I can't watch" black comedies "anymore. (Edit: Ethnicity, not humor)

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Therumancer

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krazykidd said:
TL;DR I can't watch black comedies anymore. Those comedies that use a lot of negative black stereotypes unironically to get a few laughs. I feel they encourage prejudice, and hinder the fight against racism.

OT: This was a half though that came into mind, while looking through my netflix movie list, so forgive me if this sounds like i'm rambling. I realised, that i can't watch black comedies anymore, not because the actors are black, but because of the content in said movies and what i feel like they are promoting. Now first off ,i'm a 25 year old black canadian male. As a child/teenager i loved these movies, i found them to be quite funny. You could usually spot one of these movies/shows from a mile away. They usually have a main cast of only black people, sometimes they would throw one or two white or asian character for diversity. As i grew older, and started to resent these types of movies. They are written in a way that, in my opinion, promotes prejudice and worst racism. The actors do and say things that reflects black stereotypes. Be it the way they act or talk , they use racial stereotypes unironically. Which, wouldn't be too bad if people didn't actually believe most , if not all black people behaved this way. I say unironically, because usually the movies are very serious, when they portray black people this way. Usually when they want to be ironic, they just have the main character be white ( sometimes asian) and act stereotypically black, which while funny at first, made me realise that people actually believe black people act this way, and when a white person does it, they are "acting" black.

Bassically this films/shows devolve into , forgive my language, nigga jokes. Very few of the films i have seen, actually make a social comentary about these stereotypes. They basically just say :" this is how black people act, and it is funny". Which is what really grinds my gears. The only exception i can find to this rule is the cartoon " The boondocks". I would suspect if anyone actually watched this they would understand. I'm sure there are more but i haven't seen them.

I just can't believe the number of times people would pick a stereotype that they saw on tv or at the movies and would ask me how come i don't act/talk/dress like that because they thought all black people do. This is made worst by the people who actually do embrace and behave like said stereotypes ( like talking in slang, listing to rap music at max volume, wearing baggy clothes and caps,etc...), but that's another topic. Basically, they are bombarded with black stereotypes and start to believe them.

Anyways my question is:

Do you like black comedies?
Do you think they enforce negative stereotypes?
Am i overreacting ?
What do you think?

Well, the thing is that stereotypes exist because they happen to be true, that's what sociology is all about, as this basic truth can be used to manipulate people for purposes like advertising and the like. Guys like Tyler Perry very much exploit these truths in creating their ongoing movie franchises which continue to make millions upon millions of dollars.

I frequently mention Bill Cosby in posts about race largely because when he talks about education (he has a PHD in Children's Education) he frequently touches on the subject of black culture and what it does to hurt black America by promoting unrealistic expectations and codes of behavior, and causing people to literally squander the opportunities given to them, education being seen as akin to "selling out". He explains it much better than I can, and as I've said with some frequency over the years you could read his stuff. I believe what your seeing here is an extension of this basic problem, when your a black person, become fairly well educated, and fit in better with mainstream society (which makes you something of a "sell out") and look at black culture from the outside you can sort of see the problems, the stereotypes, the trends, the attitudes, and how the problems are occurring. Of course getting someone to understand that is difficult, Bill Cosby for example has been attacked quite a bit for saying the things he's done, with "race traitor" being high among the list of insults.

For the most part the basic "attitude" of black culture is that it's okay to act that way, but it's also okay to attack anyone as a racist or a bigot for calling them on it, or saying, doing, or even talking about half the things that black culture promotes in of itself. Along with this comes certain attitudes of pro-black racism, entitlement, and of course a willingness to use any tool including screaming racism in the other direction towards pro-black ends. Anyone who happens to be black and becomes critical is either a race traitor, or someone who "sold out so long ago they can't understand what it is to be black anymore". This makes helping these people, halting the conflicts, and dealing with the problems very difficult.

On some levels Bill Cosby and Tyler Perry are polar opposites when it comes to successful, educated, black men, who work heavily with black culture through the entertainment industry. Bill Cosby has spent a good part of his life on educational causes, donating millions to education, founding programs, and even starting things like "Picture Pages" fairly early on to try and help poorer children with less opportunities educate themselves better (albeit the realities of that program and printing costs apparently made it so it wasn't viable for the target audience which is why it died). Basically Bill has been pushing to get black America to grow up and join the rest of society, and assimilate black culture into the mainstream, along with pushing for generally better children's education along the spectrum. It hasn't always made him popular with "his own people". Tyler Perry on the other hand is a really smart guy who pretty much sees a gold mine in black America, a nearly endless gravy train he can ride by encouraging and preying on the worst inclinations of black America. In his comedies he basically uses a style of humor that both mocks and validates this kind of culture and it's associated behaviors. What's more he makes so much money doing it, that he winds up getting a lot of well educated black actors and talents to literally debase themselves when they need the money, which means that a lot of people who otherwise probably would have been positive role models, wind up contributing to the problem when they become heavily associated with his work.

