An observation on tropes against the Female gender

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Entitled

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8bitOwl said:
It's not an issue. It's a normal, natural thing. The fact that usually a boy enjoys staring at pretty chicks (possibly with large breasts) is an universal truth and does NOT make boys sexist.

The same thing applies here. Girls that enjoy the Twilight or the 50th Shades Of Gray fantasies are NOT chicks who want a man that controls them or abuses them. Just like not all men are sexist pigs just because they might love to play Dead Or Alive 5.
I think there is a difference to be made between a fantasy saga's narrative assumptions about gender roles, and the visual gratification, or even the situational fetishes in smut.

DOA's female counterpart is not Twilight, it's Free!

And Twilight's male counterpart is not DOA, it's James Bond.

There is nothing sexist about liking naked bodies, and yes, even titillation from certain situations might be biologically ingrained.

But with works like Twilight or James Bond, we are not just talking about sexual gratification, but the conscious preference and mainstream public encouragement of plot lines, emotionally indentifiable protagonists, and authorial attitudes, that seem to reflect assumptions about how the world works.

With a specific rape fantasy, or something that is labeled as a piece of smut, it's always clear that it's supposed to be detached from reality. But when a mainstream fantasy/romance novel saga, or an action movie series, are carrying problematic gender roles, it becomes less clear exactly how self-aware the audiences are about the fact that the thing that they enjoy about it is a reflectation of harmful cultural artfacts.
 

MrHide-Patten

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Because women are people, like men, and people are fucking stupid and will eat up any shit their friends are into by pure lack of taste. Only the most crazed feminist thinks women cannot produce crap as well. Shlock like Twilight is gear to profit from stupid childish fantasies hammered home by societal 'norms', like how Transformers is for guys, it's a load of mindless crap too.
 

Terminal Blue

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wulf3n said:
"But" I hear you say, then the record label would drop her, to which I say So? It's still a choice.
Fine. But it isn't the free choice you're trying to pretend it, and we can still talk about and criticize the terms under which it is not a free choice without mandating a particular choice. Do you see how that works?

wulf3n said:
I know, shes saying "You chose to sell you're sexuality which makes you a prostitute and you should feel bad because prostitutes are bad" which is ironically sexist and borderline misogynistic.
Nope.

Just seriously. Nope. Go back and read again, because clearly you saw a different set of words to the ones which were in the letter.

wulf3n said:
Uhhh, how do you know that? Are you in her mind? Or is it just because you're of the belief that no woman would "choose" to sell their sexuality?
I believe that many women would "choose" to sell their sexuality, but we cannot honestly know because the terms under which women in the music industry choose to do so today are not particularly free terms. Noone walks into a white room somewhere and sits down at a desk and signs a contract stating exactly what they're going to do on stage, exactly what outfits they're going to wear. They sign up because they want to be be musicians, and their record company decides how to market them. That is how the deal works.

And I'm not saying it's not a good life or a life worth choosing, at least in the short term. It wouldn't be aspirational if it wasn't. But we all know there are a lot of miserable ex-musicians out there who probably thought their contribution to the world was more significant than filling a few socks full of jizz.
 
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deadish said:
I just a minor revelation.

Bella from Twilight will give most feminist fits. She is everything someone like Anita Sarkeesian will hate.

Yet, Bella and the Twilight series is immensely popular among the female gender. Twilight, and by extension the character Bella, is commercially viable - the operative phrase being "commercially viable".

This isn't a case of the bad male gender oppressing the female gender. Twilight was written by a women - a now very wealthy women. Males aren't the ones dragging females to these movies to be "educated", rather it's girlfriends that are dragging their reluctant boyfriends and daughters dragging their fathers to these movies.

