Could someone quickly read this for me?

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Cheesus333

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Aug 20, 2008
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So I just finished a short story I've been writing, and for lack of anyone I know that would be interested I'm turning to you, the collective Escapist community. Would you kindly read through this and let me know what you think?

Basically I'm looking for things I've done well, and what could be done better. If you're planning on telling me I'm crap and leaving it at that, I'd request that you don't bother. Tell me I'm crap by all means, but at least have the courtesy to tell me why.

Anyway, here it is:

I picked up the small, crumpled can and fingered it gingerly, running my dirty, scratched fingertips over the speckles of rust that were beginning to form on the little scrap of metal. The iron oxide was coarse, rough, unpleasant to the touch. I gazed at the can intently for a moment, then tossed it some way down the path.
The sound of my trolley echoed in the silent air as I trundled slowly through the wastes. I was in no hurry.
When you have an eternity, what's the rush?
The desert is barren, and devoid of life. Tiny scraps of grass emerge through cracks in the sun-baked dirt... but even these are wiry, dead strands of matter. The entire world is like this now ? most of it anyway. The rest is decomposing forest and desolate, sand-swept urban ruins. Monuments to decadence.
It's been centuries now, since the end came. The apocalypse, the rapture, the final hour had come more suddenly than anyone expected. It wasn't even on the news, because the journalists and reporters were going too. Everyone, the entire world, taken by light up into the sky. A glowing white rift had opened up. No ceremony, no sound, no forewarning. Just a white hairline crack across the entire sky that yawned into a glowing maw until you couldn't look at it, and soon you couldn't look anywhere, just squeeze your eyes shut until it was over. And then, as suddenly as it had all begun, the crack fell in on itself and closed. They were gone.
But I remained.
I stopped for a brief rest, allowing my trolley to roll along without me a little whilst I caught my breath. I took this opportunity to attempt speech again.
?Mah... mah naay... sssss... mah nay ssss...? The syllables were clumsy imitations of the words I was trying to form. Even if I could say the first three words, my name had long since disappeared from my memory ? not long before I forgot how to speak.
?Mah nay. Mah... ma - my... nay... my nay...? I sighed heavily, and climbed to my feet. My coat was heavy, and hung off my wiry, emaciated body like a thick cloak on a metal cage. But maybe I only say that because that's how I see my body now. A cage.

I caught up with my trolley, and pulled it close to inspect the things I had gathered. Not long after I had realised my situation ? and very shortly after the many suicide attempts - I had taken to collecting trinkets of interest found on my travels, on my search. What I had now was a paraphernalia of decaying junk. A particularly ornate spoon here, a family photo of people I never knew and will never know there, even a CD with 'Monica - Solo' penned on it in marker. I'd been searching for a working DVD player for a long time (I was beyond desperate for any sign of humanity, even just a reminder of the most shameful aspects of my species) but the coming of the end happened to send out some kind of pulse that more or less neutralised the electronic capacity of anything. Watches were permanently stopped at the moment of the apocalypse, televisions blinked out globally as one, fridges went off and then, eventually, warm. Everything that could be dead, was. I was the last speck of energy on the surface of Earth. I suppose I should be proud, but...

When the light broke through the air, somehow calmly warm and refreshingly cool at the same time, people had begun to rise. Slowly. They didn't seem to notice, just stared at the hole in the sky as it grew more intensely bright. I had to shield myself but they... they just kept gazing up. When they rose to head height I grabbed at their legs, tried to drag them down with me as company in to my eternal limbo but they slipped out of my grasp. They didn't slow down, and I didn't go up. It was like I was being gently pushed away. I screamed and shouted, indignant petulance overtaking any pride I might have had. What is pride without anyone to hold it over? And what's shame without anyone to look up to? I tried everything. And I had plenty of time: it took hours. They ascended slowly, spreading their arms and soaring up on cushions of air. Soon, their crucifix silhouettes turned into vague T-shapes, and then black specks against the burning light. And when they drifted through the breach... it slammed shut against me.
A foul, arid wind tugged at strands of wispy hair that dangled loosely around my head and shoulders. I trimmed it where I could but the more I decayed, the more dead cells I extruded. It was hard to keep up: soon I'd just drag it around with me. I shrank my head into my shoulders, and squeezed my eyes tight to keep the worst of the dust out. Dust and sand was easily swept up off the surface of the barren ground, and it targeted my eyes with malicious fury every time a zephyr stirred the air.