Now, I mostly talk about Tyler Perry because he's the big "name" here, but the same thing could have been said about the Wayans brothers and other people who have done similar types of things over the years, albeit in some of these other cases I think they did as much other stuff they became known for to not quite be considered as destructive a cultural influence.

Outside of "black comedies" you also have the entire genera of black gang movies, which are thankfully not as prevalent as they could be due to the various shootings they have inspired (right there in the theaters) when multiple groups from that culture converge on the same place to see it and act pretty much like the movie suggests they do. Outside those violent incidents (which add to the glamour) these movies then turn around and do as much if not more to glamourize the "Git rich or die trying" lifestyle than rap music, while also selling all of the same garbage Tyler Perry does.

To my way of thinking, the best thing you can do is well... pretty much just keep living, pointing out the problems with the culture when you get the chance, pointing out the stereotypes and how people do not want to actually BE that no matter how much they see it in movies, and similar things. With time, some will listen, and maybe eventually enough people will to the point where this kind of behavior really will just be people sounding off about racist garbage. Of course honestly I doubt you'll ever see many changes in your lifetime, simply because there are millions to be made, political careers to maintain, and voting blocks to be manipulated, all contingent on black america staying pretty much right where it is. Tyler Perry and his ilk need their money, and guys like Al Sharpton, Jessie Jackson, and the NAACP need this culture with a continued chip on it's shoulder to follow them, so they can broker their influence. After all, if Black America wasn't what it was, things like the whole "Zimmerman" case wouldn't have happened, complete with false information about what the guy slamming his head into the ground looked like. That case, and others like it, act as a demonstration as to what these leaders/groups can do, just or not, and that's a big deal when election time comes around and politicians are offering power and payouts to those who can bring them votes.


Deserved or not, I tend to give Eddie Murphy a general pass as he's done some genuinely good stuff on his own, however his lack of many big successes means he's gone through long periods of "anything for a paycheck". His period of doing Disney movies was... interesting... I kind of give "Nutty Professor" a pass here largely because he had a hard act to follow with it being basically a remake of one of Disney's more classic movies. For the most part it was weight humor. The follow up "The Clumps" however was closer to what your talking about, and pretty bad, mostly he tried to do an entire movie around his talent for playing various characters interacting with each other by using different makeup for each one, which was cool, but not enough to base a movie around. It was a sequel to "Nutty Professor" and really I don't think it was a good idea... at all.
 

Spade Lead

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Since the Escapist's stupid Anti-Spyware Ads ate my long post:

Yes, I enjoy black comedies. Except Tyler Perry, who makes an unmitigated shitstorm of terrible everything.

Some movies reinforce negative stereotypes, but that isn't causing racial tension or gang violence.

You are able to like or dislike whatever you want, and that is your choice.
 

Rose and Thorn

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I don't think I've seen many, looking at the list you have given I have seen...none of them, but I do know of them and I know the actors. I have seen Dr.Doolittle with Eddie Murphy, that count? I certainly don't love black stereotype comedy, but I am sure it is funny every once in awhile.

Oh, I have seen Scary Movie and there is a character named Shorty in it, also in the second one. Every scene he was in was basicly a "black" comedy moment...right? I might be wrong. Might be more of a stoner/black mix. Here is some scenes from the first one. So Scary Movie spoilers.


I actually knew people like that in middle school.
 

Ieyke

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krazykidd said:
Queen Michael said:
Could you name some of these comedies?
I'm talking about comedies with:

Eddy murphy
Chris Rock
Kevin hart
Ice cube
Tyler perry

Movies like:

Big mama's house
Madea's big happy family
Love and basketball
Diary of a mad black woman
Death at a funeral
Barbershop
Are we there yet?
Good hair
The nutter professor
Think like a man
The ride along
Soul plane
First sunday
Friday
Boyz n the hood
Lottery ticket
Baby boy
Half baked
Mac and devin go to high school
How high

And anything Tyler perry makes. Seriously i think Tyler perry took black people back 20 years with his shotty movies.
So all of the terrible movies that no one should ever ever ever EVER waste time on.

