I want to thank everyone who has posted so far.
FalloutJack said:
Beg pardon, but the title should read 'Computer Writes Sci-Fi Script'. Real AI has not yet been conceived.
The headline I wrote was a cue from the headline of the article that I linked to. I did refer to it as a computer program in the OP. I am not an expert. I am guessing the difference between a computer program and an A.I. would be an A.I. would be able to create original data. So, would this screenplay qualify as original data? I don't know, but it is definitely a step towards that.
Neverhoodian said:
"He couldn't come anymore. I didn't mean to be a virgin. I mean, he was weak. I thought I'd change my mind. He was CRAZY to take it out."
Methinks it got fed a bit too much Gene Roddenberry...
I thought that was a reflection of how bad romantic subplots are written in movies. If you think about how often that the screenwriter feels compelled to write a love interest in their movies. It does get pretty ridiculous.
RedDeadFred said:
There was a lot of "I don't understand what you're saying" going on. Maybe that was the AI's desperate cry for help since it didn't comprehend human interaction very well.
Also, I think this shows that the line between poetic and nonsensical is sometimes hard to distinguish.
I think that was reflecting a cliche in sci-fi movies. People say, "What's going on here?" , "I don't understand.", etc. It's usually done for suspense and exposition.
PaulH said:
Vomiting eyeballs. Vomiting eyeballs. He vomited an eyeball. Just... it's kind of weird seeing how our best neural networks might view humanity through our media.
Humans, right?
But the way they almost carried it was something pretty special. The monologue at the end was ... not bad acting. I can't imagine a tougher sell when trying to display sincerity... "He threw me out of his eyes...", tear rolling down the cheek with the insane close up... good sell. Good sell.
Screw Shakespeare... these types of scripts should be the penultimate test of an aspiring actor. Can you take near word salad without any cogency of world building, pacing, character development, plot, or emotional consistency... and still carry a scene?
That was something I wanted to say in the OP. I didn't want to ninja anyone or seem like I was trying to oversell the movie. I was very impressed with the cast. I would seriously check out anything else that Thomas Middleditch and Elisabeth Gray does in the future.