Avatar TLA & LoK: Your thoughts + favourite bending.

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Redryhno

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The Madman said:
Well, like I was saying, you go for a lighter tone and a more fantastical setting, and it becomes easier to forgive those things. Korra went for REALISM and MATURITY, but pulled largely the same stuff. I mean, You can take a steam powered rocket launcher in a Steampunk setting, but you don't get to keep the same suspension of disbelief when you're in a hard science setting.

That and a rehash of the same kind of things not working the same way for a second time.
 

Hawki

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Avatar: The Last Airbender, is, my humble opinion, the best cartoon I've ever seen. Great characters, great writing, great world, etc. And this is from someone who's only watched it as an adult.

As for Legend of Korra, didn't make it past season 2. Season 1 was okay up to the DEM in the final episode (a DEM that's done twice, I might add). And season 2, only thing I enjoyed about it was Wan's backstory. I've heard it got better in the following seasons, but I can't comment.

As for bending, my favorite would be water, mainly due to the style of movement (fluid, graceful, etc.) used when using the element.
 

GabeZhul

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Let me quote myself from another thread:

Korra was not really bad as a standalone series, but it suffered from a horrible one-two-punch of executive meddling and simply not being able to live up to the quality of the first series. To put it bluntly, because of the way the show was financed (at first they only got one season, then another, then finally got the last two together) the entire series became segmented, with no overarching theme, character-arcs being introduced and dropped because of time-restraints and entire characters they didn't know what to do with after season one (Looking at you, Mako...) There were four disconnected antagonists who all disappeared at the end of their respective seasons (though they tried to crowbar them into a theme of "extremities" in the last season, I don't think it worked) thus robbing the series from an over-arching threat, the industrial revolution setting practically destroyed the quiet, far-eastern fantasy mysticism of the first series, Korra's character development kept being reset until the final season, much of the writing was reactionary to fan-feedback (the removal of Korra's past lives was because people complained about the Aang ex Machina ending of the first series, Mako was phased out as a love interest and Asami crowbarred together with Korra also came from shipping, etc.) and I can keep going on with the list till the cows come home.

At the end of the day it is still a series I wouldn't mind my little brother watching, as it had some outstanding parts (like the episodes about the first avatar in season two, the finale of season three or most of Korra's PTSD in season four), good characters (though they don't have as impressive arcs as the ones in the Last Airbender, probably because of the number-of-characters/number-of-episodes ratio) and some good comedy (mostly related to Bolin, Tenzin and Varrick), but as an adult looking for a consistent, overarching and deceptively deep story like the first series, it was a huge disappointment. In fact if I had to sum up my two issues with Korra, it would be "Inconsistent" and "Disappointing".
As for favorite bending, it's kind of hard to pinpoint because there is so much variation within each bending schools. What I do know is that by the end of Korra airbending was the worst of the bunch. Fire gets lightning and spiritual healing, water gets physical healing and puppet-control, earth gets metal- and lava-bending while air gets... the ability to fly. In the age of the airplane. Whoohoo?

If I was asked at gunpoint, I would probably go with metal-bending though, mostly due to the spider-man-style jumpy/swingy movement combined with the versatility of being able to instantly create any kind of metal tool for a specific job.
 

Smoketrail

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It's been a while since I watched either but I don't recall the morality of TLA being all that complex. (Firenation is being jerks.beat up fire nation.) There's more to it than that but never gets much beyond that basic premise.

I thought one of the interesting things about LoK is that all the villain's causes have some level of validity to them, even when the villain is shown to be more monstrous. I like also that they all seem to have a basis in real movements and events that arose around the turn of the century (Except the second series I guess. but that did have some elements)

I think Korra as a series really suffered from moving through villains way to fast, meaning character's had less room to breath. Though as I understand it that was due to production issues.
 

Drathnoxis

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My introduction to Avatar was M. Night Shyamalan's, The Last Airbender. The movie was horrendously bad on almost every level, but through it I found the cartoon and that made the agonizing 5 hour running time entirely worth it.

Avatar: The Last airbender is the best North American cartoon I've ever seen. I love everything about it. The characters are interesting and well developed; I really like the low tech setting, where bending takes the place of machinery; bending is so well implemented it's crazy; the fight scenes have no end to their creativity; and the plot is so well thought out, no major plot point comes up without at least a little foreshadowing, this adds weight to everything in its universe.