Do you like black comedies?
No. They're moronic.

Do you think they enforce negative stereotypes?
Yea. Sure. And the fact that they even get made erodes my respect for humanity.

Am i overreacting ?
Not really. Underreacting, maybe. How you could ever watch them in the first place boggles the mind.

What do you think?
See above.

.....

For the record, that's NOT what "black comedy" means.
A black comedy (dark comedy) is a comic work that employs black humor, which, in its most basic definition, is humor that makes light of otherwise serious subject matter. Black humor corresponds to the earlier concept of gallows humor.
The term black humor (from the French humour noir) was coined by the surrealist theoretician André Breton in 1935, to designate a sub-genre of comedy and satire in which laughter arises from cynicism and skepticism, often relying on topics such as death.
 

Verlander

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While film and television often reflects social change, and once every blue moon encourages a radical social or political point, they never cause social change. This is because they're products. Therefore, they very well might encourage casual racism or negative societal attitudes, but they're not responsible to do any different. They are a product to be bought and while many people on here don't like them, enough do to make them economically viable.

I live in Europe where Tyler Perry gets very few films released. His audience is in Northern America. When he can't make a buck over there, it'll be social change. However, I was under the impression that the majority of his audience was black? If I were you, and had a problem with these representations, I'd raise my children honestly with that belief. Real social change takes many generations.

Anyway, for your actual questions, I don't judge films on the ethnicity of the cast or director. Things like "Big Mommas House" don't appeal, and I've never seen them, but I got a guilty laugh out of "White Chicks" and (when I was younger) "Dr Dolittle"
 

Thaluikhain

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Don't tend to get many of those movies over here, though lots of other movies have a crap black comic relief character.

Yeah, pushing a very negative stereotype...isn't that the point?
 

major_chaos

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What I'm taking away from this thread is that what I though was the one thing I would never get called racist for (liking Tyler Perry movies) is apparently racist. You learn something new every day.
 

Casual Shinji

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I think the only black comedy I like is Coming to America, which is also the only Eddie Murphy movie I like.

Other than that, "black" comedies are centered around a culture I know very little about. So whatever humor it might have will be lost on me.
 

Nosferatu2

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BQE said:
These gentlemen are correct, that is nowhere close to the actual understood definition of black comedy. I think the word you are implying in your phrasing is Black People Comedy. I'm not sure if this particular omission was due to an oversight or an intentional attempt to avoid offense.
That's a "Genetic fallacy" just so you know. Words are a social construction as such they change when used in different contexts. If you read what the guy said it's clear what he means.

Ieyke said:
[
For the record, that's NOT what "black comedy" means.
A black comedy (dark comedy) is a comic work that employs black humor, which, in its most basic definition, is humor that makes light of otherwise serious subject matter. Black humor corresponds to the earlier concept of gallows humor.
The term black humor (from the French humour noir) was coined by the surrealist theoretician André Breton in 1935, to designate a sub-genre of comedy and satire in which laughter arises from cynicism and skepticism, often relying on topics such as death.
You same as him "Genetic fallacy." Not that it makes anything you said wrong, it's just not vary relevant.
 

Johnny Novgorod

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Soviet Heavy said:
Johnny Novgorod said:
Do you like black comedies? Not particularly. I liked Big Mama and Death at a Funeral though.
Watch the original Death At a Funeral. It's a MUCH better film. (Directed by Frank Oz!)
I did and I liked it. I'm still weirded by Peter Dinklage playing the same character in both original and remake while the rest of the cast got swapped.
 

Stu35

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krazykidd said:
TL;DR I can't watch black comedies anymore. Those comedies that use a lot of negative black stereotypes unironically to get a few laughs. I feel they encourage prejudice, and hinder the fight against racism.
Yeah... I came into this thread thinking you meant Black Comedies [http://en.wikipedia.org/wiki/Black_comedy](which I fucking love), as opposed to Comedy about/by black people.


To answer your question about that particular subject... I dunno, I suppose I find most Wayans brothers films to be pretty poor, but I don't think it's got anything to do with their race.
 

BQE

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Nosferatu2 said:
BQE said:
These gentlemen are correct, that is nowhere close to the actual understood definition of black comedy. I think the word you are implying in your phrasing is Black People Comedy. I'm not sure if this particular omission was due to an oversight or an intentional attempt to avoid offense.
That's a "Genetic fallacy" just so you know. Words are a social construction as such they change when used in different contexts. If you read what the guy said it's clear what he means.
For the record:

Logicalfallacies.info said:
The genetic fallacy is committed when an idea is either accepted or rejected because of its source, rather than its merit.