I fell to my knees quite suddenly to the sound of a loud snap. There was no stab of pain or even so much as an itch, but I was aware that my weak angles had finally given way. My tibia had probably broke in two like a dehydrated twig, and the fibula with it. It felt like a strong breeze would just whisk bits of me away.
I sat for a long time after that. My perception of time was so skewed that it could have been as much as millennia and I wouldn't have known. The sun seemed to rise and fall like a thrown ball anyway. I couldn't tell how fast that was to me. And night was total darkness: the Moon had gone at some point. I had barely even noticed, but it had simply vanished from space. To tell the truth, it wasn't even the Moon itself that I had noticed but the ocean. It was completely still, never rising or falling. Stagnant, only occasionally moved by one of the winds that tormented my delicate frame.
When I could no longer sit, I lay. When I could no longer lay, I simply existed, a sad, immobile figure in a fast-decaying coat. That didn't last long either, and my skin suffered the same fate. The world itself eroded me, first my dermis blistering away in a bloodless rot. Then the muscles slowly wasted to narrow brown fibres, and then turned to dust. At last I was bones, until they were picked at bit by bit as the sand in the air wore me down like a stubborn rock. When my physical essence was scattered to the winds of my terrestrial prison, I remained as a consciousness, bound by no mortal form. I stayed in the place I had fallen, drained of any will to travel, and watched as the aeons moulded the world into a smooth, dry mass. When the Sun began to grow and swell in the sky, becoming a distended fireball, I watched that too. When it devoured the Earth in a silent consumption, I watched that. There was, of course, no protest. Even I, the god of these ruins, cared not that it was simply erased from the universe in a comparatively miniscule timespan. But I remained, as galaxies hurled ever inwards and entropy claimed every single star and the universe itself was nought but darkness. And finally, after inconceivable years and yet more unfathomable seconds, it happened.
I remembered my name.
 

Companion^3

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Apr 18, 2011
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Unfortunately, I'm not particularly good at explaining things and since writing comes naturally to me, a lot of stuff is extremely difficult to explain as I don't fully understand it myself. It just feels right, fast, slow, wrong, and so forth. Also, I don't know most of the proper terms and grammar is more of a post-writing concern for me. When in that writing mood, however, my grammar is generally spot on. Don't confuse this terrible, terrible post for my actual writing and dismiss what I have to say as the two differ in quality to a great extent.

Your diction is rather impressive, but it seems as if you used a thesaurus. Simply put: Your choice of words don't really match your sentences and some of your words seemingly conflict in complexity, ambiguity, and fanciness. Yes, I said fanciness. It makes your story seem rather awkward, for lack of a better term, and so too does the fact that your level of description and formality varies.

"I picked up the small, crumpled can and fingered it gingerly, running my dirty, scratched fingertips over the speckles of rust that were beginning to form on the little scrap of metal."

That particular sentence has a decent level of description and your choice of words is rather nice.

"It wasn't even on the news, because the journalists and reporters were going too."

However, the word choice, tone (on my end, anyways), and depth of the latter sentence differs from the former sentence.

While I'm not suggesting it, I would expect the second sentence to be something like "And it was completely unknown to all as the relayers of information that our society depended on vanished as well." There's a few problems with the sentence I just gave you (again, not suggesting you use it), but it fits with the first sentence a bit more.

You need to learn to use commas correctly. I don't know how the UK version of English differs from the US, though, so I may not be correct. I can't find any particularly good examples, but I'm pretty certain you can find them rather easily. When in doubt, it's most likely best to refrain from using a comma.

I'm not entirely certain as to when a colon is appropriate (I always have to look it up. I can't be arsed with grammar for the most part), but I'm willing to bet that you used them inappropriately as well. Don't take my word for that, though.

Again, actual grammar escapes me, but, well, fragmented sentences.

While it's a decent story, that's it. It's bland. It's more akin to an extended intro than a story. Short stories are generally supposed to be faster paced, but yours is slow. I don't feel that rise that you should feel as the story approaches its climax. I suppose it feels like the first chapter in a series of short stories.

I'm not particularly familiar with these forums, so I'm just going to assume that the lack of indentation is not your fault.

I'd provide examples, but a majority of everything I pointed out is so glaringly obvious that I should not have to point out. I'm also lazy. It's mainly my laziness, actually.