But I didn't come to this thread to talk about things that I like, so moving on to Legend of Korra. I put off watching LoK for a couple of years because ATLA ended so perfectly. I believed that tacking another story onto the franchise could only diminish the original, and I was right. The first season was bad, the second was abysmal.

People will try to blame Korra's shortcomings on executive meddling. You'll hear that they couldn't make a good show because they thought they were only going to have 12 episodes and kept getting more. But this simply isn't true. The reason Legend of Korra is a bad show is because it's incredibly poorly written. The first season is so sloppily paced that over 3 quarters of the screen time is wasted on inconsequential nonsense like love triangles and professional sports, all of the important plot development is crammed in to one episode near the very end of the season. To make matters worse, all of the characters are very poorly developed and have zero chemistry with one another. This makes the aforementioned love triangle absolutely cringeworthy. The final episode is one of the worst finale's I've seen in a long time, the villain grabs the idiot ball and won't let go, the hero is saved by at least 2 deus ex machinas, an any meaningful impact that the series had up to this point is jettisoned.

And that was just season 1 the good one. Season 2 is where Korra's character trait of never facing any consequences is cemented. It was certainly present in season 1, but in this arc she is bailed out of danger with such regularity that one time when she was in dire straits I actually counted down to the point where she was nipped from the jaws of defeat by a giant zooking bird! It was the first time I had seen the episode, but that's how predictable the deus ex machina had become by that point. When Aang overcame problems it was because he had trained hard and was clever. When Korra overcomes problems, it's because something just happens for no reason that allows her to win. The only half-way decent part of this season was the Legend of Wan, and even that stomped all over the canon of ATLA.

The bending in LoK was also a pretty big disappointment. Gone is the incredible variety of the characters movesets, now all you will see are fireball/earthball/waterball.

In short
[HEADING=2]Don't Watch Legend of Korra![/HEADING]

inu-kun said:
In general it seems bending becomes "hard art you need to practice your entire life to be good at" to "everybody can pick up and play".
I agree, lightning bending was supposed to an elite skill only the best of the best could use, now everybody and their dog is using it to power the streetlights. Not only that, but it got a huge nerf. Back in ATLA getting hit with lightning was a serious injury. Iroh was out of commission for weeks after getting struck, and that's in a show where people fall 20 feet on to jagged rocks and walk away. Now everybody's getting hit by lightning left and right and walking it off in a couple of minutes.

Also, babby Korra bending 3 elements with no training was a huge breach in canon. Aang never knew he was the Avatar until he was told and even then required training to even begin the basics. Remember how Katara said she learned to bend? She said she started by just making waves in water and that it took her months/years to develop that skill and she was supposed to be some kind of waterbending prodigy. And here's Korra breaking down walls, throwing fire and waterballs like it's nothing. It's equivalent to a newborn baby just leaping out of the cradle and running across a football field.
 

GabeZhul

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Drathnoxis said:
Agreed, and I would add a plethora of wasted plot-points onto the top of that pile, something that especially resonated with me because I was listening to podcasts and watched/read stuff about the individual seasons as they came out, so I was right in the middle of the hopes and speculations that erupted with each season finale.

-Season One Finale: Wow, the Equalists were a really interesting concept for antagonists and Amon was a really cool, enigmatic bad guy! I wonder what they will make of them next season. I mean, sure, Amon is gone, but he was more of a symbol and the movement probably wouldn't just fall apart. Maybe the Lieutenant will take over? He would be bitter about Amon's betrayal and thus would probably serve as a much darker and harsher foe. Not to mention, without Amon they have no way to seal people's bending, so now they are forced to kill them if they want to get rid of them. Damn, that would be actually a pretty damn dark but very interesting turn. It would also delve into how movements would radicalize and in a way place the burden on Korra for inducing this change. Damn, I can't wait to see what they make of this great setup in the next season!
...
Oh, so you just elected a president who was a non-bender and the Equalists completely evaporated... Huh.

-Season Two Finale: So, Korra left the spirit portals open. Well, that was probably not a great idea. I mean, have you seen the Vaan episodes? Back then the spirits pushed humanity to the brink of extinction and forced them to live under the protection of the lion-turtles without any justification. They were practically an invading force that pured out of their own realm and took over the human realm once, and Korra just let them loose on the world again. That ought to cause a lot of spirit-related problems for herto solve; heck, it might even be setting up her getting more spiritual in line with her job as the Avatar. That would be a nice hook for character development. Also, the Avatar-cycle was completely reset, which is an event of such humongous importance that it would probably change the world forever. That's not one but TWO huge sequel hooks. Sure, season two was bad, but I am still curious what they would do with these.
...
Oh, so the president tried to get Korra to do something about the spirit vines (which kinda came out of nowhere), she failed, and then she went "Sorry guys, can't help you with that! I have to go on a road-trip!" and then she left the city to fend for itself. Also, Korra's Avatar State is completely unchanged by the erasure of all the previous Avatars. Huh.