Even from bad things, good may come; we therefore ought not to reject an idea just because of where it comes from, as ad hominem arguments do.

Equally, even good sources may sometimes produce bad results; accepting an idea because of the goodness of its source, as in appeals to authority, is therefore no better than rejecting an idea because of the badness of its source. Both types of argument are fallacious.
I believe you are incorrect. My correction of his phrasing has absolutely nothing to do with his reasoning, logic, or premise. I merely pointed out his inaccurate use of the terminology. I did not proclaim him to be to wrong as a result of his inaccurate wording.

The points I made had nothing to do with the words he used, the origination of the argument or where the idea came from. Therefore, this has nothing do with genetic fallacies, or even fallacies at all.

As for the comment about words, other than the fact that I would wager some Linguistics and Etymological professors may take issue with that particular definition, everything I said after the paragraph you quoted had to do the topic krazykidd was trying to bring attention to.

Please don't be offended, and in the future I'd appreciate it if you could take any further discrepancies with my use of language and fallacies to personal messages. I adore discussing logic but it has no place in this thread; That said this will be last time I bring it up here.
 

Gottesstrafe

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shogunblade said:
I think it depends on the movie. With the exception of one joke, I didn't find Death at a Funeral very negative, really. If you made the cast white, it wouldn't be all that different (I still wouldn't find it very funny). Movies like the Friday films I think do, but nobody in those films are anything but cartoon characters (I remember the Hispanic characters in the sequel being nothing more than "What you saying to me now, Holmes?" types, and it was bad then).
Funny you should say that. Death at a Funeral (2010) was a remake of a 2007 film by the same name from the UK, with an all white cast. While they are similar from a storyboarding perspective (if you were to just read a synopsis of both films you might be convinced that the 2010 movie was a straight remake), tonally I felt that the 2007 movie was the superior of the two. The 2007 movie felt more subdued with better emotional build up, making the comedic parts even funnier given the context. The 2010 movie seemed to be in more of a rush to speed through the scenes from slapstick setpiece to setpiece, with simpler character motivations and more of an emphasis on broad humor and loud one-liners. The byproduct of an idea-starved Hollywood during a remake craze where foreign films were being snatched up for re-adaption to U.S. audiences. Don't get me wrong, we got some pretty good films during that time, but I feel Death at a Funeral (2010) wasn't one of those.

krazykidd said:
I'm talking about comedies with:

Chris Rock
Out of curiosity, are you talking about all of his work or just his later work? What did you think of his stand up from the 90's, specifically Bring the Pain? I noticed in a previous post that you mentioned liking the Boondocks, and if you pay close enough attention you can see quite a bit of Chris Rock's influence in parts of the show (in some jokes more blatantly than others).
 

HardkorSB

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shogunblade said:
For the Sci-Fi thing: You have to think about the audiences who would watch a movie with a black cast, though. How many people lost their shit over the Human Torch being black, being played by Michael B. Jordan (Who was great in Chronicle, in my opinion), when they probably wanted another white guy? This will be a mold breaker, and then maybe black Sci-Fi might be more prevalent, but for right now, it's still as taboo as anybody attempting to make a Gay Cowboy movie.
Yeah but F4 is a big budget movie and they have to worry about things like focus groups. Also, it's not really Sci-fi, more of an action fantasy.
Movies like Looper however, which cost 30 million and is more of a real sci-fi, could be done. I also think they would find an audience (I don't believe that all black people want to watch is Madea).

As for the 12YAS/Fruitvale Station: Black entertainment exists in either Drama or Comedy, those two are just especially important drama films, one of which might end up winning an academy award, but they aren't revolutionary. Amistad, Beloved, Glory and The Color Purple before it are just really moving films, though I recognize that Black director Steve McQueen at the director's chair of 12YAS makes it bigger, and going for modern films with black rights issues, the oeuvres of Spike Lee (Early Spike Lee) and John Singleton make up a lot of that as well.
Amistad, Glory and The Color Purple weren't really "black movies" in the same way that 12 Years a Slave and Fruitvale Station were, they just had black actors in them but I wouldn't call Spielberg a black filmmaker.
Spike Lee is ok but he's just 1 guy and he's from a previous generation of filmmakers.
Singleton did Abduction... Abduction. With Taylor Lautner.
McQueen and Coogler made 2 good films but they're just starting their careers so we'll have to see.

