You've made an unnecessary given that art requires an observer. This isn't an actual definition by anything I've found. Just something some professors in some places say but isn't actually definitionally true.Gorrath said:This is of course where the analogies break down. A tree falling or a cat surviving are things that manifest in reality without the need for an observer to verify them. I would argue that art does not fall into that same scheme because art requires an observer to be art, a tree doesn't need an observer to fall over and make a sound.
Furthermore, I'd posit that the artist is simultaneously creator and observer. Just as I have appreciated or despised my own work, I don't see why creator and observer are necessarily mutually exclusive beings. Ergo, art always has an observer. Even a blind carpenter would appreciate his work by its feel and the memory of the project. So art can never truly be unobserved. It can merely be unobserved by us in particular.
By all accounts the definition of art is very broad. Using skill and imagination no matter how poor are generally all that qualifies it with the general intention for it to be appreciated.Yes, I would argue that the definition of art that I tend to subscribe to would make it so that the Mona Lisa was not art before the first person laid eyes on it. This seems counter-intuitive, but only if a thing's status as art is intrinsic to its design/implementation. I don't think art is intrinsic property to the work, I think it is emergent property that arises from creation of said work to the appreciation of it.
Example from Google: Art, noun, "the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power."
The secondary definition discusses the categories of art: "the various branches of creative activity, such as painting, music, literature, and dance."
My interpretation is definitively true whereas your interpretation was gleaned from people who may be experts in the field (professors) but are not the deciders of terms and their meaning.
Art is not everything even under so broad a definition. Most people agree that there needs to be an element of deliberation about it. The intent to create art. So me designing a radio may look old fashioned and cool, but if my goal is merely a functional radio then it isn't art. If my goal is an old fashioned bad-assed piece of electronics that is meant to be appreciated as art when looked at then it is art.This was pretty much how I thought about art too, until my other half beat me to death with the view I take now. The issue with the definition of "art as work" is that then, anything and everything is art. If art is everything, then the term "art" becomes useless and meaningless. One can go pretty far the other way too. With the concept of "found art" one does not even need the skill and imagination of an artist, just the emotional response of an observer, in which case you don't need an artist at all to have art, just the audience. This is why I subscribe to the definition that relies on both the work and the observer, it seems to best encapsulate the idea of what art is.
Producing art is part of human nature. From cave paintings to modern art, the field has fascinated us both as observers and creators and so has flooded into most areas of our life. Therefore we do have a LOT of art. Yes, it's all around us so to say that "art" is really broad is true but not meaningless. Just because art is so common doesn't make it not art anymore than an infinite supply of hats would make them cease to be hats. Most artists have a hard time accepting more amateurish attempts at art as being in a similar vein as what they themselves do with so much skill. This has introduced a misguided and frankly snobbish attempt to then exclude amateur art from the definition of art but that simply isn't true. Artists should instead take refuge in the notion that the observer determines the quality of art and the range of possible quality is immense. From my favorite fine arts like Velasquez's "Las Meninas" [http://upload.wikimedia.org/wikipedia/commons/f/f8/Las_Meninas_%281656%29,_by_Velazquez.jpg] to a low art painting of a can containing crap which I assure you can be done in an intriguing and artistic manner with enough imagination and skill (though you joked about it).
Is found art not collected and displayed in a manner where it can be most appreciated? That arrangement would be the art and the found materials would be the medium in the same way paint is. Most found art is modified in multiple ways. In fact, I'm not sure of any found art that isn't and could still be considered "art" rather than something neat Ted found on the side of the road.Sure, if we are using the "art as work" description. But then where does that leave found art? There is no skill or imagination of a creator here, so does that mean there is no found art? Art as an emergent property would allow an audience to reject a piece, not just as "bad" art, but as so facile that it does not qualify as art at all. I don't find crap in a can to even be bad art, I find it to be a pointless exercise in seeing what a person devoid of integrity can do to dupe people with more money than sense. On the other hand, said people with money can in turn accuse me of having no taste or appreciation of the fine art of crapping in a can. We can both argue over it, but neither of us can really be right, since crap in a can's very status as "art" becomes subjective.
What is it to you or me or anyone else if someone creates pointless or vapid art? There is so much more interesting art in the world that one guy making crap in the can doesn't matter and our eyes don't rest on their work for even a moment when the likes of Van Gogh are out there for our attention. What harm does it cause us or even the field of art when someone makes crap? Doesn't that just make quality work stand out all the more since proliferation of the market has already peaked even without considering crap shoots?
Starry Night is still Starry Night when the museum lights turn off and its cast in pitch darkness. To rob any artist of any of the full praise he or she deserves for his/her work by claiming credit, even in the smallest part, for it being as pretty as it is would be an atrocity in my mind. To accept your opinion on the term would be for me to both give up hard earned credit for my own work (I used to be a professional blacksmith, made a decent living at it until it turned into a side hobby) and to steal credit for other people's work. I'm sorry, but just as a building was always as tall as it was built before it was officially measured, so too is art just as beautiful or ugly before being seen as it is after being seen. Only the appreciation of the observer has changed, nothing of the painting has. We are the only side of the equation that is misinformed prior to seeing it.Logical win-conditions being built into the question aside (crafty fellow) I do not think Starry Night is as beautiful without an observer, no. After all, deciding that something is or is not beautiful is contingent on it being observed. How could one consider Starry Night beautiful if they can't experience it? Of course you always have the artist as well, who will serve as, likely, the very first (and maybe only) observer of the work. But an audience of one is still an audience.