Escape to the Movies: 12 Years a Slave

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PortalThinker113

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The Dubya said:
Yeah! I'm sick of all these Hollywood slavery movies too!

All...five of them.

Seriously people? Not counting Roots, a TV miniseries, there's been a TINY HANDFUL [http://en.wikipedia.org/wiki/List_of_films_featuring_slavery] of films with the depiction of slavery as the main topic, with even fewer being major motion picture releases. Glory, Amistad, Django Unchained...Birth of a Nation...um...Mandingo?

Yeah, this topic has had nowhere near a legitimate enough interpretation. And yet here people in this thread are acting all timid and nervous and sweep-under-the-rug-ish about this. What, we in America can make hundreds [http://en.wikipedia.org/wiki/List_of_Holocaust_films] of films going into depths and finding new ways to explore Germany's history that's less than 100 years old, yet all the sudden we're getting cold feet when talking about our own? Give me a break...
I was right about to post this Wikipedia link [http://en.wikipedia.org/wiki/Category:Films_about_American_slavery], but you handily beat me to it.

Seriously, everyone talking about "Why are there so many movies about slavery? It's so overdone!"? Can you please provide examples of the DOZENS and DOZENS of films that are apparently thoroughly covering the subject of American slavery? There were 24 films over a period of more than 100 years on the first list, and some of them even stretch the label of "about slavery" (I would not consider Lincoln to be "about slavery" in nearly the same way 12 Years is, for example- Lincoln was about both Lincoln himself and timeless statements about the nature of politics and human opinion more than it was about slavery). That doesn't even reach a rate of one movie every four years. To boot, one of the movies on the list isn't even out yet! This is very much a subject that needs to be talked about, and we are far from having a definitive word on it.

From where I'm standing, 12 Years A Slave looks like a thoroughly excellent film, and I will certainly be seeing it once I can find out if there are any theaters near me that feel like showing it anytime soon...
 

Therumancer

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james.sponge said:
Seriously though why can't they produce a film - about Afro-american character - that does not involve slavery or discrimination? I'm no American but after looking at your film culture I'm having an impression there were no black personalities that excelled in the field of law, medicine, philosophy, physics, politics or diplomacy who are worthy of having a motion picture about them.
Pretty much my thoughts on the subject, and that has a lot to do with the whole "why can't we have more blacks as main characters" argument. You generally can't do it because if you don't show sympathy to, or agree with, these kinds of issues with the character it generally won't be embraced by Black America. If you do, then your limiting yourself mostly to a left wing and minority audience, which doesn't account for anywhere near as much of the population as they would like to have you believe despite how vocal the left tends to be in particular.

To be honest, it seems like we periodically go through phases where people like to go on about how horrible slavery was, bringing out "true" stories like this, or "Amistad", or creating things like "Roots" and "Django" which is always presented as something new and brave, while at the same time trotting out the tired old horse that was "Gone With The Wind" for a white-guilt inspired flogging, before letting it rest for a while and trotting it out again.

Honestly, I kind of await a time when America matures enough to finally handle the subject properly, though I imagine that will take decades, and the maturation of domestic black culture before that can happen. The truth being more or less between "Gone With The Wind" and it's idealistic portrayal, and "12 Years A Slave". At the end of the day not every slave owner was a full time sadist or abuser, after all on a purely pragmatic level it all came down to money, and acting like these movies show towards ones slaves leads to poor morale and all kinds of problems which means less work efficiency and less money. It was neither a bunch of happy to be slaves black people strumming their banjos while doing farm work, or a bunch of sociopaths gleefully trying to create their own version of hell on earth and trying to find excuses to abuse people. Indeed given that your typical plantation was a business, half the crap overseers do in this genere of movies would have probably gotten them hung by the very guys allegedly responsible for it all simply because the environment they created would cost them money. At the end of the day relatively happy and healthy slaves meant more product, which in turn meant more money. A bottom line which is mentioned but rarely brought to the forefront unless used in some offhanded way to justify more abuse which at the end of the day winds up making little sense. In reality you couldn't work your slaves to death and just bring in more while maintaining morale and productivity, not to mention the costs would soon outstrip the profits from the farming. At least "Django" tried to address the problem a bit by having Candy running bloodsports with his slaves, but at the end of the day a lot of it wound up having less to do with American slavery than the idea of gladiatorial games, things like "Spartacus" wound up covering the same basic material a bit better without the political pretensions.

