I just saw a thread where someone was fussing that one of his threads got locked when it was only complaining about Slim Jim ads. I tried to reply, but it got locked as well, so I guess I'll make a thread about it.
One: The Escapist chooses their ads based on offers. Stunningly enough, the Escapist does NOT attract thousands of adoring companies throwing money and pretty girls at them by the gallon. In fact, I recently got videos that had NO ads before I signed up for Pub Club (I signed up for pub club only a day or two ago). How'd I manage that? Simple: I live in Canada, and the international ad slot hadn't been purchased. The Escapist isn't being nice to you by occasionally not putting up ads, it's simply NOT BEEN OFFERED AN AD CONTRACT. The only ads circulating are America Only ads and one or two International ads, as well as the "Watch These Shows" ads for the site itself. They aren't replacing them with other ads for money because no one wants to be there.
Two: The Escapist doesn't run on pony dust and kitten farts, it runs on money. Please tell me you understand that contributors, server costs and office workers require large wads of money thrown at them instead of drawings of ponies.
Three: The Escapist has MAJOR FISCAL ISSUES. You remember that major Extra Credits explosion that happened oh so far back (read: more or less yesterday)? That wasn't caused by a misunderstood joke or an inappropriate buttslap, that was caused by a couple major misunderstandings and a complete and total lack of finances. Allow me to repeat that: THE ESCAPIST HAD ESSENTIALLY NO MONEY. It's why so many contributors suddenly stepped out and claimed that BOOM: They weren't getting paid! The bubble of bad publicity would have caused the doom of pretty much any company that wasn't prepared for it, although the Escapist did prep for it: they completely restructured the contribution payment system from "Payment per Piece" to "Cut of the Ad Revenue", explaining why they suddenly went crazy in hiring new contributors. Jim Sterling and Miracle of Sound both claim they've been paid as according to their contracts, no ifs, ands or buts. But due to presumably contracts (I don't really know, it wasn't clarified), not everyone was swapped to the new payment system after implementation, resulting the Extra Credits bomb. At least we're recovering.
Recap: The Escapist appears to be in a giant money hole, but has a clear and effective way of getting out of it. The catch: It's SOLE REQUIREMENT is that you watch ads.
Basically, watch the ads or the Escapist dies. (Or buy a Publisher's Club membership, that also works.)
Four: Ad blockers reduce value of adspace. If the Escapist was lenient towards ad-blockers, then their adspace becomes less valuable. If they enforce a strict anti-Ad-Blocker policy (that I see so many users whinging about), then their ad-space stays valuable. I don't see how anyone could possibly not understand that.
Five: You don't hold sway over reality. One of the complaints of the guy with the locked threads was that "Money wins out every time." Clearly, how this worked in his head, was that this is about "The Escapist pays attention to its userbase" vs "The Escapist pays attention to its enormous moneybags". Sadly, it's a good deal simpler than that: "The Escapist Lives" vs "The Escapist Dies". Just because the Escapist isn't pampering you and expects you to watch an annoying thirty second clip before its videos doesn't mean it hates you.
Yes this all sounds pretty damn sensationalist with all the "The Escapist could crumble at any moment!" But then, we didn't exactly expect the Extra Credits bomb, did we?
TL
R: If ads/the Anti-Ad-Blocker policies bother you, get a Pub Club membership. The Escapist isn't going to drive itself into the dirt for you.
Also, the above factoids that I state that appear to come straight from my ass are actually from the bit of homework I did when Extra Credits left. If you're interested, I'll make a reference list here later, but until then, just read the various comments made by Archon (the CEO!) from around that time.
EDIT: Where my factoids came from: the Escapist's CEO!
One: The Escapist chooses their ads based on offers. Stunningly enough, the Escapist does NOT attract thousands of adoring companies throwing money and pretty girls at them by the gallon. In fact, I recently got videos that had NO ads before I signed up for Pub Club (I signed up for pub club only a day or two ago). How'd I manage that? Simple: I live in Canada, and the international ad slot hadn't been purchased. The Escapist isn't being nice to you by occasionally not putting up ads, it's simply NOT BEEN OFFERED AN AD CONTRACT. The only ads circulating are America Only ads and one or two International ads, as well as the "Watch These Shows" ads for the site itself. They aren't replacing them with other ads for money because no one wants to be there.
