the Twilight Zone theme tune. I was one of them. I'm sorry, but the idea of a 'loom of fate' is just plain, old fashioned Manson-Family-style crazy. I dont care who you are, where you're from or what you do. You could be the fucking Chupacabra for all I care, I would still defy you to give me one plot explanation crazier than a loom that tells you to kill people.

Aside from that, the film was very, very enjoyable. There were some amazing gunfights, exciting and unique car chases, the use of CGI - though sometimes overpowering - was ultimately necessary and executed well. One thing i will say though, is that it still doesnt feel right to hear Morgan Freeman swear, and even when hes angry, it still sounds out of context and awkward. That said, when he does swear it blindsides you and makes you laugh your tits off. The film has some extraordinary set pieces aswell, such as the final fight in the warehouse. You get everything in that one, including rats that explode. Rats that EXPLODE for Christ's sake.

So, Is It Shit?

You'll only find it shit if your either a fucking moron or a vegetable. As long as you go into the screening expecting a logically-challenged adrenaline-fuelled bi-hourly binge of violence and craziness, you wont be dissapointed. The ten year old boy in you will be smiling all the way home.

Go and see this film now, Bekmambitov should rightly be crowned the new King of Cool. Tarantino seems like an amateur in comparison, and can only wish his films were as stylish as Wanted is.
 

TrevorOfCrete

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Jun 14, 2008
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Solid review, but to claim Wanted makes Tarantino films look armateurish is tosh. Wanted lacks to crisp storyline of a film like pulp fiction, and frankly just isnt as cool. Wanted is worth a watch, but it will not last long in the memory compared to the series of timeless classics proudced by Tarantino - which do not rely on grabbing audiences by casting a half naked baby kidnapper.
 

Larenxis

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Guess I'm a vegetable. I don't think it's worth paying for. As cool as flipping a car to shoot a guy in another car is, it's not as cool as flipping a car to punch the driver of another car that's also flipping. I should go watch Speed Racer again...
 

Gigantor

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Protag said:
He takes Wesley into a room housing a large loom and speaks the now immortal and iconic words:

'This, is the Loom of Fate'

Most of the audience simultaneously shouted 'What?' or choked on their popcorn, and suffice to say there were more than enough people humming the Twilight Zone theme tune. I was one of them. I'm sorry, but the idea of a 'loom of fate' is just plain, old fashioned Manson-Family-style crazy. I dont care who you are, where you're from or what you do. You could be the fucking Chupacabra for all I care, I would still defy you to give me one plot explanation crazier than a loom that tells you to kill people.
Mental it might be, but it's not without a sort of mythological basis [http://en.wikipedia.org/wiki/Moirae]. I assume that's what it's about, anyhow.
 

Protag

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Wow, well you learn something new every day! Thanks for the link, thats very interesting.

Like i said, im new to the whole reviewing thing, and ive just set up a site so all criticisms and niggles are welcome, i wont take them personally.

I dont like Tarantino's films, i find them pretentious too 'try hard'. I understand how his style is individual and what he did with films was new, but it just gets boring. Bekmambitov is in my eyes a genius, he is one of the few filmamkers left who knows how to use CGI to great effect. The other is Guillermo del Toro.

Anyway, reviews are just opinions, and everyones is different.
 

The_Mop

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Jun 29, 2008
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It's an average action movie. Crazy, mad, fairly brutal in places, but it has many stumbling blocks.

At least, I would have said that if I hadn't read the comic a few years ago. It absolutely buggered the comic book's plotline - for a start, in the comic it's about a fraternity of supervillians, and there's no 'loom of fate'. They kill, rape and steal from whoever the fuck they want to. The film even directly contradicts the book at one point, and from that point on a lot of references to the original comic just don't make any sense.

Fox was, in the comic, modelled on Halle Berry, Angelina seems like a bit of a weird choice, although she does give a pretty good performance, which is more than can be said for Morgan Freeman in what I beleive is probably his stalest acting yet. Wesley Gibson was originally modelled after Eminem, and the character perfectly suits the downtrodden depressing lifestyle and the eventual rise to complete and utter fucking brutality. I can't say the same for the guy who plays wesley gibson in the film - he just still seems like an underconfident wreck, even up until the end and the final line....

So yeah, I thought it was shit, and not because I'm a 'moron or a vegetable'. Because the film, rather than being an innaccurate representation, is barely a representation at all of the original comic (which is, to be honest, a fucking masterpiece).

And I really can't agree with the whole 'makes tarantino look like an amateur'. That, unfortunatly, sounds like pure fanboyism. Your review was pretty solid up until that point.
 