-

As far as your comments about Black culture go in the US, there have been some that have excelled to that point. The typical "go to" example is George Washington Carver who did a lot of research with peanuts and whose innovations lead to the development of things like Linolium, Peanut Butter, and other products, many of which we continue to use globally to this day.

That said you ARE correct that the primary achievements of blacks in the US have been in terms of sports/athletics and entertainment. This has also caused a lot of problems within society which people have been trying to address for quite a while. Bill Cosby (who has a PHD in Children's Education) has in the past gone on about it at length, talking about how American black culture is effectively anti-education, to the point of labeling it selling out, a big problem Black America deals with is the perception that being a normal person and fitting into the rank and file of society is wrong, and that it's only right to be part of the top 1% or on the lowest rungs of society, working outside of society to try and get into that top 1% the whole "git rich or die trying" attitude. While it does not apply to ALL blacks, one of the biggest problems is that your typical young black person would rather play Basketball all day and dream about becoming a pro (unlikely) and then turn to becoming a gun thug when that fails, than see work their butts off in school, get a normal job, and maybe excel to become something better if they do well enough. You do wind up seeing blacks doing normal jobs, or even taking academics seriously enough to become doctors, lawyers, etc... but more often than not you'll see blacks ultimately deciding it's better to wind up face down in the ghetto with a gun in their hand, having tried to get ahead that way, than have become a cog in the machine and wound up likely becoming a wage slave like 99% of the population. Something which has gotten to the point where you'll see people literally feed millions upon millions of dollars into inner city schools and ethnic neighborhoods, only to have the students destroy the computers, textbooks, and materials. Getting Black America to assimilate, and embrace the opportunities presented, especially within the educational system, being a huge issue.

I'd also point out that while the specifics aren't the same all around the world, a lot of sociologists who argue about "unintentional racism" will point out that it's not just America that doesn't seem to produce that many exceptional blacks to make movies about (outside of very specific fields), it's arguably the world, and the lack of success has also bred a sort of "beaten dog" mentality from people who don't even want to try. Something that doesn't just apply to blacks, but a lot of those who are minorities in the first world as well.

The basic argument is that if you look around the modern world, almost everything you see came from some white guy in the first world. There ARE exceptions, but things like electricity, phones, cars, planes, etc... you look into them and ultimately at the beginnings you'll find some smiling white dude. While I'd argue the dusky skinned mediterreneans were not white, if you go back even earlier you'll find the basis for a lot of those innovations started with the Greeks and Romans who tend to be viewed as white by the critics (accurately or not) to find anyone with dark skin involved you typically have to go back to Egypt or Babylon and it gets touchy. The overall point being that your typical white guy can't understand how demoralizing this is to someone who isn't white, and thus your guilty of racism through ethnic success without having to do anything. One of the foundations of white guilt and a cornerstone for people who decided to bash whites for being aggressive conquerors as a way for trying to balance the books by saying we're all bastards (or were) but that rarely helps the situation at the end of the day because it acts as a reminder that white dudes probably kicked the butts of the ancestors of some "minority" at some point as well. Phyrric victories like pointing out the Zulu nation actually beat the British military oftentimes don't help when you consider it involved literally throwing tens of thousands of bodies at them until they basically ran out of bullets. Losing several hundred dudes for every one you take out doesn't exactly come across as empowering no matter how you try and spin it.

A BIG exception to this however is from Asia, but that would make this huge post even longer.

At any rate, I'm not saying I entirely subscribe to this theory (though I find it interesting, and to make some good points even, especially when articulated by someone better than myself at this kind of thing). If you think about it though it's not just Americans who don't produce many movies about great black thinkers and pioneers, not many people do when you omit the athletes and entertainers from the mix. There ARE exceptions, and people can probably rattle off a seemingly long list, but then stop and think about how many whites or Asians you can think of in comparison. You can do that with most of those who are minorities in white countries. If you want to get technical you can also tend to bring it down to very specific places and regions (UK, US, Germany, parts of what are now China) where the most global innovations have taken place, but that goes well beyond this point, and can get complicated (which from outside can be seen as "bickering white folks"), after all one can ask who gets to claim Alexander Graham Bell, he was born in Scotland but was pretty much chased out, he did a lot of his research in Canada, but actually completed it in the USA, for business reasons he sent his patents to the UK and USA simultaneously wanting to get patented in the UK first because of the laws there saying a patent couldn't be on file anywhere else, and wanting it protected there, but also wanting a USA patent for business reasons and due to the climate for innovation. Scots, Canadians, Brits, and Americans all claim he was one of theirs and take cultural credit for the phone.
 

