In a growing recession, every industry that's failing is going to point fingers at the ones that somehow still thrive.
Movies are in decline. Despite this year having the biggest opening weekend ever, it seems moviegoers kinda blew their load all at once, because otherwise things have been down pretty much across the board.
The easiest finger to point is at video games, a market currently in growth (as it is every system cycle) and has quickly gained a lot of popularity over the last two generations with declining prices (Remember, before the PS3 there was the PS2 ), increased accessibility, and a maturation of things like storytelling ability and world design. It could very much be stealing a portion of movies audiences- I know that, despite currently working in the movie industry (and getting my movie tickets for free), I see a hell of a lot less movies then I did five years ago when I still had to pay for them- largely due to the fact that I'd rather spend $20 on a Greatest Hits title I've been waiting for to hit the discount bins and gets ten to twenty hours of assured entertainment then waste two hours of my time on what's likely to be schlock, even if I get it for free.
Of course, part of the blame goes to movie studios, who currently are focused more on sequels, formulaic genre standards, and remakes then original, thought-provoking content, and movies that do actually do something original, new, and interesting tend to be 'rewarded' with poor box office sales and placement in smaller houses when they come out alongside such wince-worthy movies like The Heartbreak Kid (remake), Resident Evil Apocalypse (sequel) and The Game Plan (prepackaged Disney formula film). Even big name stars can't seem to help the little guys anymore, as apparently instead if going to see Michael Clayton, the big dog in the box office was Tyler Perry's "Yet Another African-American-centric Moral Story About Family." Which, considering how long Tyler Perry's been waiting for people to actually give a damn about his movies, goes to show that even movies that nobody ever went and saw in the past will eventually catch on with the average (IE, stupid) moviegoer if you repackage it enough times.