-Season Three Finale: So, Korra was poisoned and suffers from PTSD, and now we have airbenders again. That's... that's actually not much of a sequel hook, but the spirits are still lose so there can be something done with those and...
...
Oh, so Republic City (which is still the center of the world, as we don't see how it affects other places) have become friendly with the spirits in Korra's absence... so that entire plot-thread is gone. Also, Kuvira just came out of nowhere. Well, at least the PTSD sub-plot is kinda-sorta okay, thought "Dark Korra" was still overblown and pointless.

-Season Four Finale: So, Kuvira is down after her giant laser-mech is taken down, the writers try to make her sympathetic in thirty seconds afterwards, then Korra and Asami hold hands for the closing shot (which is totally not pandering for media attention, not at all) and credits.
...
That was... fairly underwhelming overall. Huh.
 

Lazy Kitty

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I love the series. (Both of them)

On a sidenote, which may or may not have been the whole reason I'm posting in this thread...
But it took me way too long to realize that LoK was not Legacy of Kain.
 

GabeZhul

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inu-kun said:
Also, did they ever explain where the equalists got their energy for giant robots and electric gloves?
I always supposed they have some kind of crazy steam-punk capacitors (supplied by Asami's father) because their electrical tech went down on a different development path due to the ready availability of infinite lightning on command.

As for canonical explanations, no. The best I could find were about nondescript "batteries", but how those would work are left to the suspension of disbelief (which is actually kind of a huge stretch if you know anything about battery technology, but since the average viewer generally doesn't, we can leave it at that.)
 

TheYellowCellPhone

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There's really nothing to say about the first because it has garnered so much popular appraisal. The series is over ten years old now and it still got the reboot because the original was that good. For everyone who hasn't seen the original series: Yes, it is that good.

I've only seen the first two seasons of Korra. I don't have much a reason for not watching the last two other than a lack of interest to see the story closed. I loved the setting a lot more than TLAB, the diesel-steam-lightningpunk metropolis with broiling social warfare between nonbenders and benders (a dynamic I really wanted to see more of in the original). Because season 2 (rightly) broke away from that and moved to something new, it didn't hold my attention much like the first season did.

Also it's no secret that the main cast in Korra is bad compared to the original. Apparently they fixed that as time went on, but I wouldn't know. The supporting cast is great though.

EDIT: Right, favorite bending. It'll always be earthbending, even if it is visually one of the more boring ones.
 

Henkie36

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Well, I thought that as a whole, The Last Airbender is hands down the better one. It has the richer story, the more cohesive narrative, and it's closer to an experience than just another show for me. There are very few things about this show that I'm iffy on, save for one or two episodes that seem to stand out in that they are of lesser quality than the rest. Mind you, not bad per se, just a bit less good than the rest.

The Legend of Korra is more of a mixed bag. Season 3 and 4 are absolutely awesome, and I don't really se a lot of things wrong with it. Yes, I was pissed as hell when I learned that Nickelodeon cut the budget mid-production by the equivalent of a full episode in Book 4, and that they had to throw in the clipshow episode as a result. I believe Rob Walker described it very accurately as "It's being run by rhesus monkeys" or "The inmates are running the asylum." That was such utter bullshit that I really think it's a miracle the show ended as good as it did.

Book 2 was kind of bad, yes, but again, Nickelodeon is to blame there. They only gave the creators a year and a half to make it, which is simply not enough to make a 14 episode season. Beginnings Part 1&2 were both awesome, though, no one can take that away.

But what I mostly liked about LoK was that it took a few more chances. ATLA is very much a traditional "bad guy wants to take over the world, good guys try to stop him", mixed in with a "boy becomes a man" story. Not bad in and of itself, and they do it in a very compelling way, but not something we have never seen. LoK on the other hand, brings in issues of social inequality, oppresive governments, PTSD, and those are main story issues, not just a side note. Any one of the issues I just mentioned span a season.