Ihateregistering1

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Here's what I've never understood about movies about Slavery.

As terrible as it was, the amount of slaves that came to the United States was actually very small in comparison to the overall atlantic slave trade (it's estimated that about 6% of all slaves came to the US). The vast majority went to South America (mostly Brazil), and the French colonies (Haiti, Dominican Republic, etc.). So why is it that seemingly EVERY movie about slavery focuses almost exclusively on the US? Maybe there are movies about slavery in other countries, but I've never heard of them.
 

james.sponge

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The Dubya said:
james.sponge said:
Even a fictitious story would do. Black female lawyer winning a big case against big and prestigious male dominated law firm? No? Not possible? No studio would do such a thing? OK! Back to slavery then!
Because that wouldn't be equally as trivial, pandering, uninspired, cliche ridden, and patronizing as any other cheap faux-feminist Julia Roberts-esque vehicle. Not at all.

...and that, children, is what we call "sarcasm." Because the above sounds like a horrible idea.

james.sponge said:
I'm having an impression there were no black personalities that excelled in the field of law, medicine, philosophy, physics, politics or diplomacy who are worthy of having a motion picture about them.
And you wanna know why that is?

SLAVERY!!!! :D :D :D

Ya know, that 200+ period where any "black personalities" were considered legal property of other people? Those that even after they were emancipated from slavery still weren't even allowed the right to vote until the SIXTIES? Where even if you WANTED to excel in the fields you're listing, you couldn't/wouldn't have the opportunity to do so even if you wanted to?

Maybe, and I'm going out on a limb here so stick with me, but jussssssst maybe all of that MIGHT have something to do as to why there aren't as many notable black figures in those hypothetical roles you're listen.

But again that's just a wild guess. *shrugs*

james.sponge said:
I'm saying what I see, from the perspective of non-american person. I'm impressed with how American cinema could reconcile with hot topics like Vietnam War, counter culture of the 60s, red scare and other controversial themes yet slavery is omnipresent and returns every god damn year just to make everybody feel bad about themselves. Don't you think it's appalling?
Mostly because they were actually dealt with maturity and intellectual honesty when they were the hot button topics of the time. Vietnam got its Apocalypse Now and Platoon. Counter Culture got...basically the entirety of the New Hollywood era of the 70's. Same goes for the Red Scare and the 1950's sci-fi revolution. And even recently we've had films like Frost Nixon and Good Night & Good Luck look back at the Watergate and Red Scare events of those times. Look up Vietnam films/counter culture films/Red Scare films/etc. and you'll find PLENTY and I mean PLENTY of old and modern examples of films/books/TV delving into those topics while they were hot.

Not so much with slavery or other topics concerning African American history, as I've pointed out. So again, let's not pretend we've "exhausted this topic" and "this comes out every goddman year" when that's just a flat out, provable LIE.

You're not American so that's why you're having a hard time understanding that slavery is arguably the most tip-toed around topics that no one here as EVER wanted to bring up. People want to just brush it under the rug or go "oh it wasn't THAT bad compared to ______" (an argument I fucking hate to no end) and do everything they can to pussyfoot around that part of American history. In this instance America can't paint themselves as the victims, they can't trot the ol' red white and blue out and act like they came in and saved the day/defended our honor or that kind of patriotic schmaltz that Hollywood REALLY likes to beat us over the head with. Naw, Americans just like to pretend racism is alllll over and evvvverything is fine and...okay I can't even continue that with a straight face.

I mean really, the ignorance you're all showing for the impact of slavery is reason enough for this movie to exist. And as Ukomba has linked in his post, there are still sizable chunks of humanity that is STILL in the mindset that it's okay to own another living human being to do whatever you want. Whether because of your race or your gender or your sexuality or whatever, slavery is still a Thing That Exists. And the sooner we're all ready to acknowledge it and talk about it like big boys and girls (then DO something about it), the sooner you'll be slightly aggravated about the perceived "plethora" of movies everyone's too timid to talk about.
You know your post reminded me of something I completely forgot about your country, overreacting. Yes we should not forget about sins of the past but let's not get over the top. Europe has a very militaristic past, last major war ended in what 1945. Yet people here prefer to leave it in the past and instead look forward to the future.