Two: The Escapist doesn't run on pony dust and kitten farts, it runs on money. Please tell me you understand that contributors, server costs and office workers require large wads of money thrown at them instead of drawings of ponies.
Three: The Escapist has MAJOR FISCAL ISSUES. You remember that major Extra Credits explosion that happened oh so far back (read: more or less yesterday)? That wasn't caused by a misunderstood joke or an inappropriate buttslap, that was caused by a couple major misunderstandings and a complete and total lack of finances. Allow me to repeat that: THE ESCAPIST HAD ESSENTIALLY NO MONEY. It's why so many contributors suddenly stepped out and claimed that BOOM: They weren't getting paid! The bubble of bad publicity would have caused the doom of pretty much any company that wasn't prepared for it, although the Escapist did prep for it: they completely restructured the contribution payment system from "Payment per Piece" to "Cut of the Ad Revenue", explaining why they suddenly went crazy in hiring new contributors. Jim Sterling and Miracle of Sound both claim they've been paid as according to their contracts, no ifs, ands or buts. But due to presumably contracts (I don't really know, it wasn't clarified), not everyone was swapped to the new payment system after implementation, resulting the Extra Credits bomb. At least we're recovering.
Recap: The Escapist appears to be in a giant money hole, but has a clear and effective way of getting out of it. The catch: It's SOLE REQUIREMENT is that you watch ads.
Basically, watch the ads or the Escapist dies. (Or buy a Publisher's Club membership, that also works.)
Four: Ad blockers reduce value of adspace. If the Escapist was lenient towards ad-blockers, then their adspace becomes less valuable. If they enforce a strict anti-Ad-Blocker policy (that I see so many users whinging about), then their ad-space stays valuable. I don't see how anyone could possibly not understand that.
Five: You don't hold sway over reality. One of the complaints of the guy with the locked threads was that "Money wins out every time." Clearly, how this worked in his head, was that this is about "The Escapist pays attention to its userbase" vs "The Escapist pays attention to its enormous moneybags". Sadly, it's a good deal simpler than that: "The Escapist Lives" vs "The Escapist Dies". Just because the Escapist isn't pampering you and expects you to watch an annoying thirty second clip before its videos doesn't mean it hates you.
Yes this all sounds pretty damn sensationalist with all the "The Escapist could crumble at any moment!" But then, we didn't exactly expect the Extra Credits bomb, did we?
TL
Also, the above factoids that I state that appear to come straight from my ass are actually from the bit of homework I did when Extra Credits left. If you're interested, I'll make a reference list here later, but until then, just read the various comments made by Archon (the CEO!) from around that time.
EDIT: Where my factoids came from: the Escapist's CEO!
Archon said:In general, since the recession began, we have reduced our in-house team by 40%, reduced our freelance expenses by 50%, reduced the rent on our office by 50%, and reduced our bandwidth bill by 30%. Our current office is in a basement with no windows. There is a limit to how much we can cut before there's only bone left.
Archon said:As far as the new shows v. old shows thing, one thing I wanted to clear up is that in the last year or so, we have been using a new business model for our video shows. Our old business model was to pay a flat fee for content production plus a bonus for high traffic volume. The new business model for virtually all of our new shows is instead based on a revenue share of advertising.
When we add a show that uses the new business model it actually *improves* our financial situation because the second show is still generating traffic that we can sell ads against, but it doesn't cost us money if we have a bad advertising month. The model is not too dissimilar to YouTube - which also doesn't really lose money when a user posts a video, even if they don't have ads for it.
I hope that makes sense and explains what's going on when we add a new show lately.
We are definitely NOT pressing the accelerator to drive our car off a cliff... Which I suppose makes me at least a better manager than the US Government, though that's small consolation.