norashepard said:
Also, outside of politics, I think the reason most romances are shit is because they are found outside of romance novels, where many are tacked on simply because they "have to" be. Like, Star Wars or something, the main point isn't romance at all. It's space and laser and shit. So the romance that is present is as basic as the writers could make it. Then those shitty romances become the norm, and are thus duplicated until the end of time. And eventually, people start to forget that actual legitimate romance is a thing. (There are real people who I have met who were surprised to find out that romance was even a genre all to itself.)
Plus, most writers just don't care about romance. It would have to take someone (like you!) who really does care about that facet of the story to make it good, regardless of genre.
Hero of Lime said:
I don't mind a good romance story either, it's just hard to make a good one that isn't cliche ridden. In fact, I wish that if the plot does not revolve around romance in any way, don't shoe horn it in. I hate it when a love story is thrown in just for the sake of it, it feels forced and never turns out well.
It makes me feel VERY happy to know that I'm not the only one that feels this way. Once I'm done here, I'm going to search for what are considered (online at least) "the best" romance stories.
My favorite part of any story, regardless of medium and not counting stories which focus on action over the actual story, are the ways different characters interact. This is most interesting when the characters are well flushed out and hold strong beliefs toward...well, anything. This is the entire reason why crossovers can be so so SOOOO interesting! With properly detailed characters that are reasonably deep, romance can be very powerful and it can tug on the heart strings. The audience can form very deep bonds with fictional characters which make them incredibly happy and incredibly sad depending on what happens to characters they care about.
Let's look at the classic tale of Romeo and Juliet. The ending of that story is supposed to be so impactful because the audience understands the feelings Romeo and Juliet had for each other, yet their happiness was stolen from them by pure chance. That is a real tragedy the fact that Romeo killed himself JUST BEFORE Juliet woke up. One reason I like Naruto is because of the fantastically (in my opinion) well done character interactions. The relationship the genin held with their sensei was always so powerful, whether it was simple or complex. Any time Naruto was learning from Kakashi, Jiraiya, Asuma and even Ebisu had a strong impact regardless of the tone because it fostered character development in the student and revealed character depth in the teacher. Who does not recognize how powerful the relationship between Rock Lee and Might Guy is?
My point is that putting that sort of spin on a realistic fictional relationship which *gasp* is not driven on misunderstandings and conflict and instead fits the concept
erttheking suggests would be a beautiful and compelling story. Let's say you are writing a romantic fanfiction between two deep, reasonable, and beloved characters. The proper way to make a quality romance between them would be to craft a connection between the two based on qualities the opposing party holds and then conversing on them. "You hold X belief about the importance of family? I hold Y belief, tell me how you came to believe X for I grew up in very different circumstances". They both have pasts so they converse and bounce ideas off each other, fostering more character development and making a real romantic connection which isn't solely based on looks or something shallow. Isn't that a reasonable way to make your audience hold feelings for the relationship itself as opposed to feelings for the individual characters? Isn't that how you can convince an audience that there is a real romance between two people rather than just saying "I love him/her" until the term loses all meaning? You know,
show not tell?
Well, that's enough rambling from me.