Both slavery and civil rights movement had been extensively covered in the American cinema as far as I can tell, why not start doing films about other topics? I completely forgot about LGBT communities, maybe that would be less cliche, also why not make films about people from Africa? Just anything, please.
 

james.sponge

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The Dubya said:
james.sponge said:
Both slavery and civil rights movement had been extensively covered in the American cinema as far as I can tell, why not start doing films about other topics? I completely forgot about LGBT communities, maybe that would be less cliche, also why not make films about people from Africa? Just anything, please.
...........

http://en.wikipedia.org/wiki/Category:LGBT-related_films

Ya know, it's just gonna be much easier if you'd simply admit that you're wrong.
I don't have the time to view all of them, would you kindly point me in the direction of LGBT films about black communities? And I mean big budget productions, not indie films produced by dozens every year (I know African film makers made a couple of those but they never received any publicity simply for being not from hollywood).

And to return to my previous point slavery is still overused to the point of being boring, films like 12 years a slave convey nothing of value aside from same dogmas repeated to the point of having no worth at all.
 

james.sponge

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The Dubya said:
If you have any good reason why other true stories about human struggle and survival deserve to be shared and this one doesn't, other than "I personally don't like slavery stories" (or what I'm really hearing from you, which is "slavery stories make me feel uncomfortable), I'd love to hear it.[/Condescending Willy Wonka]
Ah yes you are assuming too much. Slavery stories don't make me feel uncomfortable my country banned slavery in 15th century and we didn't even go to war over it. Anyway you wrote some nice things about the film, that's commendable but unfortunately not many people will look upon the 12 years a slave in such a way (except for critics and white-liberals who are its target audience). For most of the audience the film will remain bland and dull. Not because it is bad, but simply because the topic it deals with is overdone.

Watching a film like that goes like this: oh I need to be sympathetic here, oh I need to be angry here, oh I need to feel shame here etc. It's just so artificial and forced.

The Dubya said:
And I love how you now trying to add qualifiers to the argument and dismiss indie films because......because reasons.

(and even STILL I can give you a recent example of an LGBT African American movie [http://www.imdb.com/title/tt1233334]...oh wait that doesn't count since it was an independent movie right? Well how about a Spike Lee joint? [http://www.imdb.com/title/tt0384533/?ref_=sr_1] Maybe one of these [http://www.huffingtonpost.com/2013/02/07/black-lgbt-films_n_2584645.html#slide=2027099] docs will do it for ya?)

The numbers don't lie, amigo. Whatever nonsensical bias you're bending over backwards to have against a topic that's barely had any legitimate coverage is on you, not on Hollywood.
Well I'm dismissing indies and films from other countries simply because the main point of our argument is American cinema and its approach to the issue of slavery. Films about slavery receive proper founding, publicity and lots of positive coverage in the press, this site included. My issue here is why are you concerned with a problem that is long gone and was approached time and time again in countless films. Can we just move on and tackle things like MODERN racial issues? Racism towards blacks, and racism towards whites? That would a good and controversial film in the age of political correctness.
 

LordZ

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This is not the movie about slavery that America needs.

This movie will not make any competent white person, racist or not, feel guilty or upset. If you want a movie about slavery designed to upset a racist white man, Django Unchained comes a lot closer. A racist white man is more likely to classify this movie as a comedy than anything else.

What this movie will do is upset a lot of Americans of African descent. If I were an African American I would find this movie greatly upsetting, even more-so if I were descended from slaves. This movie will serve to reinforce the negative self-image of African Americans that has long been promoted in this country. It's funny how every movie about American slavery is about a slave of African descent. This country had plenty of slaves from countries other than Africa. You might occasionally see oriental slaves but I've never seen a movie that focused on the slaves specifically. The fact we continue to treat African Americans differently than other citizens is just another form of racism. Here's looking at you Black History Month and Affirmative Action (I could name other examples). Until we learn to truly treat races equally, it's obvious that racism will continue.