There's more, but I seem to have distracted myself and have now forgotten! Darn, I'm terrible at this.

I wish I could be of more help. I'm simply not particularly good at giving advice.

Keep writing! You do have great potential, but you're a little rough around the edges.

Art is never finished, only abandoned.

P.S. I apologize for the jumbled and ambiguous mess that is this post. Sleep deprivation is rather detrimental to my level of coherency.
 

Cheesus333

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Aug 20, 2008
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Companion^3 said:
Thanks for replying, you seem to be the only one out of 64 people that bothered :p

I'm not overly concerned with grammar and punctuation etc. at the moment, because I think they're probably superficial errors I can rectify later. But I'll be sure to remember your other points.
I suppose it doesn't help the consistency of my vocabulary when I write one half months after the other, but that's no excuse 'cause I really should have rewritten the first bit to match the rest >.>

Anyway, thanks very much for reading, I'll certainly work on it :D

Not this particular story, cause I'm actually pretty sick of it myself now, but future ones.

EDIT: Love the name, by the way. Made me giggle.
 

tharglet

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Jul 21, 2010
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I'm agreeing with Companion^3's initial observation - you're overdoing the adjectives. It reminds me of a piece I wrote for GCSE to get us to describe things a bit more, but the end effect is the describing gets in the way of the sentences.
With the can in the first sentence, the most notable useless adjective is "small". The fact the can is small has no bearing on the situation. I think the average can-sized can most people would imagine will suffice.
I couldn't get my way to the end of it, because the story itself felt like reading a list to me - the sentences take a very list-like form to read, sort of like... "there's this. Then there's this. And another thing". I think this stating method works for a short while, when setting a scene or coming to a dramatic point, but it seems to persist on for far too long.

If I was writing a bit about a hobo pickin' up a can this is the kind of thing I would think about writing. Not sayin' it's perfect (being me I doubt it is), but might offer up something to think about.
"I picked up the rusty can, and contemplated its rough and unpleasant texture as I inspected it. After deciding the can was of no interest, I tossed it away, far from the path"

What I tried to do with the sentence is to make the hobo-type guy look like he's deliberate and long with his actions, and give a reason for picking it up. I did originally say the "can was of no use" but I read a little later on in the story he collects crap to remind him of stuff. Him tossing it away far from the path suggests he was either disappointed in it or otherwise totally disinterested in it.

Tbh, I don't think you need to describe what a desert is like. Only if this particular desert has some notable feature. Maybe you could make the guy reflect on how he's not seen any form of creature for days for a true sense of desolation beyond that of a normal desert. That would save you from having to add in yet more description, so that the story can flow more.

Hope that helps ^^.
 

Norendithas

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Oct 13, 2009
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I think it has some good ideas in it, but I don't think it flows. It's a little rough to read. I edited some of the excepts from your text to show what I think would be better, and in some I just suggested anything that came to mind. I might re-write a bit of it in the editing to show you what I mean. Feel free to use anything I suggest in any revision you might make. I also broke the story down and put the sections in spoilers to help with space.

I picked up the small, crumpled can and fingered it gingerly, running my dirty, scratched fingertips over the speckles of rust that were beginning to form on the little scrap of metal. The iron oxide was coarse, rough, unpleasant to the touch. I gazed at the can intently for a moment[sub]Too much description. if you were going for something like it was only a moment of intense concentration , then I suggest something like [sub]'momentarily, focusing on its every detail'[/sub], then tossed it some way down the path.
I think it would sound a little better if you substituted 'and fingered...of metal' with something like 'ran my fingers through its cracks and dent. My filthy fingertips rubbing up against corrosion and age'. Also, most cans these days are made out aluminum, rather than tin plated steel. So, not to be a stickler for facts, it wouldn't necessarily be iron oxide, but aluminum oxide. However, I am not sure of the time in history this is taking place, so that might be a null point. Rather than calling it iron oxide, rust would have sounded a little better in my opinion. But if it is aluminum oxide then corrosion would probably settle.

