So I guess this is just how you make a big-budget movie now:
Get a famous director.
Get a couple of famous white actors.
Make some big-budget special effects scenes that will translate well to other markets without needing any pesky dialogue with some obvious landmarks to indicate the general location/time period.
See who buys it.
I'm honestly tempted not to even blame Ridley Scott or whoever for this shit anymore, and not for some interesting apologist reason. The studios probably have found that the cleverer the dialogue and the more culturally specific the narrative, the worse it sells to markets that either don't speak or speak shitty English, so there's hardly a reason to even try to get an edgy/talented writing team anymore.
Is that sad? Meh. I haven't been to theaters much lately, so I'm happy to check out fun little indie flicks when it's worth my time. Sucks for people out in the sticks who have a functioning brain stem and speak English well, though. For everybody else? Hell, I dunno. I don't wanna get too ethnocentric, but I don't know of a good solution. Demand better translations? Watch better movies? Stop being impressed by expensive shit? Just...like...wait for things to come out on Netflix or whatever?