templar1138a said:
Wow. Such a butt-hurting review.
I grew up on the Star Trek movies and the tv shows. I rewatched Wrath of Khan after seeing Into Darkness. Overall, I'd say they average out to about the same quality. Lack of character development? Not really. Kirk learned to not be as much of a jackass just because he's got to be the youngest captain in Starfleet, and Spock's character was well-played. The references and redoing just came across as exploring a "what-if" scenario. Nothing wrong with that. This movie isn't anywhere near the best I've seen, but I'm now looking forward to seeing what Abrams can do with the Star Wars sequels.
And I'm surprised and disappointed that you would be offended about the parallel between the plot and the Second Gulf War. Given that that damn war has defined a generation, I'd think you'd be more appreciative of it being used as an inspiration. And it made sense, provided that you accept that there are people in power who take their duty seriously to the point of insanity. And as for the villain who plans to be captured, yes it's an obvious plot device. What's interesting to watch, however, is how the plot unfolds.
Overall, I shake my head in disapproval and disappointment, Bob. You sounded just like one of those whining fanboys who can't get over the Star Wars prequels. You don't have to like the mystery box, but it seems to me that you went in expecting to hate this movie just because it's a reimagining of your childhood. That kind of attitude is what makes people hate critics.
Oh, and personally, I quite liked the Klingons' new look and attire. It was still pretty faithful to the original garments, but it made more sense and was less preposterous. After all, more than a few warrior cultures on Earth designed their headgear to make them look monstrous. Why wouldn't the Klingons?
In some ways your right. I do have a few points though:
1. Khan actually develops a nasty plan in the original, and very quickly. Due to a mistake of which planet they are going down on, two members of starfleet(One being Chekhov) get captured by Khan and forced into playing into his schemes. He then calls Kirk out, and grabs a weapon powerful enough to wipe out life on an entire planet(by creating new life on the planet, and giving him and his people a new home). It is at that point that Khan has made himself into an evil mastermind that has to be dealt with. When Kirk DOES show up, he also manages to convince him to go down to a planetoid that should keep Kirk stuck as Khan takes out his precious ship. He uses a large amount of subterfuge the whole way, and only dies to his passion(putting up a pretty decent fight right until the end.)
In comparison, Khan in the new movie saves a little girl with his blood to convince a guy to blow up a building(a building called the archives which does not AT ALL parable the twin towers)and then gets in a small ship and shoots up the leadership. He then teleports away to territory that they can't easily get to. That is the pinnacle of his villainy and it's over in a few seconds. After that he is an obviously evil ally who falls into everyone's beat. He falls for every trick thrown at him, and is too incompetent to deal with any of them for any length of time. The only thing really scary about him is his apparent ability to squeeze people's heads off.
2. Both movies are the pilots for new characters. Sure, they kill David in the next film, and Saavik never really does much after Wrath of Khan, but they do do things in the movie they appear in. They are useful, and actually serve a purpose to the story. In this movie we get to meet the daughter of the admiral, and she is almost COMPLETELY useless. She shows how to open a torpedo, but needs the doctor to do it. She gets to disarm one bomb, and then every scene after she is COMPLETELY useless. She doesn't fit, she feels like some scrappy sidekick thrown in because someone is her dad.
3. The holes in the plot of this one are big enough to drive planes through. Why does Khan show up now? Why is allowing indiginous people a big enough crime to lose your spot as captain(when they did it countless episodes of the original series and on). They have never suggested that such regulations are ship captain loss level offences, but rather something they wouldn't be pleased about. This movie uses a lot of this as filler to continue a story that isn't going anywhere.
4. We don't get any "because I say so" moments in Wrath of Khan, anything that appears that way is given visual aid and explanation(such as explaining the "Genesis" project.) while in this marvelous movie we get several instances of it. We get Old Spock telling us how much of a badass Khan is rather than a huge amount of showing, or even having Khan explain it himself. Nope, Spock gets to TELL us he's scawy. This also occurs several times with the evil admiral.
My problem with this movie has nothing to do with whether or not it's cheesy. I don't care if it's cheesy, and Wrath of Khan is INCREDIBLY cheesy. There is a lot to forgive in the old one before you can truly enjoy it, but there is even more in this one. This one feels badly made, with tricks to fill time used every five seconds. Lots of close ups of Khans sneer, lots of telling instead of doing, lots of dismissable science that doesn't work in a true sci-fi story(like, how the hell does Khan's blood bring Kirk back after he's been dead for over 5 minutes. Go look up how quickly the brain loses it's ABILITY to function after death.)
But worse than all of that, we have to get preached to about 9/11 in a really bad mirror of current politics. Robocop is trying to "force a war" with the backwards Klingon insurgence using a dangerous relic from our past. When that relic feels like betrayal is around the corner he blows up a monument that doesn't serve a strategic purpose(it is discovered it DOES have strategic purpose, but that leads even more into his little parable here) but will amount to a lot of death. This all comes to a close as they match sound files to SOUND like 9/11 as Khan crashes a large flying vehicle into an island based city with tons of people. We even get a cheesy dedication to the 9/11 events in the credits. It was oozing with this strange 9/11 truther propaganda nonsense, which is either largely ignored, or dismissed by it's audience as something that SHOULDN'T BE IN A STAR TREK movie. Frankly, this was the thing that angered me the most. Up until I noticed that little aspect of the movie, I could have walked away calling it forgettable.