Now, allow me to turn into a bit of an SJW for aminute, but yeah, again, LoK wins out on that as well, it moves with the times more than ATLA did. Korra and Asami pretty much bursting out of the closet was a bit of a leap storywise, but it ultimately did fit and I'm still kind of amazed that they actually went through with it. I also like how unusual Korra looks in her design, liked that from the start. She is very a-typical, because where all the female characters in ATLA were strong, they still conformed to the basic Disney-princess standard, with long legs, slender build, big eyes, etc. Korra is of course far more muscular, quite short, dresses kind of boyish, and let's not forget that it's a nice change of pace to have someone who isn't white as the main character.

Anyway, I'm done rambling. Both shows were absolutely awesome, and overall ATLA was the stronger one, even if LoK takes the cake on a lot of points.
 

Josh123914

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Here I was hoping people liked the show.

inu-kun said:
Couple of examples:
There is destroying the avatar cycle, pretty much annihilating the souls of all avatars before Korra including Aang, just so she'll be a "strong woman who's not dependent on any male", there's bridging the human and spirit world so they can draw funny animals, there's the turning random people to air benders which is a giant cop out to an important series wide (since ATLA) issue so Korra's choice in the end of season 2 will be immediately justified, there's the airbending murder superman in season 3 which completely subverts the lore behind air benders so the writers have a villain. There's Korra learning metal bending in 10 minutes. In general it seems bending becomes "hard art you need to practice your entire life to be good at" to "everybody can pick up and play".

I'll spoil my response too (but I feel the need to say that so others know it's not a quote).
-It's implied there was a way to maybe get the previous Avatars back. I'm not holding my breath, but maybe they'll get some tangible connection to them again in the comics.

-They'd been drawing funny animals since S1E1 of the last Airbender. What is Appa?

-Even I wonder about the implications of turning random people into airbenders. Some fan theories state that any non-bending air nomads were cast out from their society and so the Earth Kingdom airbenders are actually distant descendants of these people.
I like to adhere to that because 1) Bumi inherited the airbending after HC and 2) racial purity it would explain why no fire nation or water tribespeople became airbenders.

-Zaheer and Guru Laghima may be new additions to lore, but remember the time Aang and all visited the Southern Air Temple. How the hell did an unarmed old man kill half a dozen Fire Nation soldiers without airbending them?

-I always thought that bending required specific motions and emotional states in order to grasp. Surely educating crews of firebenders to avoiding shitting for 6 hours and then striking specific poses should do the trick, right?
And Korra could always bend the elements rather easily, I'd have been surprised she didn't figure out metalbending with all the people training her over the years.

All in all, the biggest distinction between TLA and LoK is that Aang and Korra are polar opposites. Aang could meditate all day long, but struggled with bending an element that wasn't air mainly due to not wanting to hurt others/himself.
Korra on the other hand, could bend all the elements (bar air) but until season 2 lacked any appreciation of bending other than it being a method for beating people up.
 

Smooth Operator

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TLA was by far my favourite, because it was a novelty, they did the distinctive characters very well, they went very specific on what makes the bending styles tick, everyone had their own community form distinctively on that basis, everyone was bending very differently, whole philosophies were dedicated to the bending, they also went to a good length to have every major character have their special style, and they actually made the fights technically clever.
Lot's of world and culture exploration also.

KoA meanwhile is all one big city mishmash, full of political nonsense and even more teenager drama/romance(granted if I was a teen I would probably give a shit, but I'm not so I don't). Now everyone shooting every kind of element out of their ass, half way through everyone who can't shoot shit out of their ass gets silly super powers anyway, the only distinction you now get is what color attack is (fire/water/rock/wind) and fights are decided distinctly by plot power (this time the baddie throws a winning ball of fire, this time the protagonist throws the winning ball of water,... this shit keeps repeating through the entire series).
I think they got real damn lazy, preoccupied with who wants to rub genitals with who else.
 

GabeZhul

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inu-kun said:
Isn't lightning needed to be supplied by fire benders anyways? making the equalists literally disposing of their weapons energy suppliers?
Oh please! That's not even the tip of the iceberg when it comes to the self-defeating weirdness of the Equalists' methods. I mean, they don't actually know since Amon is keeping it a secret, but taking away bending powers is dependent on blood-bending. Not only that, but taking away bending with it is different from spirit-bending as it only makes them unable to bend by permanently blocking their chi-flows, but it does not make them stop being a bender. This means that, since bending is genetic, or at least operates on the same principles (as shown by the only Air-benders before season 3 being Aang's descendants), the children of these people would still be benders, which means they would have to be blocked as well. However the only way they can do that is by keeping a bunch of blood-benders around to do that generation after generation.

