Stall said:
And some trivia for you: Georg Philip Telemann is actually considered the most prolific composer out there, at least to my knowledge. Many of the Baroque composers were incredibly prolific. I think it's mainly tied to the church being a composer's main employer during that period, but I could be wrong.
Oddly, the church(es) didn't really employ musicians except as choirmasters and organists. It was the noble courts that took up a great deal of musicians, and they had larger churches that were sort of subservient to them. That's why there was an almost equal amount of secular and religious work. Anyway, much agreement on Bach, I don't think anything conveys
grandeur better than the Passacaglia & Fugue in C-minor (original organ, not orchestral), because of the way that the single line of melody builds up in six lines. Magnitude is no longer an applicable word in this context! XD
frizzlebyte said:
Never! Give me obscure, 18th century Czech, Italian, and English composers, or give me death!
On second thought, just give me the composers, then go away. ;P
PS: That Bugs Bunny bit is awesome. I've seen that a thousand times, and I never got it. Thank you for being informative. I salute you!
Yah, love that cartoon, can't find it on Youtube, though, which sucks. Corny Concerto was funny too, though not as much as Rhapsody Rabbit, shooting the cougher at the start, absolute genius (and the Guitar Boogie on the Piano, whoever arranged that deserves a fucking Oscar)!