In the light of all this, perhaps SJW are barking up the wrong tree if they are interested in getting more of the female gender into gaming.
NuclearKangaroo said:
besides, what i think the OP means is that, how can something be sexist, and at the same time be largely enjoyed by the people towards it is supposedly sexist
Because its very blatantly meant for and enjoyed by 12 - 16 year olds, of which there is not a single one on the planet that has a mature, well thought out view on sexuality. Secondly, as Sarkeesian points out at the start of just about every video, you can enjoy things without agreeing 100% with them. Kinda proves her point, by the way, when you lump all demographics of women in with the Twilight readers.
 

Dr. Crawver

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deadish said:
EternallyBored said:
generally revolves around the oversexualization and the supposition that the community is more hostile towards them, not that female game characters are weak and bland like Bella.
This the thing, is oversexualization really a factor that is killing game sales to the female gender? Or is it something everyone thinks is killing games sales and is being blown up like it's a big deal because feminists jump to conclusions about the intention of the creators of said games? (sorry for run on sentence)

Hostile online community? Welcome to the Internet. Racists and bigots of every kind roam it.

But I have to say, the attack on the industry by feminists isn't helping. All it does is it puts the entire community, sexist or otherwise, on the defensive.
This one actually made me chuckle a little.

Firstly, no it isn't just some idea that's been blown up out of no-where. Quite a bit of research has been put into it, and when a woman who might get into games but has still yet to play any sees the cover of a game like X-blades (extreme example, but holds up the point) they roll their eyes, think it's for boys, not for them and move on without batting an eyelid.

This is anecdotal evidence, but I have a few female friends who love games like candy crush or cut the rope, and I ask if they'd be interested in trying some console based games. One took me up on the offer, but the rest said they'd pass because it was a "boys hobby", one even making a snide remark of if she wanted to watch porn she'd go on the internet.

The problem is perceptions, and when the vast majority of games fall for these same problems then why the hell would a woman have any reason to think otherwise.

As for hostile communities, saying it is what it is is ironically kind of the point. Changing it, or at least trying is a good thing, rather than shrugging your shoulders and going "eh, I'm in the club already. Not my problem".

And you really shouldn't get defensive from criticism. I know it's easier said than done, but just because someone says they don't like something about something you like, does not mean they instantly hate the whole thing. For example one of my favorite games is FFXII, one that many see as one of the worst in the series. When I discuss it with other FF fans and they say this, getting defensive is a stupid thing to do. I listen to their points, if I have counter-points I present them, and if I don't I accept the criticism and move on. Criticism is not a win/lose situation. It's not an argument you have to win, and getting defensive simply because you're criticized does a lot of damage and closes off potential progress.
 

wulf3n

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Entitled said:
If anything, this "aspect" of the issue is basically just other words for the old "Dem libruls are really just intolerant against my intolerance!" problem.
What? We're talking about women who like Twilight. What do liberals and intolerance have to do with anything?

edit:

Entitled said:
We are not talking about what people are attracted to here.
Actually we are. That's all we've been talking about. Woman who like Twilight... and to a lesser extent Sinead O'Connor not liking Miley Cyrus.
 

Entitled

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wulf3n said:
What? We're talking about women who like Twilight. What do liberals and intolerance have to do with anything?

I meant that one by analogy. It's the same semantic trickery, only applied to "feminists" instead of "liberals", "choices" instead of "tolerance", and "misogyny" instead of "intolerance".

Basically, it is a clichéd comeback that is posed as some hypocritical contradiction, "X preaches the right to Y, yet they are opposing me for applying my Y in a way they don't like".

It misses the mark, because it misconstructs what the original Y was in the first place. For example, by misconstructing the liberal advocacy for "tolerance" that is about tolerating diversity and not persecuting anyone, as a nihilistic advocacy of all opinions being equally valuable and tolerable.

It's the same deal with your feminist version: Yes, "people are free to choose" COULD BE used as a rally cry to defend all personal choices as equally good, and thus Twilight readers as appropriate. You would have indeed found a massive hypocricy, if anyone above in the thread, or even elsewhere in feminist media criticism, would be using it that way.