Not to shit on you, just saying that with the exception of 12 Years a Slave's milestone director, those types of film have been made before, albeit with white directors. In all honesty, I really want to see 12 Years myself.
The past is the past.
In the last decade, there wasn't much happening.
 

krazykidd

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Gottesstrafe said:
shogunblade said:
I think it depends on the movie. With the exception of one joke, I didn't find Death at a Funeral very negative, really. If you made the cast white, it wouldn't be all that different (I still wouldn't find it very funny). Movies like the Friday films I think do, but nobody in those films are anything but cartoon characters (I remember the Hispanic characters in the sequel being nothing more than "What you saying to me now, Holmes?" types, and it was bad then).
Funny you should say that. Death at a Funeral (2010) was a remake of a 2007 film by the same name from the UK, with an all white cast. While they are similar from a storyboarding perspective (if you were to just read a synopsis of both films you might be convinced that the 2010 movie was a straight remake), tonally I felt that the 2007 movie was the superior of the two. The 2007 movie felt more subdued with better emotional build up, making the comedic parts even funnier given the context. The 2010 movie seemed to be in more of a rush to speed through the scenes from slapstick setpiece to setpiece, with simpler character motivations and more of an emphasis on broad humor and loud one-liners. The byproduct of an idea-starved Hollywood during a remake craze where foreign films were being snatched up for re-adaption to U.S. audiences. Don't get me wrong, we got some pretty good films during that time, but I feel Death at a Funeral (2010) wasn't one of those.

krazykidd said:
I'm talking about comedies with:

Chris Rock
Out of curiosity, are you talking about all of his work or just his later work? What did you think of his stand up from the 90's, specifically Bring the Pain? I noticed in a previous post that you mentioned liking the Boondocks, and if you pay close enough attention you can see quite a bit of Chris Rock's influence in parts of the show (in some jokes more blatantly than others).
I was talking more about the movies/shows than the actual stand up. I like the stand-up for the most part. While stand up is also entertainement, it also pokes fun at how ridiculous the everything is. A lot of truth is said in jest.

The thing i like about the boondocks is no just the jokes. If you understand the relation between the characters and what they represent , it's not just funny but deep also. It makes a social statement about black america a alot of the time. Riley is the stereotypical black person you hear and see a lot on tv. Huey is the educated black man , who sees the state black america is in, and wants to change it for the better. They are both severly exaggerated , but it's a conflic black people have inside their own communities. A good episode to realise this is the episode 2 of season 1 " The trial of Robert kelly".
 

Nosferatu2

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BQE said:
I believe you are incorrect. My correction of his phrasing has absolutely nothing to do with his reasoning, logic, or premise. I merely pointed out his inaccurate use of the terminology. I did not proclaim him to be to wrong as a result of his inaccurate wording.
The third sentence is kind of the point. It's not an inaccurate use a terminology, saying that't inaccurate is the fallacy.(I should have been more precise) Disregarding if it was evident in the OP he later defined what he meant. In this context "black comedies" means comedies involving black actors. Rejecting that's what it means because that's not what it typically refers to is the fallacy. I'm not saying you can't say someone is wrong if they define red as blue, but you got to admit this is a gray area.

In the end I'll grant you this is kinda splitting hairs, and it affects little. But I think people get hung up on conclusive meaning of words, and phrases, when there isn't one.


A little more on topic me and my roommates are always making fun of move "Guess Who." And that's like the only move I can remember that I guess you would call a "black comedy." No I didn't like it. I don't know if it was racist, but it wasn't funny.
 

krazykidd

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Chaosritter said:
You might want to reconsider the title, "black comedies" are usually movies with a very dark sense of humor. Monty Python's Meaning of Life would be a grade A example.

I wouldn't consider the movies you listed "black" comedies either, they just happen to have a black lead actor. They would have been just as cringeworthy with a white paintjob.

krazykidd said:
Boyz n the hood
wat

I know that movie, and it's anything but a comedy, it's a social drama playing in a black neighbourhood in L.A..

http://www.imdb.com/title/tt0101507/

Unless you consider it a comedy for some reason I don't understand...
Okay, i should change the title, but for the life of me, i can't think of what to change it to to be honest. I don't know if it's a cultral difference or because people on the escapist are more knowledgeable, but if i said black comedy to anyone here where i live, they automatically think "Tyler perry" rather than Monty python. I usually call "grim" comedies "dark" comedies because of the dark humor.

And sure boys n the hood probably don't belong on that list, but i was just listing some movies majority of cast being black. And that have negative stereotypes to give an example.