For the data you just happen perchance to see you can side with the copyright holder and report it just the same way you would report a mugging you happen to have a perchance to see. I refer you to the episode of Seinfeld where the group witnesses a mugging and ignores it and are held in violation of the local "Good Samaritan" law.Entitled said:By "Show me a person who has never pirated digital content", I merely wanted to point out, that it's not really true that "You can 100% avoid the extanglement with the copyright holder", because you will EITHER have to pay for every singe copyrighted data that you see, OR pirate stuff, but there isn't really an option of just "leaving" copyrighted content alone.
In that way, we can make simplicistic analogies about designing a castle, or locking down a street, or other examples where you have the option of simply not being there, but the problem with copyright that it really *is* everywhere, and in that way, similar to a general tax that I didn't ever agree to pay.
(which doesn't necessarily make it right to ignore it, but makes it more necessary to question why is it there to begin with.
And what makes your analogies more appropriate than mine with the street musician?micahrp said:I don't wander the net sticking things in my computer any more than I would wander walmart sticking things in my pocket. To take the analogy further I also don't wander down the back alley's of the net looking for a dealer to hand me a copy of something he assures me is primo stuff or climb in the broken windows of websites looking for stuff to steal.
Other than the fact that they are all illegal, which on it's own shouldn't be a source off morality. Other than the fact that right now the letter of the law says so, What makes copyright ifringement SELF-EVIDENTLY more comparable to stealing, than to walking on a street and choosing to stop next to a street musician for a few minutes?
Vegosiux said it best. It's a simple fact that IP is NOT a physical product, and it's control is not about whether something gets TAKEN from it's creator. The very idea that intellectual work must have an "equivalent" level of control to drug stores, leads to flawed analogies.micahrp said:I agree copyright holders shouldn't get special protection but they should get no less protection than any other item taken without the owner's express consent. And since the product is different it needs a different set of safe guards. I've worked in a drug store that kept an armed guard on the premises, what is the ditigal equivalent? I've worked in a photo lab and we refused to make copies of copyrighted works, what entity in your computer is doing that refusal? I am working as a programmer and I take it no less seriously.
If we would take that claim to it's logical extreme, IP laws shouldn't have Public Domain, or Fair Use limits, since you don't get to fairly use other people's physical property, and physical property doesn't become public after 95 years, lost to it's owner . So even our current system admits that you can't draw direct paralells.
http://en.wikipedia.org/wiki/Busking_(U.S._case_law) (wow, never read US case law on Busking - Street Artist Expression)
For the street musician, to regulate the performer many municipalities require a street vendor liscence which clearly outlines what they are allowed to do and not to do which includes "even asking for a donation" and "They must also leave open reasonable alternative venues" where here in this forum people keep denying the viability of my suggestion of alternatives. So the street performer is a free speech user in a public setting. The copyright holder has not put their product into the open public, rather another individual has moved the product into a public space.
Wow, two bird with one stone. Copyright holders have the right to keep their products private not public and that transition is what is being violated. AND if it's private thats another reason it is NOT "culture".
The expiration of copyright is to force companies to roll over their ideas in a way that matches the human population rolls over, they knew it would lead to stagnantion if they did not. One example is Batman's copyright will expire at the end of 2034 under current law. Another is Sherlock Holmes copyright has expired which is why we have several TV shows based on him. I think there are many parallels which were created on purpose to help the product retain value in a fashion similar to physical objects. Other than real estate, what percent of physical objects last 95 years also?
Britian has its walking paths which cross private property (if I remember correctly your a fan of quoting British statutes) and granted that is me reaching for a fair use of private property but i will admit when I'm reaching.