Merklyn236 said:
Huh. This sounds more interesting than I would have thought.
I struggled with the first one primarily because all of the younger character spoke and acted like modern kids to the point I expected one of them to see something amazing and then say 'Hold on I have to tweet about this.' Maybe it wasn't a problem for anyone except me, but it really bugged me during the first movie. No, I didn't expect them to look and act like realistic Vikings but can we pull it back just a tad?
On the spoiler issue, some reviewers feel the need to go into the entire movie in detail to tell you whether or not they felt a movie was worth watching. That's offputting (to say the least) to me since I do, normally, want to enjoy the story without knowing what's around the next corner. So I appreciate being told if there's going to be spoilers in the review. Note: IMHO MovieBob as a rule isn't guilty of this, and the times he has felt the need to really walk through the full movie he warns you plenty ahead of time in his video.
Okay, let me give you my personal recommendation: there are revelations to be had and expands on the concepts introduced in the first movie (like any good sequel should), but they're done in a refined and meaningful way. It's always awesome to see action sequences that aren't afraid of using vibrant and vivid primary colors. It's so cool to see how the writers and designers of this movie not only
didn't give up on Hiccup's facet of engineering that was fun to see from the first one, they've totally
embraced it. It's awesome to see the renderings of all the tools and structures and dragon-human interfaces used in a dragon-integrated Berk: they're impressive from a design standpoint as much as the dragons themselves are impressive from an artistic standpoint.
As far as the story goes, it's functional. There are no plot-holes, or any dire story/character threads that go carelessly overlooked. It's enjoyable, yes, but what sends it over the top is how beautifully animated it all is, and isn't that just why we decide to tell a story with the animation medium? It's a success on DreamWorks' part.
The only snag I can attribute to this movie is that you see the first movie beforehand. It's not totally necessary to understand 2's story, but the first movie introduces the secondary characters much better.
#betterthanmoviebobatwritinganonspoilerreview
So Bob's argument for giving away spoilers is because there's nothing interesting to talk about? What a lame and lazy excuse. See also: Film Crit Hulk's piece on writing reviews without spoiling (and also about Iron Man 3's reviews):
<quote=Film Crit Hulk>HECK, EVEN SAYING THE WORD "TWIST" SETS UP A DRAMATIC EXPECTATION THAT RENDERS THE AFFECTATION OF SURPRISE MEANINGLESS. YOU DON'T TELL SOMEONE THERE'S GOING TO BE A SURPRISE PARTY REGARDLESS IF YOU LEAVE OUT THE SPECIFICS. AND THIS WHOLE ONE-SIDED CONVERSATION THING IS NOT JUST ABOUT MODERN SPOILER-PHOBIA, BUT OFTEN REFLECTS A COMPLETE MISUNDERSTANDING THAT, AS A CRITIC, YOU JUST EXPERIENCE MOVIES IN A RADICALLY DIFFERENT CONTEXT FROM THOSE WHO READ YOUR REVIEWS...A REVIEW SHOULD ONLY OFFER THE THINGS THAT WILL BEST HELP A PROSPECTIVE AUDIENCE MEMBER WATCH AND ENJOY THE MOVIE. YOU ARE ONLY THERE TO HELP. AND IN HULK'S MIND, IF THE READER HAS NOT SEEN THE MOVIE YET THAT MEANS NOT MENTIONING THE PLOT WHATSOEVER OR EVEN REALLY EVALUATING THE MOVIE BEYOND SIMPLE RECOMMENDATION. INSTEAD, THE REAL DETAILS GIVEN SHOULD ONLY ABOUT PUTTING THE READER IN THE FRAME OF MIND TO BEST ENJOY. AND SOMETIMES THAT MEANS THE BEST THING YOU CAN DO FOR THEIR ENJOYMENT IS GIVE A SENSE OF CONCEPTUAL UNDERSTANDING TO THE MECHANISMS BEHIND THE MOVIE.