In other words, the Equalists, the people who don't want to do anything with benders, would need to employ a cadre of benders to stop other benders from bending, and they cannot get rid of them after they have done their jobs because they have to do it for every single generation afterwards as well. In retrospect one has to wonder what Amon's long term plan was, or whether he had one to begin with...
 

Redryhno

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Henkie36 said:
Now, allow me to turn into a bit of an SJW for aminute, but yeah, again, LoK wins out on that as well, it moves with the times more than ATLA did. Korra and Asami pretty much bursting out of the closet was a bit of a leap storywise, but it ultimately did fit and I'm still kind of amazed that they actually went through with it. I also like how unusual Korra looks in her design, liked that from the start. She is very a-typical, because where all the female characters in ATLA were strong, they still conformed to the basic Disney-princess standard, with long legs, slender build, big eyes, etc. Korra is of course far more muscular, quite short, dresses kind of boyish, and let's not forget that it's a nice change of pace to have someone who isn't white as the main character.

Anyway, I'm done rambling. Both shows were absolutely awesome, and overall ATLA was the stronger one, even if LoK takes the cake on a lot of points.
Except...none of the characters in TLA were white either...the entire world is based on various Asian cultures(obviously Water tribe are Inuit-ish and the rest are predominantly Chinese/Japanese/Korean if I'm remembering right), so honestly the best you can go for is that Aang and the Airbenders in general are pale as fuck.

And you have to remember that TLA had a cast of mostly 12-year olds, Korra was like 17(?) when this started? And was alot more active because she could afford to be? So of course she's gonna have a more enhanced physique, even Sokka and Sukki had similar physiques to hers, just obviously alot younger. Not to mention her garb is really not that different from Katara's in the original...

Also the Korra/Asami shipping just...didn't feel right on so many levels, it wasn't brave, it wasn't innovative, it wasn't even shown on-screen all that well. At least Sokka and Sukki had a couple episodes dedicated to them trusting each other and shit.

GabeZhul said:
inu-kun said:
Isn't lightning needed to be supplied by fire benders anyways? making the equalists literally disposing of their weapons energy suppliers?
Oh please! That's not even the tip of the iceberg when it comes to the self-defeating weirdness of the Equalists' methods. I mean, they don't actually know since Amon is keeping it a secret, but taking away bending powers is dependent on blood-bending. Not only that, but taking away bending with it is different from spirit-bending as it only makes them unable to bend by permanently blocking their chi-flows, but it does not make them stop being a bender. This means that, since bending is genetic, or at least operates on the same principles (as shown by the only Air-benders before season 3 being Aang's descendants), the children of these people would still be benders, which means they would have to be blocked as well. However the only way they can do that is by keeping a bunch of blood-benders around to do that generation after generation.

In other words, the Equalists, the people who don't want to do anything with benders, would need to employ a cadre of benders to stop other benders from bending, and they cannot get rid of them after they have done their jobs because they have to do it for every single generation afterwards as well. In retrospect one has to wonder what Amon's long term plan was, or whether he had one to begin with...
I always assumed his plan was to do it for long enough and gather enough power that the Equalists couldn't be toppled, reveal his Bending nature, and then just have that incite some kind of Bender genocide by sacrificing himself for the "less privileged".
 
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While I enjoyed both series for the most part *coughKorraseason2cough* I found TLA to be the better of the two. I liked the setting and world building in Korra, TLA felt a lot more focused. From season one, Aang's goal was to master all 4 elements and stop the Firelord before he uses the comet's power to take over the world. Korra was a lot less defined in its ultimate endgoal, but that was mostly due to it originally being only one season. Still, I think both are great series and I would not hesitate to recommend them.

As for my preferred bending style, I'd defiantly go with water. I really like the fluid (no pun intended) movements of the bending plus the fact that water is such a versatile element. Plus, living in Minnesota, I wouldn't be short on water to bend, especially in the winter!
 

GabeZhul

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Josh123914 said:
-It's implied there was a way to maybe get the previous Avatars back. I'm not holding my breath, but maybe they'll get some tangible connection to them again in the comics.
Okay, how? Seriously, we have seen them getting literally beaten out of Korra and it was categorically stated that the line of Avatars was broken and Korra is starting a new line. How the hell could that be reverted outside of either some aggressive retcon or even more aggressive fan-wank?