So, what is the movie about slavery that America does need? Well, one that exposes the forms of slavery that exist in America today. That certainly seems more relevant and pressing to me. Of course, there's also the more obvious forms of slavery that exist in other countries.

Do you or have you ever owed a debt or debts that exceeded your total assets? Are you currently or have you ever been incarcerated? If you answered yes to either of these questions, you have or currently are experiencing life as a slave.

By definition, bonded slavery is when you put yourself up as collateral for a debt. So, if your debt exceeds your assets, just what is left to apply the debt to? It's yourself. So, technically, you aren't really a slave until your debt manages to exceed your assets. However, there aren't many laws preventing your debts from exceeding your assets. In fact, it's quite easy to find yourself in debt to the American government to the extent that you may never pay it off. To make matters worse, government related debts are the ones most commonly immune to being wiped out by declaring bankruptcy. So, while creditors are good at acquiring slaves, the government itself can often be the worst offender. To make matters worse, simply being in debt can lead to incarceration.

This leads me to the topic of incarceration. If you're convicted of a crime and incarcerated, you lose your rights and find yourself facing (most obviously) confinement, humiliation and many of the same forms of mistreatment the slaves in this movie faced. Some might try to say this is justified punishment since they're criminals, after all. However, this overlooks two points. The first is that even criminals are human and are deserving of basic rights and dignities. Regardless of how strongly you may disagree with the first point, the second is irrefutable. The second point is that not everyone who is convicted is actually guilty. It's not uncommon to hear of people who were convicted of crimes they didn't commit. It often takes years or even decades to win your freedom after being wrongfully convicted. To live as a slave for years or decades, for another person's crime is a cruel injustice in every sense of the word.

These days, the law has too much authority. You can be convicted as a sex offender for possessing "obscene" art. Being sent to prison as a sex offender usually results in an especially harsh stay. Simply by owning an internet connection you can be burdened by 6+ figure debts based on an IP number regardless of whether you were guilty or not and in a trial where you are presumed guilty until proven innocent (the cases are civil, so you have no right to a lawyer and the burden of proof is on the defendant). It has been proven trivial to frame an IP number of copyright infringement. These are just a couple of the ways you can find yourself trapped in slavery without having actually done anything to deserve it (as if anyone ever did).

It's no small coincidence that the majority of prison populations are made up of African Americans.

If you want to feel outraged and indignant about slavery, try feeling that way about the slavery that exists today, not what existed before any of us were even born.
 

Bocaj2000

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james.sponge said:
Seriously though why can't they produce a film - about Afro-american character - that does not involve slavery or discrimination? I'm no American but after looking at your film culture I'm having an impression there were no black personalities that excelled in the field of law, medicine, philosophy, physics, politics or diplomacy who are worthy of having a motion picture about them.
If that's the case, then it is obvious that you don't watch many modern American films. Pedlam 123, Pulp Fiction, and Night of the Living Dead are three movies with black protagonists that came off the top of my head.

Looking through your posts, you have made hasty generalizations with no factual evidence. A lot of people in this thread have. For example there are only a handful of films about slavery. Here's all of them:

http://en.wikipedia.org/wiki/List_of_films_featuring_slavery

You obviously don't know what you're talking about, and it seems like you're using this thread to rant aimlessly. I suggest you stop while you're ahead so that you don't embarrass yourself further.
 

james.sponge

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Bocaj2000 said:
james.sponge said:
Seriously though why can't they produce a film - about Afro-american character - that does not involve slavery or discrimination? I'm no American but after looking at your film culture I'm having an impression there were no black personalities that excelled in the field of law, medicine, philosophy, physics, politics or diplomacy who are worthy of having a motion picture about them.
If that's the case, then it is obvious that you don't watch many modern American films. Pedlam 123, Pulp Fiction, and Night of the Living Dead are three movies with black protagonists that came off the top of my head.

