I agree, my impressions of this movie are essentially "God of War 2, the movie". Which, ironically enough, borrowed heavily from Clash of the Titanswildcard9 said:I was expecting a comparison to God of War, but I digress.
As for your views on Greek Drama, Bob, I have to disagree. Destiny is always a nice stand-in for the Gods or God when a man is not controlled by his own will. After all, Hamlet spent half the play debating whether it was his place to enact vengeance or God's, and if he really had any free will in the matter. The Star Wars series has a very strong destiny theme running and if Georgie would've worked it well, Revenge of the Sith would've been a compelling look at how destiny can also work for evil.
It's not so much that the idea of one man's will being subject to a higher power CAN'T work in modern-day cinema, it's just all in how you work it.
Wow, that is the most simplistic breakdown of the stories in the Bible that I have ever read. I am not the biggest fan of the Judeo-Christian Bible, but you really missed the point.RebelRising said:I actually just finished writing an article for my school newsletter about Greek mythology and cinema, and you touched upon some interesting points. Mainly, that modern filmmakers don't really seem to understand the dynamic between humans and the gods. The Greeks were, for the most part, a humanist culture, and their gods, with their human drama, flaws, and such, reflected that. Sure, the gods controlled the fates of men, but it was a relaxed and fundamentally intimate relationship, for the sole reason that the Greek gods could be comprehended to a degree.
As opposed to the obtuse, vague, and distant motivation behind saving a dude and the animals in a big boat, completely destroying a regular, faithful guy's life, commanding a chap to ritually sacrifice his own son, smiting a bloke for coitus interruptus, and sentencing your own son to unimaginable torture, humiliation, anguish, and death for the sake of a somewhat mediocre species.
Hollywood shouldn't try to resist and/or reinvent the dynamic, they should be embracing and re-exploring it.
The Greek gods do things because they are feeling angry or jealous or spiteful, or on the other side of the coin because they're in love, or happy, or entranced. Human motives, in other words. The Judeo-Christian god is pretty hard to understand. If he's acting on human emotions and impulses, like the Greek gods, then by all accounts he' kind of a jerk. If he's not acting on such impulses, then he's harder to understand, alien somehow. That's what happens when you say your god is all-loving and that every disaster is just him being kindscott91575 said:Wow, that is the most simplistic breakdown of the stories in the Bible that I have ever read. I am not the biggest fan of the Judeo-Christian Bible, but you really missed the point.RebelRising said:I actually just finished writing an article for my school newsletter about Greek mythology and cinema, and you touched upon some interesting points. Mainly, that modern filmmakers don't really seem to understand the dynamic between humans and the gods. The Greeks were, for the most part, a humanist culture, and their gods, with their human drama, flaws, and such, reflected that. Sure, the gods controlled the fates of men, but it was a relaxed and fundamentally intimate relationship, for the sole reason that the Greek gods could be comprehended to a degree.
As opposed to the obtuse, vague, and distant motivation behind saving a dude and the animals in a big boat, completely destroying a regular, faithful guy's life, commanding a chap to ritually sacrifice his own son, smiting a bloke for coitus interruptus, and sentencing your own son to unimaginable torture, humiliation, anguish, and death for the sake of a somewhat mediocre species.
Hollywood shouldn't try to resist and/or reinvent the dynamic, they should be embracing and re-exploring it.
I could break down Greek Mythology into much worse.
Zeus.Delock said:You can't really say that he's THE illegitimate son of Zues, since Zues' police was basically to impregnate just about anything that moved (more often than not, looking something other than himself).
Also, I didn't actually expect this to be good from the trailers (to me it looked like it was going to be 90% action and 10% weak story), but it looks like it could actually serve as a popcorn flick.