I really brutalized this one. I think it's because I got my editing face on and shook off the dust. :]
It's been centuries now, since the end came. The apocalypse, the rapture, the final hour had come more suddenly than anyone expected. It wasn't even on the news, because the journalists and reporters were going too. Everyone, the entire world, taken by light up into the sky. A glowing white rift had opened up.[sub]I might just be picky with all the comments I am making. I think that this statement feels a little jutted out there, and needs connected more with the idea before. It feels to much as if you're saying it just happened as we were reading this part, until you realize right after that he's talking about what happened. You could maybe mention remembrance of the glowing white rift?[/sub] No ceremony, no sound, no forewarning. Just a white hairline crack[sub]One or the other: it is kind of like you said the same thing twice. If you go with hairline, you could throw in fracture instead of crack if that's what you were going for. I definitely like the description though.[/sub] across the entire sky that yawned[sub]I had to look this up to see what you were thinking. Gotta say, I love this word choice. I also love how this ties in perfectly with 'maw'[/sub] into a glowing maw until you couldn't look at it, and soon you couldn't look anywhere[sub]Stay in one tense. Right before you were in the past, now you're in the present. If you were going for a flashback, then you want to stay in past tense. But you could say, 'not long after manifest, it stretched across the expanse of the sky. Nothing was visible at that point'.[/sub],'All you could do was?' just squeeze your eyes shut until it was over. And then,[sub]I never really followed the "never start a sentence with and" rule, but I think it'd be best to just cut that part out.[/sub] as suddenly as it had all begun, the crack fell in on[sub]imploded on? and disappeared?[/sub] itself and closed. They were gone.
But I remained.
Not too bad here. When you say centuries, I really get to wondering as to what the hell is going on in the person's world. This is because centuries is a hell of a long time for someone to be living, haha. Plus, not sure how literal you want this piece to be, but if centuries had passed and desertification was beginning to take a toll on mankind's creations, then that can he picked up earlier sure as hell would have been gone. At first thinking that over I thought maybe you were going for the world hadn't changed and the person was stuck in the empty, timeless shell of a long forgotten earth. That was until I considered the part about the desert before.

I stopped for a brief rest, allowing my trolley to roll along without me a little whilst[sub]I dunno if whilst is commonly used where you're from, or everywhere for that matter, but I think it would just be simpler to say 'while catching my breath'. Also, why were you out of breath I wonder? Long travel?[/sub] I caught my breath. I took this opportunity to attempt speech again.[sub]While these quick and sudden changes in writing work well in your style for transitioning, this one just stands out to me more than anything. I just feel as though there was a section to help get here but was cut it. I think an addition of adding what the character was thinking that led him to try this is needed. Something like they were thinking of the past and the long forgotten skill came to mind. Something for that purpose is the little bit of salt needed for this dish to be better.[/sub]
"Mah... mah naay... sssss... mah nay ssss..." The syllables were clumsy imitations of the words I was trying to form[sub]Seems redundant to me. We already no they were trying to form the words and ended up sucking at that. I think it would be better replaced with 'left behind some time ago' or the like.[/sub]. Even if I could say the first three words, my name had long since disappeared from my memory - not long before I forgot how to speak.
"Mah nay. Mah... ma - my... nay... my nay..." I sighed heavily[sub]'Sighing heavily,'? And so as not to make heavy a theme, for the coat maybe just mention it weighing you down, feeling as though you weighed twice what you were. Maybe even add that you thought it got heavier and heavier as time passed, showing slow emaciation.[/sub], and climbed to my feet. My coat was heavy, and hung off my wiry, emaciated body like a thick cloak on a metal cage. But maybe I only say that because that's how I see my body now. A cage.
I think this is a great addition to the piece. It really helps show the mass amount of time that has passed since the event described. As I read on, I thought this could be a great point for foreshadowing the characters breaking down by the end.

