I feel that Liszt is very underrated at times. Too many people focus on how difficult his pieces are.BudZer said:Franz Liszt is the greatest composer of all time.
One of my favorites by him.
I feel that Liszt is very underrated at times. Too many people focus on how difficult his pieces are.BudZer said:Franz Liszt is the greatest composer of all time.
is this post yours?j.alex said:Inventive is the very last word I would use to describe him. I read an interesting thread on another forum a while back on him, here it is http://www.thestudentroom.co.uk/showthread.php?t=834560, which might be worth looking through if you have time. If not, the most important points were made in this post:
When I listen to Einaudi all I hear are the barest clichés (eg. 'ritornare' employing an augmented fourth suspended about IV [or presumably VI since this is minor]), with the buzzing fifths in the background all the time like Schubert's organ grinder (but without any of the complex irony in Schubert). Then the figures starts with all those 9ths in... I feel like all development has been evacuated, and all attempt to really explore how something might /feel/ has been replaced by automatic devices that have been well tried and tested for producing 'feeling' -- but deployed almost automatically. If you see what I mean... This is what leaves me so blank. There is also something really bleak about Einaudi's total lack of modualtion or deviation from a diatonic scale, which is the kind of tonal landscape you get at times in Ravel and Debussy, and also in Froberger / earlier contrapunctal composers, and which Bach summons occasionally in Die Kunst -- and it can be genuinely haunting there. But in Einaudi rather than greating a kind of meditative or peaceful stasis it creates just a void.
If people can't tell cliché and artless simplicity from thoughtful simplicity, if they can't tell automated 'emotive' responses to subtle and nuanced responses, this suggests to me that their emotive perception is somehow impaired. It's like crying at a Hollywood happyending: you've been taken in. It's one thing for music/films to be merely entertaining, but if they dictate your capactities for interpreting yoru experience, and in this case we're talking about emotive and empathetic capacities, it worries me that we might as a culture be losing the ability to genuinely feel anything or empathize with anybody. Einaudi's music is inhuman.
I don't think he's been mentioned! And that's a shame because I think his symphonies are better than Tchaikovsky's (which everyone on this thread seems to love)yesjam said:I'm not sure if anyone's posted him yet, but my favourite composer is Mahler. My favourite piece of music from any genre is his Symphony No. 2 "Resurrection."
Actually, you didn't come off as rude. I just thought I might've. Man, the limitations of text, eh?Fiz_The_Toaster said:snip
Yeah, I can see it.King Toasty said:Side note: Is my avatar showing up? It won't for me.
Is it a gif?AlAaraaf74 said:Yeah, I can see it.King Toasty said:Side note: Is my avatar showing up? It won't for me.
No it's just a toaster.King Toasty said:Is it a gif?AlAaraaf74 said:Yeah, I can see it.King Toasty said:Side note: Is my avatar showing up? It won't for me.
I agree, I like Mahler more than Tchaikovsky as well.AlAaraaf74 said:I don't think he's been mentioned! And that's a shame because I think his symphonies are better than Tchaikovsky's (which everyone on this thread seems to love)yesjam said:I'm not sure if anyone's posted him yet, but my favourite composer is Mahler. My favourite piece of music from any genre is his Symphony No. 2 "Resurrection."
I also like his symphony 2, but my favorite is a tie between his 5 and 7. Then 2, then 8.