Looking through your posts, you have made hasty generalizations with no factual evidence. A lot of people in this thread have. For example there are only a handful of films about slavery. Here's all of them:

http://en.wikipedia.org/wiki/List_of_films_featuring_slavery

You obviously don't know what you're talking about, and it seems like you're using this thread to rant aimlessly. I suggest you stop while you're ahead so that you don't embarrass yourself further.
Well I'm hardly ranting but if you say so sir ;(

The Dubya said:
And this is just a personal thing, but anyone who uses the terms Liberal or Conservatives as some kind of condescending political jab or whatever, I pretty much immediately tune them out. I don't see WTF being a "white Liberal" would have ANYTHING to do with appreciating a film like this (seeing as how I myself are neither) (and what are you even implying with that? That this would somehow be offensive to Conservatives? Conservatives wouldn't like this film because...? Stop throwing around terms you don't know the meaning of, people. This is how we killed "hipster"), so that alone keys me in on ones' clearly slanted bias that I'm simply can't take very seriously. Unless the film is SPECIFICALLY bringing up politics, leave those terms out of the conversation when talking about films.
You do sound like a white liberal though ;)
 

TheOneGuyInNebraska

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LordZ said:
This is not the movie about slavery that America needs.

This movie will not make any competent white person, racist or not, feel guilty or upset. If you want a movie about slavery designed to upset a racist white man, Django Unchained comes a lot closer. A racist white man is more likely to classify this movie as a comedy than anything else.

What this movie will do is upset a lot of Americans of African descent. If I were an African American I would find this movie greatly upsetting, even more-so if I were descended from slaves. This movie will serve to reinforce the negative self-image of African Americans that has long been promoted in this country. It's funny how every movie about American slavery is about a slave of African descent. This country had plenty of slaves from countries other than Africa. You might occasionally see oriental slaves but I've never seen a movie that focused on the slaves specifically. The fact we continue to treat African Americans differently than other citizens is just another form of racism. Here's looking at you Black History Month and Affirmative Action (I could name other examples). Until we learn to truly treat races equally, it's obvious that racism will continue.

So, what is the movie about slavery that America does need? Well, one that exposes the forms of slavery that exist in America today. That certainly seems more relevant and pressing to me. Of course, there's also the more obvious forms of slavery that exist in other countries.

Do you or have you ever owed a debt or debts that exceeded your total assets? Are you currently or have you ever been incarcerated? If you answered yes to either of these questions, you have or currently are experiencing life as a slave.

By definition, bonded slavery is when you put yourself up as collateral for a debt. So, if your debt exceeds your assets, just what is left to apply the debt to? It's yourself. So, technically, you aren't really a slave until your debt manages to exceed your assets. However, there aren't many laws preventing your debts from exceeding your assets. In fact, it's quite easy to find yourself in debt to the American government to the extent that you may never pay it off. To make matters worse, government related debts are the ones most commonly immune to being wiped out by declaring bankruptcy. So, while creditors are good at acquiring slaves, the government itself can often be the worst offender. To make matters worse, simply being in debt can lead to incarceration.

This leads me to the topic of incarceration. If you're convicted of a crime and incarcerated, you lose your rights and find yourself facing (most obviously) confinement, humiliation and many of the same forms of mistreatment the slaves in this movie faced. Some might try to say this is justified punishment since they're criminals, after all. However, this overlooks two points. The first is that even criminals are human and are deserving of basic rights and dignities. Regardless of how strongly you may disagree with the first point, the second is irrefutable. The second point is that not everyone who is convicted is actually guilty. It's not uncommon to hear of people who were convicted of crimes they didn't commit. It often takes years or even decades to win your freedom after being wrongfully convicted. To live as a slave for years or decades, for another person's crime is a cruel injustice in every sense of the word.

These days, the law has too much authority. You can be convicted as a sex offender for possessing "obscene" art. Being sent to prison as a sex offender usually results in an especially harsh stay. Simply by owning an internet connection you can be burdened by 6+ figure debts based on an IP number regardless of whether you were guilty or not and in a trial where you are presumed guilty until proven innocent (the cases are civil, so you have no right to a lawyer and the burden of proof is on the defendant). It has been proven trivial to frame an IP number of copyright infringement. These are just a couple of the ways you can find yourself trapped in slavery without having actually done anything to deserve it (as if anyone ever did).

It's no small coincidence that the majority of prison populations are made up of African Americans.

If you want to feel outraged and indignant about slavery, try feeling that way about the slavery that exists today, not what existed before any of us were even born.
First of all, correct me if i'm wrong, but did you actually compare being in debt to the gov. today to being a slave?
Second, did you actually even watch this movie, or are you just looking for an excuse to complain about shit that has almost nothing to do with this movie?