I caught up with my trolley, and pulled it close to inspect the things I had gathered[sub]First time I've heard anything about you gathering things. While it is a short story, it doesn't have to be too short. Maybe when they're looking at that can, which was probably a hint that the character collects that stuff, you could add in more detail of how they were noticing all the things they collect, or things that they don't collect because they don't suit him. Something as subtle as that might be welcome in that area.[/sub]. Not long after I had realised[sub]You're evidently from the UK as you don't use our American spelling. I am not sure if in British English this is the correct spelling as in American English it should be 'realized'. Maybe I'll have to play with Firefox a bit and see if I can get it to give me British spellings in my spell checker. If it is right, don't worry about 'neutralised' a little farther down then either.[/sub] my situation - and very shortly after the many suicide attempts - I had taken to collecting trinkets of interest found on my travels, on my search. What I had now was a paraphernalia of decaying junk. A particularly ornate spoon here, a family photo of people I never knew and will never know there, even a CD with 'Monica - Solo' penned on it in marker. I'd been searching for a working DVD player for a long time (I was beyond desperate for any sign of humanity, even just a reminder of the most shameful aspects of my species)[sub]Not sure on the rules of parenthesis in stories like these, but I don't think it's too proper. Kinda like the and rule I mentioned earlier. But anyways, this sentence can be taken out of parenthesis so there's really no reason for it to be in them. Unless there is and I am forgetting some parenthesis usage rule or something.[/sub] but the coming of the end happened to send out some kind of pulse that more or less neutralised the electronic capacity of anything.[sub]More or less to the effect of an EMP lasting forever. I am not sure that you need an explanation more than that.[/sub] Watches were permanently stopped at the moment of the apocalypse, televisions blinked out globally as one, fridges went off and then, eventually, warm.[sub]Bleh, too many commas. I do like the mention of fridges and watches, first thought on the televisions was that it was an unnecessary statement but I have grown to like it. Good use of imagery. One thing though, is to me it looked like you might've added the fridges because they're cold, and it later became warm. Not sure that's the best way to present the warm coming even if the fridge wasn't intended for that.[/sub] Everything that could be dead, was.[sub]Good point. Hadn't thought about animals. Did they just drop dead or did they go with the people? If they just dropped dead or something, it brings a potential idea you could add. I'll post it out of sub. ***[/sub] I was the last speck of energy on the surface of Earth.[sub]I kind of like the description of yourself as energy, being the last sign of movement anywhere. But, as a stickler there is still wind, right? Trees blow in wind. ;][/sub] I suppose I should be proud, but...
About that idea: what I was thinking is you could add a little more to the beginning before this edit actually starts. Talk about getting to the trolley. Maybe you walk through neighborhoods and notice the animals if they dropped dead. They look strange and maybe you examine one. Talk about the memories of lost souls you see held in pictures you might notice anywhere? Just an idea for if you ever feel like it needs more. Maybe you enjoy the brevity of the piece. Does seem nice rather short.

[sub]After reading a bit ahead of this point, it looks to me a little different in style from the previous paragraphs. When you describe the air, just describe it as something as simple as a warm breeze. You've got too many adjectives. I get that you want this part to be descriptive, but you can't throw too much in the reader's face at once. If you've ever been at a mall and they have an area where all the perfume kiosks are set up, it's a similar experience to walking through there and drowning in all the different perfumes.[/sub]When the light broke through the air, somehow calmly warm and refreshingly cool at the same time,[sub]I don't like this sentence very much. If you're trying to connect the change in the feeling around you and the begin of the event, take it to a new sentence. After the sentence describing the change in feel, follow up with 'At the same moment' maybe?[/sub] people had begun to rise. [sub]You appear to like to stray a bit from the rules. Completely fine. It shows more in modern writing styles than anything, and can be a nice touch sometimes.[/sub]Slowly. They didn't seem to notice, just stared at the hole in the sky as it grew more intensely bright[sub]I thought it was a crack not a hole? With the not noticing part you could say they have mindless expressions or something. 'as the brightness intensified'?[/sub]. I had [sub]tried to, but before you said you shut your eyes tight.[/sub]to shield myself but they... they just kept gazing up. When they rose to head height I grabbed at their legs, tried to drag them down with me as company in to my eternal limbo but they slipped out of my grasp.[sub]You don't need to mention the height at which you began. Maybe a short time frame. Or you could go with a height and say they were just above your head by the time you got to them, etc? Also, how did you know about being left alone for eternity at that exact moment? Something click in your head? How'd they slip out of grasp? Did they slide off like they were coated in oil or would they not budge? For some unearthly reason could you not get a hold on them as though some force was stopping you? Now for a big one, where were you when this began? Who was around you? Anyone you knew? You could always throw in a few personal feelings about your family too.[/sub] They didn't slow down,[sub]You mean slow up. Haha.. See what I did there? They're going up! Slowly! Slowly, slowly, slowly.. They were going slowly, so if they slowed down anymore they'd stop![/sub] and I didn't go up. It was like I was being gently pushed away.[sub]Not sure if gently is the best word for that[/sub] I screamed and shouted, indignant petulance overtaking any pride I might have had. What is pride without anyone to hold it over? And what's shame without anyone to look up to? I tried everything. And I had plenty of time: it took hours. They ascended slowly[sub]You already said this! We don't need it again down here, unless you get rid of it up there. I think it is a good idea to mention how they looked floating up like you did after this. I don't think cushions of air is the best word choice. And soaring brings about faster movement than slowly.[/sub], spreading their arms and soaring up on cushions of air. Soon, their crucifix[sub]-like?[/sub] silhouettes turned into vague T-shapes,[sub]The vague T shape is just a different kind of crucifix. Still a crucifix. Besides, what are you suggesting happened with their arms if before they looked as though they were protruding from the sides? Or do you mean before they were elbows down forearms out?[/sub] and then black specks against the burning light. And when they drifted through the breach[sub]passed through rather than drifted? Did they all go through at the same time or was this when the last sign of life went through?[/sub]... it slammed shut against me.[sub]Implosion![/sub]
A foul, arid wind tugged at strands of wispy hair that dangled loosely around my head and shoulders. I trimmed it where I could but the more I decayed,[sub]Holy hell, like a walking zombie. Or a ghoul if you've played Fallout. Did not realize this before. Is this purposefully down here for the reader to uncover for a reason? If not, maybe it should be mentioned above.[/sub] the more dead cells I extruded. It was hard to keep up: soon I'd just drag it around with me. I shrank my head into my shoulders, and squeezed my eyes tight to keep the worst of the dust out. Dust and sand was easily swept up off the surface of the barren ground, and it [sub]seemed to? Any feelings now at this point?[/sub]targeted my eyes with malicious fury every time a zephyr[sub]After looking this up it's a gentle, mild breeze. Doesn't sound like a dusty wind you'd need to protect your eyes from. Try something stronger? Also this is good to know. The desertification happened instantaneously after the crack imploded.[/sub] stirred the air.

