Those are some pretty awesome games, and I'm sorry that I don't know more about japanese developers, at least by name. I understand tag lines like "from the makers of *blank*", and i know the big ones, Kojima, Miyamoto etc.DigitalAtlas said:The best team I can imagine that still exists is Suda 51 and Shinji Mikami. Twice have they worked on a game together. The first one was gold and the second hasn't come out yet. It's them or Mikami, Inaba, and Kamiya. With those three we were blessed with Resident Evil 4, Devil May Cry, Viewtiful Joe, God Hand, Okami, Mad World, and Bayonetta. Just awesome.Altorin said:The real tragedy of Daikatana is that it highlights a very sad moment in gaming history - the moment the two Johns split up, and both became far less then the sum of their wholes. Ion Storm died IMMEDIATELY, id's held on for a lot longer, but John Romero and John Carmack together were most certainly better then the sum of both of them seperated.
Gaming lost its first real superstar team, and really, we've never replaced them with anyone else. We've come close, and I think the two Drs at Bioware are probably the closest thing we have, but they don't have as clear an impact on their games, they just run house. John and John were instrumental in making their games - Wolfenstein 3d, Doom and Quake what they were.
Carmack was in charge of moving the technology forward, Romero was in charge of giving us worlds that we wanted to inhabit and destroy. Once they split off, they started exaggerating those aspects of their game making philosophy, and the games after their split are all worse then what they did together.
In summation (because I've rambled a LOT about this), if John Carmack were involved with Daikatana, it would have been the best FPS ever made. Because he wasn't, and he brought the "good FPS Gameplay" to the Romero/Carmack team, it suffered and failed horribly.
Now time to use our imagination, if only Cliffy B would team up with Warren Specter.
I think that's another instance of culture differences. I don't think those japanese developers live in a world where they are technically counterculture. In the US, we've made big strides, but despite the fact that it deals with greater money then the movie industry, gaming is still counterculture.
We need some more gaming rock stars. I wonder if we'll ever get them again. Guys who rose up in the industry almost singlehandedly, became millionaires, and lived the rock star life. I don't think that's possible anymore. We may have eccentric geniuses like Will Wright, Peter Molyneux or Sid Meier bubble to the top, but none of them are the same as John/John.