-They'd been drawing funny animals since S1E1 of the last Airbender. What is Appa?
Apples an oranges, though I rather doubt the involvement with the spirits had anything to do with them trying to "draw funny animals" on the first place. LOK was not a very merchandised series, and I see no other reasons why the producers would mandate having those in the series.

-Even I wonder about the implications of turning random people into airbenders. Some fan theories state that any non-bending air nomads were cast out from their society and so the Earth Kingdom airbenders are actually distant descendants of these people.
I like to adhere to that because 1) Bumi inherited the airbending after HC and 2) racial purity it would explain why no fire nation or water tribespeople became airbenders.
This is headcanon at best, though I would also say that the real issue is the reappearance of them at all. As inu-kun has already stated, it feels like a cheap way to justify Korra leaving the portals open, like this unintended consequence somehow made her baffling decision any better.

-Zaheer and Guru Laghima may be new additions to lore, but remember the time Aang and all visited the Southern Air Temple. How the hell did an unarmed old man kill half a dozen Fire Nation soldiers without airbending them?
I don't see the connection. Air Nomads were technical pacifists, but as all the fighting Aang and Tenzin had done in the two series has shown, they are not above fighting in self-defense or defending others. Also note that, due to the nature of the show, we don't really see the aftermaths of battles. As far as we know our air-bending heroes have already killed a bunch of people by proxy (sending a mook flying through the air with a gust of wind is a pretty good recipe for a broken back.)

On the other hand though, I don't even think we can judge Laghima and his philosophies taken that all we are shown of them are through Zaheer, and it is entirely possible that he only latched onto the parts he could use to justify his own beliefs. We may never know.

-I always thought that bending required specific motions and emotional states in order to grasp. Surely educating crews of firebenders to avoiding shitting for 6 hours and then striking specific poses should do the trick, right?
And Korra could always bend the elements rather easily, I'd have been surprised she didn't figure out metalbending with all the people training her over the years.
First off, no, it is not about "specific motions and emotional states". You either have affinity for something or you don't, and then if you do you have to train it until your eyes bleed if you want to become proficient. We have seen that Bolin was a pretty impressive earthbender but he could not metal-bend no matter how hard he tried while he could pick up lava-bending after seeing it in action a few times, but he only becomes proficient with it in season four.

As for the whole "you just have to learn the motions" thing, that was another aspect of bending LOK kind of messed up. In ATLA, bending was part martial art for a reason; one needed to guide the element they were bending with their bodies, as it required the chi flowing it them to work. That's why you could chi-block someone's arm and stop them from bending for a while. Then LOK comes along and in have people blood-bend and fly without even moving a muscle. Because who needs consistency?

Finally, Korra being able to bend everything off the bat is actually one of those things that make people call her a Sue all over, and being able to bend metal AFTER she lost her connection to the other Avatars... I am sometimes inclined to agree, but then I remember what a colossal screw-up artist she is and I just shrug my shoulders.

All in all, the biggest distinction between TLA and LoK is that Aang and Korra are polar opposites. Aang could meditate all day long, but struggled with bending an element that wasn't air mainly due to not wanting to hurt others/himself.
Korra on the other hand, could bend all the elements (bar air) but until season 2 lacked any appreciation of bending other than it being a method for beating people up.
No he wasn't. Aang could easily bend water, in fact he picked it up so quickly it actually made Katara jealous and once he overcomes his fear of fire he gets the basics of it down immediately. What he has real trouble with is earth, because its principles are completely against his starting element, air. This is a pattern that is established to be part of every Avatar's training, as shown by Roku's flashback.

Unless you are Korra of course, who learns FIRE while being a water-bender toddler, along with earth and water, without any formal training! That's like being able to write, read and do math at the same age, without anyone ever teaching these to her. In fact LOK's entire idea of people just randomly "activating" bending powers (as later seen in the "comedic" scenes centered around the new Air Nomads) kind of torpedoes the idea that bending is actually something you have to practice and perfect to be able to use instead of just being an X-men who is born with the power.

But back to Korra: No, the biggest distinction between TLA and LOK is that the former is a single, cohesive story with proper character arcs while the latter is a mis-mash of antagonists, rushed arcs and jumbled character-relations. Aang's and Korra's differences are just the tip of the iceberg, and even those are often more about the quality of their writing instead of the direction of their writing.

But I digress. As much as I complain about LOK, it wasn't a bad show (save for maybe the majority of season two). It was just that it had the perfect recipe to be a classic that could have overshadowed even the original, and then the chance was squandered because of executive meddling, audience-pandering and just plain sub-par writing. It is just irritating to think about, that's all.