I fell to my knees quite suddenly to[sub]reminds me of dancing when you say to the sound. How about at the sound instead?[/sub] the sound of a loud snap. There was no stab of pain or even so much as an itch[sub]Why would an injury like that itch? Maybe after you've got the cast, but..[/sub], but I was [sub]Somehow? As though it was a sense rather than noticing or feeling?[/sub]aware that my weak angles had finally given way. My tibia had probably broke in two like a dehydrated twig, and the fibula with it. It felt like a strong breeze would just whisk bits of me away.
I sat for a long time after that. My perception of time was so skewed that it could have been as much as millennia[sub]a millenium[/sub] and I wouldn't have known. The sun seemed to rise and fall like a thrown ball anyway[sub]Anyway sounds like a careless word thrown in for no reason, anyway.[/sub]. I couldn't tell how fast that was to me[sub]Uhh, what? Doesn't make sense to me, but it's 5 AM here and I am tired. Maybe that's it.[/sub]. And night was total darkness: [sub]You mean when it was night. It wasn't night all the time, right? And what, the moon disappeared at some point?[/sub]the Moon had gone at some point. I had barely[]/s[sub]How about hardly even would have noticed, had it not been for etc.?[/sub] even noticed, but it had simply vanished from space. To tell the truth,[sub]Not a fan of these words being used. [/sub] it wasn't even the Moon itself that I had noticed but the ocean.[sub]How about you mention the sun first, tie in the moon after, and then this? More organized that way. And about the ocean, the ocean does not rise and fall by the moons whim. There are other things to it. So I wonder what caused it to go still?[/sub] It was completely still, never rising or falling. Stagnant, only occasionally moved by one of the winds that tormented my delicate frame. [sub]I see the tie, but I am not liking it too much. This also deserved a semicolon, not just a comma.[/sub]


