Aulleas123 said:
So Bob, if the movie was about the character Eli carrying a book by Voltaire or the last known Playboy mag across the wasteland, would that be better?
Voltaire would be pretentious and nonfunctional - you'd have to explain to at least half of the audience what the significance of it was.
Playboy would be silly, unless it tied into the plot somehow (i.e. people had forgotten about sex or something, I dunno.)
I have no objection to the MacGuffin being a Bible BECAUSE it's a Bible, I object to it being a Bible in the context and tone of this movie.
See, the whole "last book/movie/song/whatever on Earth" thing has been done A LOT; and when it works there's generally some level of irony or at least commentary at play in terms of what "it" is. In such stories, the main character always SPEAKS like they're quoting a Holy Book, but the book always turns out to be something seemingly mundane - their kids' diary, some Dylan lyrics, whatever - which gives the reveal a greater impact than "oh, it's exactly what it seemed like it'd be. It's no different than if Eli were hauling around the Bill of Rights or the Magna Carta - it's trite, obvious and heavy-handed.
This is aside from the fact that the film's ultimate pointlessness undermine's itself by serving as a perfect example of why God (as opposed to agents thereof) doesn't really "work" as a character in non-Biblical stories. By the end of the film, it's 100% clear that God has been an active participant in the film, meaning that our story ultimately boils down to this: God decides to save mankind from the apocalypse by putting a Bible in the hands of one guy and having him wander westward for 30 years killing people with a sword. I'm sorry, "mysterious ways" or not, that's just poor plotting.