But in practice, there is no contradiction between approving the principle of female agency (that is, choices), and disagreeing with a particular female who uses her agency to support a work that advocates a lack of female agency.

There would be a contradiction only if "approving the principle of female agency" would mean "all women are perfect and can never do anything wrong".

wulf3n said:
Entitled said:
We are not talking about what people are attracted to here.
Actually we are. That's all we've been talking about. Woman who like Twilight... and to a lesser extent Sinead O'Connor not liking Miley Cyrus.
My point is that active conscious support of something harmful to women, is not the same thing as being inherently attracted to a specific stimulating fantasy.

If you are a woman and you like being the submissive party in BDSM, or more power to you (or not, as it happens). If you want to be a sex industry worker, good luck with that.

If you are actively praising a paleoconservative novel series that's whole universe reeks of stereotypes female shallowness and dependency, contrasted with male authority, well, then your choices are not much better than if you would be shouting "Women are lesser beings" from the rooftops, and being a woman yourself doesn't mean that feminists are obliged to do so based on some semantically enforced promise to defend every woman's every choice.
 

Loonyyy

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Jaegerbombastic said:
Loonyyy said:
Oh definitely. But most of the time the response to the Bechdel test isn't one that hasn't already been considered, particularly by those applying it. When critics, or feminists, refer to the Bechdel test, it's a back of the napkin thing, a thought exercise, a quick way of thinking about how often women are in movies, or are important in them. It doesn't say if the representations are good, or that films which pass are not sexist, or that the films which fail are. It doesn't even say if the film is good. It's just saying "Holy shit, there really haven't been that many films that have females who do anything for themselves." It's astonishing how many fail to have more than 1 character important enough to have conversations who are women, or how often when they do, that it's often about men, particularly in a romantic dynamic. And then it's really shocking, when thought of the other way "The Reverse Bechdel" when people consider that the reverse is far from true for males. As is often pointed out, Twilight passes the Bechdel test, and that's problematic as hell, yet Gravity, or a variety of others, fails, despite having a female lead. It's a quick way at getting an idea of female representation, as a trend, across the medium, and the individual films rarely matter.

And inevitably when someone considers Bechdel's point, they're mobbed with these points as if they'd never considered them, or that it wasn't what they were after, often by people who were anti-feminists to begin with, often with little or no understanding of or prior discussion of these issues, or why someone might consider the implications of the Bechdel test conditionally significant. They instantly come in thinking they're the smartest, most insightful, most informed person in the room, and procede to tell people what they already know as if it's some sort of damning piece of common sense, or god forbid, logic.
To be fair to Gravity, it doesn't pass the Bechdel Test because there are only two characters in the movie that we see on screen; a male and a female.
I don't see that as being fair to Gravity, because the Bechdel test says nothing about any individual movie, at least not among most who'd apply it. If Gravity doesn't pass, it doesn't mean shit. It's, as I said more than once, a quick though exercise demonstrating female representation. It's not about the movies that pass or fail, it's about the frequency. Any one movie is too small a sample. You can make a movie that's feminist as hell that fails the test.
I agree that the Bechdel Test is a good thought exercise to help determine whether a movie (and a videogame) is giving a fair portrayal of women or not.
Actually, I don't think it is. A movie can, and often might, focus on a single female lead, and this isn't a point against it female representation wise. Likewise, Fight Club has only one female character, but that film deconstructs more gender roles than any I've ever seen. The Bechdel Test is a thought exercise about media in total. Specifically, that at one point, the last film the author had seen by only watching films with more than one female character who interact about something other than a man was Aliens.
But the problem is that I feel a lot of people bring up the Bechdel Test like its an authoritative, academic way to determine this rather than being a fun, brainy exercise like Red Letter Media's one about describing characters without mentioning what they do and what they look like. The test's biggest flaw is that its usually done without context of whats in the movie and what the female characters do in it. Its an effective tool to point to potential issues, but its not the be-all-end-all in determining how positive a representation of women a movie has.
Of course not. But barring a few cases (The ridiculous "Film's that "passed" the Bechdel Test earned more" thing that was floating around), I rarely see that. And that film that passed thing was silly, abused the test, and didn't even get the point of the test. But that's probably because rather than being some sort of feminist critique, it was a clickbaity bit of laziness that somehow spread around the internet, giving a bunch of people who couldn't be bothered spending ten seconds to google (Hint: The only term that need be googled is Bechdel Test), a chance to give snide chuckles at them damn feminists again, when will -w-o-m-e-n- FEMINISTS realise that they're always wrong, and are destined to be forever inferior. It allowed them to dismiss the implications of the Bechdel test, and again, pat themselves on the back for not being at all complicit in sexism, but still hate those damn feminists, trying to ruin their fun. It, though completely unaffiliated with Bechdel, served to discredit the experiment in the eyes of the ignorant. It's the philosophical equivalent of wannabe smart guys quoting Einstein on "God doesn't play dice", nevermind that Einstein didn't believe in any sort of traditional God, had regular disagreements with the religious, and that he was Wrong in this statement, which was intended as a dismissal of Quantum physics. As it turns out, God does play dice, he does it often, incredibly often, on a subataomic level, and as it turns out, media does tend to have disproportionately white, male, and straight characters and stories. And people have to deal with that, because to say otherwise is to live in delusion (Hell, I even saw someone try to justify a six/seven (I think) spread of male to female protagonists as not at all predisposed to male, because P>.05 Binomially. My statistics lecturer (Who also happens to lean feminist) would have kicked their ass, and used them in an example of distorting statistics in her series next semester).