When I could no longer sit, I lay.[sub]So you collapsed in a sitting position before? Why could you not sit anymore?[/sub] When I could no longer lay, I simply existed, a sad, immobile figure in a fast-decaying coat.[sub]At this point you're pretty much a lifeless ragdoll?[/sub] That didn't last long either,[sub]You mean you're existence. You essentially are breaking down. I don't like the word choice of 'That didn't last long either', either. Or so much that your skin suffered the same fate as that should be a given because it is part of you; included in what happens to you.[/sub] and my skin suffered the same fate. The world itself eroded me,[sub]Through exposure to what elements? You could say each did one thing, all different things; doing their part to erode the hell outta you. I think you should just say the skin not dermis pealed, or blistered is fine.[/sub] first my dermis blistering away in a bloodless rot. Then the muscles slowly wasted to narrow brown fibres[sub]British spelling once again, haha.[/sub], and then turned[sub]You could say then slowly turned?[/sub] to dust. At last I was [sub]nothing but?[/sub]bones, until[sub]and even then..?[/sub] they were picked at bit by bit as the sand in the air wore me down like a stubborn rock[sub]Like you were a stubborn rock? Goddamn stubborn rocks.. Or like it was done with one?[/sub]. When my physical essence was scattered to the winds of my terrestrial prison, I remained as a consciousness, bound by no mortal form. I stayed in the place I had fallen, drained of any will to travel, and watched as the aeons moulded the world into a smooth, dry mass. When the Sun began to grow and swell in the sky, becoming a distended fireball, I watched that too. When it devoured the Earth in a silent consumption, I watched that. There was, of course, no protest. Even I, the god of these ruins, cared not that it was simply erased from the universe in a comparatively miniscule timespan[sub]I think there could be some better word choice right there.[/sub]. But I remained, as galaxies hurled ever inwards and entropy[sub]Dictionary.com could not provide me with an adequate explanations of this, but I assume it's essentially when a star dies out? Correct me if I am wrong.[/sub] claimed every single star and the universe itself was nought[sub]Once again not sure on spelling as in American English it is definitely 'naught'[/sub] but darkness. And finally, after inconceivable years and yet more unfathomable seconds, it happened.[sub]You just went from feeling aeons go by to things as little as seconds? Oh and don't be such a commakazee. ;][/sub]
I remembered my name.

All in all, I think it was a pretty good work. Did you write this out of writing pleasure or as an assignment by the way? At some point I believe I started to refer to the main character as a simple 'you' rather than call them the main character or something else. I spent a good couple hours on this so I hope I helped and gave you something you can work with!
 

Cheesus333

New member
Aug 20, 2008
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Norendithas said:
*mega snip*
That was fantastic, thank you very much! I'll definitely refer back to this next time I write a short story.

I am British, as you seem to have noticed :p

And no, no assignment or anything, I just like to write a lot :D Thought I'd finally turn to the Escapist to see how a different audience reacted to my work, cause the reviews on FanFiction.com are incredibly vague and rarely reliable.
 

Norendithas

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Oct 13, 2009
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Cheesus333 said:
Haha, it was my pleasure; I had fun with it. I also like writing short stories and my first was a horror story originally for school, but I eventually went on to edit it for a while after and am at 10 pages currently. Haven't touched it in forever though. :D

If you ever need anything else run through, I'd be happy to help. ^^
 

Cheesus333

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Aug 20, 2008
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Norendithas said:
Cheesus333 said:
Haha, it was my pleasure; I had fun with it. I also like writing short stories and my first was a horror story originally for school, but I eventually went on to edit it for a while after and am at 10 pages currently. Haven't touched it in forever though. :D

If you ever need anything else run through, I'd be happy to help. ^^
I may take you up on that, I shall see after the next time I fire up OpenOffice :p
 

Sniper Team 4

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I used to do this all the time in college. That is, read other peoples' stories and then offer help. Explain what worked and what didn't. Fun creative writing class.

Anyway, let's get down to business. As I was taught, complements come first as they are easier to handle. I liked the overall idea of the story. The last sentient left on Earth, unable to die. You did an excellent job of painting a bleak world, and showing how someone might continue to exist. I also like how you pointed out that the character collects random stuff. That's something I would probably do if I was all alone.
Now for the criticism. As was already pointed out, you're using way too many adjectives. Cut them down. That first sentence alone is a bit much to take in. Re-read it and ask yourself, "Do I really need this? Can the average person understand what I'm talking about if I take this out?" An example: You don't need to re-inform the reader that you view your body as a cage because they should be able to figure that out for themselves. Next, your second paragraph is in the present tense. The desert IS, grass EMERGE, these ARE. This wouldn't be a problem if your entire story was written in the present tense (or is it active? I always get it mixed up. The point is that it needs to change), but it's not. Just that one paragraph, and it's very jarring. My next issue is that this character forgot his name and how to speak, but still knows words like "tibia" and "fibula," along with some other not-your-average-joe's-vocabulary words. This doesn't work. Someone who can remember the name of something that would never forget their own name. He'd sooner forget those names because he wouldn't be using them.
Anyway, that's my broad overview. Hope it helps.
Also, you don't need to make moon capitalized.