I'm probably over-thinking this and no doubt have missed half the answers throughout my first playthrough, but I have some questions about the narrative and themes behind the game. It's all too rare to come across a game that inspires so much afterthought, and I enjoyed every moment of Infinite!
Anyway:
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1. I'm assuming the many 'alternate realities' represent Bioshock's take on the multiverse theory. So what IS a tear? And how is Elizabeth actually able to not only open them but analyse several (if not all) alternate realities simultaneously? Is she just 'remembering' them, like the minor characters throughout the game who were driven crazy in the timelines where they hadn't died?
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2. How are Comstock and Booker both in the same reality? At which point did one of them switch over? It HAD to be before the part when Anna loses a finger, as they were both present in Robert Lutece's New York at that moment in time.
Or was that scene a result of Booker being transferred INTO that reality by Elizabeth at that specific point in time? My memory is a little hazy.
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3. Why couldn't Booker remember giving away Anna, or her losing half a finger? He thought she'd died. Was this a result of his brain synthesising artificial memories in order to fill in the gaps?
If so, why did he have those artificial memories in the first place again? Why were there gaps to begin with?
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4. In relation to the whole drowning thing, in hindsight how does that actually prevent Comstock or fix anything? Isn't he just a single version of Booker killing himself AFTER the aforementioned pivotal point in his life (accepting the baptism or walking away)?
Or are we playing as the old Booker AT that pivotal point in his life, who is able to 'remember' the future realities but hasn't actually fulfilled any of them yet? If so, then why can he suddenly remember them? Shouldn't everything have been exactly the same as the 'first' time it happened? I don't understand how that one predecessor reality could have been affected by one or more of its subsequent realities.
.
5. Moving onto another subject, how was Booker DeWitt even able to found Columbia and become "the Prophet"? As far as I know this isn't explained, it's not like we see him as a sufficiently successful, wealthy or religious figure in any alternative realities, just a man in colossal debt...
.
6.Where was Anna conceived again? And by who? Booker was sterile. I forget exactly what Rosalind Lutece said on the voxophone recordings, but I'm assuming the Luteces had something to do with it?
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7. How did Comstock predict that Booker would reach Columbia? Could he perceive alternate realities via Elizabeth?
Assuming that Comstock could predict everything, why did he have such a hard time stopping Booker? And couldn't he have foretold his fate at Booker's hands? More to the point, why the hell couldn't Elizabeth herself?
.
8. Last of all, what were the Luteces actually hoping to achieve? It was them who tasked him with getting back his daughter (not that he knew it) in the first place after all. Right?
Was it just an experiment? Was their overarching plan just to stir the pot and observe how things progressed? Which occurrences are constants (the coin toss) and which are variables (the pendant)? Going by the tally on Robert's chalkboard they'd been going at it a long time.
Anyway:
.
1. I'm assuming the many 'alternate realities' represent Bioshock's take on the multiverse theory. So what IS a tear? And how is Elizabeth actually able to not only open them but analyse several (if not all) alternate realities simultaneously? Is she just 'remembering' them, like the minor characters throughout the game who were driven crazy in the timelines where they hadn't died?
.
2. How are Comstock and Booker both in the same reality? At which point did one of them switch over? It HAD to be before the part when Anna loses a finger, as they were both present in Robert Lutece's New York at that moment in time.
Or was that scene a result of Booker being transferred INTO that reality by Elizabeth at that specific point in time? My memory is a little hazy.
.
3. Why couldn't Booker remember giving away Anna, or her losing half a finger? He thought she'd died. Was this a result of his brain synthesising artificial memories in order to fill in the gaps?
If so, why did he have those artificial memories in the first place again? Why were there gaps to begin with?
.
4. In relation to the whole drowning thing, in hindsight how does that actually prevent Comstock or fix anything? Isn't he just a single version of Booker killing himself AFTER the aforementioned pivotal point in his life (accepting the baptism or walking away)?
Or are we playing as the old Booker AT that pivotal point in his life, who is able to 'remember' the future realities but hasn't actually fulfilled any of them yet? If so, then why can he suddenly remember them? Shouldn't everything have been exactly the same as the 'first' time it happened? I don't understand how that one predecessor reality could have been affected by one or more of its subsequent realities.
.
5. Moving onto another subject, how was Booker DeWitt even able to found Columbia and become "the Prophet"? As far as I know this isn't explained, it's not like we see him as a sufficiently successful, wealthy or religious figure in any alternative realities, just a man in colossal debt...
.
6.Where was Anna conceived again? And by who? Booker was sterile. I forget exactly what Rosalind Lutece said on the voxophone recordings, but I'm assuming the Luteces had something to do with it?
.
7. How did Comstock predict that Booker would reach Columbia? Could he perceive alternate realities via Elizabeth?
Assuming that Comstock could predict everything, why did he have such a hard time stopping Booker? And couldn't he have foretold his fate at Booker's hands? More to the point, why the hell couldn't Elizabeth herself?
.
8. Last of all, what were the Luteces actually hoping to achieve? It was them who tasked him with getting back his daughter (not that he knew it) in the first place after all. Right?
Was it just an experiment? Was their overarching plan just to stir the pot and observe how things progressed? Which occurrences are constants (the coin toss) and which are variables (the pendant)? Going by the tally on Robert's chalkboard they'd been going at it a long time.