As I said, more than once, the test has nothing to do with how positive a representation it is. It's in the post you quoted. More than once. I referred to it as a back of the napkin thing. It's an engineer's estimate. It's Fermi. It's filling up the page with implication arrows for maximising and minimising(The best way to submit a physics assignment). And people's reaction to it is exactly what I'd expect, reflexive dismissal and defense, because people don't like the idea that they're favoured, that they're not the best because of talent, that they're priviliged.

It'd be sad, if it weren't so toxic.
 

FieryTrainwreck

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Rayce Archer said:
None of this is helped by the fact that the core values our society upholds for women are totally berserk: the ideal American woman is hard-working but totally devoid of ambition; sexually adventurous and accessible, yet completely committal and accommodating; intelligent but not domineering; impossibly fit yet not physically powerful; and 20 years old with a 40 year old's emotional maturity. In fact it's only in recent decades that this ridiculous dichotomy has been a target for criticism- many female writers in the 1700s and 1800s present the double standard of idealized female behavior as a worthy goal that young girls should strive lifelong to achieve.
The ideal American man is ambitious but not always caught up in work; a selfless sexual stallion but always in total control of his baser instincts; confident but never wrong; impossibly fit *and* physically powerful; 30 years old with a 50 year old's net worth and a maturity that instinctively adjusts to the level of his partner's whims.

Surprise! Idealizations are incredibly fucking stringent and nearly impossible to live up to for *anyone*. Nearly every trait is a balancing act between extremes, and expecting the best of both ends of the spectrum is what makes an idealization an idealization - as well as something sensible people can mostly ignore while simultaneously striving to be their best.

As regards the popularity of decidedly non-feminists media among women, the schism between feminists and the rest of their gender, and so forth: the primary failing of third-wave feminism is its failure to stop, for even a moment, and think about whether or not the things they're criticizing are inherently negative or oppressive. I mean if the majority of the planet disagrees with you, there might actually be a good reason why. And campaigning endlessly to change things to suit your ideology, while somewhat admirable, seems to be making more enemies than friends. That's the sort of the thing that tends to happen when you regularly reject biology, rational argument, and any studies that demonstrate your folly.

Long live second-wave feminism.