Jumplion

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I'm surprised there isn't a "Wall-E" review yet.

Good review overall though, don't plan on seeing it anyway.
 

Protag

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You dont have to agree, its a review, not the Bible.

I didnt read the comic, and what most people who have read the comic dont realise is how difficult it is to make a succesful film based on a comepletely different form of media. Bekmambitov is a great fan of the Comics, and im pretty sure all he wanted to do was get some more attention for it. After all, how many people knew there was a comic before this film was made? For more success, certain sacrifices have to be made. Remember that owners of the rights to the comic and the name had to have in some way endorsed the film to be made.

Also, as a side note, i wasnt saying this film in particular showed up Tarantino, i was talking of all of Bekmambitov's collected works, which are quite frankly dazzling.
 

Jumplion

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TheNecroswanson said:
Jumplion said:
I'm surprised there isn't a "Wall-E" review yet.

Good review overall though, don't plan on seeing it anyway.
Who would want to review a Disney robot love story? ( yes, I sadly went and saw it)
Well i loved it, Pixar's 9th consecutive #1 movie.
 

corporate_gamer

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Apr 17, 2008
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yeah i saw this film, and took two key points away from it. one - the next time my socks tell me to kill someone maybe i should listen and two - the ending seemed to say to me that unless your actually going around killing people then your not doing anything with your life. aside from these little quirks i thought it was at least entertaining, its no fight club or shawshank redemption, but it will keep you away from the straight razors for a least a couple of hours.
 

Larenxis

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Dec 13, 2007
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I'm standing up for Wall-E here. I'd rather pay to see it again then get paid to see Wanted again. Not that they're really comparable, they are different genres, but Wanted had horrible flow and none of the characters were likable. I didn't want to walk out though, which is more than I can say for The Love Guru, which is pretty much the worst movie I have ever seen.

So at the end he's got no friends, no job, no money, no girlfriend, and he devotes his time to killing one guy? I'm not all that jealous, to be honest.

To be nice though, I liked the shot of the blood pooling on the window of the train, that was well done. Even if the dialogue after that sucked.
 

The_Mop

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Jun 29, 2008
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Protag said:
You dont have to agree, its a review, not the Bible.

I didnt read the comic, and what most people who have read the comic dont realise is how difficult it is to make a succesful film based on a comepletely different form of media. Bekmambitov is a great fan of the Comics, and im pretty sure all he wanted to do was get some more attention for it. After all, how many people knew there was a comic before this film was made? For more success, certain sacrifices have to be made. Remember that owners of the rights to the comic and the name had to have in some way endorsed the film to be made.
Honestly man, it's not I'm a comic fanboy who's just being arsy by saying they buggered it up because of a few changes. Oh no, what resulted was pretty much a completely different story. It's fairly true to the comic up until the whole 'assasin's fraternity' is mentioned, and then it jsut turns into something completely different by the point it reaches the first mention of 'the loom of fate'.....that made me seriously got 'wtf'.

Though I have to say, the thing that probably caused all those changes is that the comic is relentlessly brutal. Truly one of the most amazingly fucked up thigns I've read. It's mint \m/

Larenxis - yeah, you make a good point in the spoiler of yours. The reason why there's this very vague sense of acheivment/victory is that the characters and plotline are really twisted into different situations, but some elements of the book still remain in the film, meaning that really it's a very unorderly mash.
 

eggdog14

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Oct 17, 2007
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WANTED = Balls-to-the-walll awesome.

Thats all there is.

It's a boyish dream, everything that you think of as "awesome" in action movies is in this one.

And angelina jolie is bangin'
 

Unholykrumpet

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Nov 1, 2007
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I don't know...it's the first time I've been pumped up for an action movie...then I go to see it and I can't decide if I like it or not. Everything was hardcore awesome effect wise...but it seemed so unrealistic that I really couldn't get into the "z'omg, explosions" mood that I usually get with action movies. I found that I left the theater scratching my head wondering whether or not I should tell people to go see it or to wait until it comes out on DVD. I actually came home and looked up reviews on rotten tomatoes to see whether or not the film was good...something I've never done before. I feel like the movie was either totally amazing or horrid to no end...it's definitely not an "alright" movie.

However, rotten tomato reviews took more offense at the lack of morality in the movie rather than whether or not it was fun to watch.

I'm either two thumbs up or two thumbs down...and I can't figure out which it is. That's weird for me to say because I'm usually very opinionated.
 

apmpnmdslkbk

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Jun 30, 2008
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The only thing that would make the movie better is if all of the gone fights were cause by grass with the power of GOD.