Spoilers ahead:Torrasque said:I liked it because I was able to follow the storyline and know what was actually going on.jackpackage200 said:and why does everyone think it is great? Sure the visual effects were okay but the bad script and acting just ruined it for me
Also, the ending where the guy actually does the operation and essentially kills the girl, was a huge surprise for me. I had forgotten completely that she was in that place!
Yes it could have been better, and yes it isn't the best made movie of all time, but I'd watch it again.
<spoiler=Answers in this spoiler>1. Yes, she kills her sister at the start. It doesn't really matter in relation to the rest of the story, but it sets the story up. It is also why she is so QQ about life, and one of the larger reasons she sacrifices herself.Tharwen said:Spoilers ahead:Torrasque said:I liked it because I was able to follow the storyline and know what was actually going on.jackpackage200 said:and why does everyone think it is great? Sure the visual effects were okay but the bad script and acting just ruined it for me
Also, the ending where the guy actually does the operation and essentially kills the girl, was a huge surprise for me. I had forgotten completely that she was in that place!
Yes it could have been better, and yes it isn't the best made movie of all time, but I'd watch it again.
Right. No-one's been willing to talk to me about what the hell went on in the plot, so I'll do my best to force you to instead. Here are some questions:
1. Did she kill her sister at the start?
2. Did she imagine the whole club/escape plan/dancing thing in the time it took for the lobotomy hammer to fall or was that just out of order to confuse us?
3. Why did the creepy evil guy want to rape her if it didn't happen?
My fault, I should have been clearer that I meant on more of a setting-wise film than themes. Then again, this doesn't really fit in this thread would it? A hard sci-fi around the short would have been something I would enjoyed on more of a personal scale.Hafrael said:Obviously you didn't watch the movie.
This is the movie they made, the only problem is Baby Doll did give up, she did retreat. And things did end.
Maybe I'm being picky, or just don't remember the film, but isn't most - if not all - the dialogue about escaping the male characters? Isn't that a form of talking about men in a way that fails the above test?Veret said:Let me try to explain it another way: One woman, tired of being ignored by the film industry, came up with something called the Bechdel Test (you may have heard of it). In order to pass the test, a movie must contain:
1) at least two women, who
2) talk to each other, about
3) something other than a man.
An unbelievable number of movies fail at this, but Sucker Punch passes with flying colors.
You're absolutely right, on both counts. Most of the dialogue is about the men, since they're the dominating aspect of their lives, but it only needs one non-male-centered conversation to pass (and there are plenty). And that's the point of the test; it's not about feminism per se, it's just a quick and dirty check to see whether the female characters are completely defined by men, or whether they have lives of their own.AngloDoom said:Maybe I'm being picky, or just don't remember the film, but isn't most - if not all - the dialogue about escaping the male characters? Isn't that a form of talking about men in a way that fails the above test?
Correct me if I'm wrong, also, but isn't that test concerning whether the film has a female presence in it? It's not exactly a coherent test of 'good' women in films, since any film staring a mostly female cast will actually pass this test: even if all they do is talk about purses and shoes.
I actually thought the stepfather killed her, and blamed it on the main character because he knew he could get away with it. But I may have read that wrong.Tharwen said:Spoilers ahead:
Right. No-one's been willing to talk to me about what the hell went on in the plot, so I'll do my best to force you to instead. Here are some questions:
1. Did she kill her sister at the start?
2. Did she imagine the whole club/escape plan/dancing thing in the time it took for the lobotomy hammer to fall or was that just out of order to confuse us?
3. Why did the creepy evil guy want to rape her if it didn't happen?
For me, the film just took itself too seriously. It had an interesting structure and was fun to watch, but I didn't enjoy the message being shoved in my face in voice-overs, as if the director was trying to make up for all the geekiness and fanservice.Addicted Muffin said:No, I thought the movie was great. People just take movies off of face value. I found that the movie put a lot of emphasis on using the imagination to escape reality, something we are all guilty of at least once in our lives, and that is what made it great. It kind of pulled off an inception thing, but didnt overplay it like inception.plugav said:Does anyone except MovieBob think it's great, really?
Still, I liked it, despite it's horrible pretentiousness.
This guy gets it.Chemical Alia said:All it set off were my "this is why I hate geeks" receptors. Admittedly I went to go see the movie with a bunch of people after work without having any idea of what it was about, or I never would have seen it in the first place. But it was a reminder of everything that annoys me about 14-year-old male weeaboos and adults living in the mind of a 14-year-old weeaboo.Lord Kloo said:The movie is all about giving you OMG moments because it sets off your geek receptors.. not that you have to be a geek to get that though..
I'm not saying things should be simplified for the masses, in fact I'm against that notion, I just don't like it when people use "it's art" to defend something. As I said I haven't seen the movie yet so I can't say wether it's good or not.Demgar said:I find "Your IQ must be at least this high to ride" a perfectly valid entry point for any discussion. Why pander to the lowbrows and knuckle-draggers when we're discussing the merits of something that they won't care about, and whose opinions we won't credit anyhow?Azure Knight-Zeo said:I don't consider "it's so deep, you probibly didn't understand it" as a legidimate argument in anything's favor. The same as how the liniarity in something like Far Cry 2 was an artistic move and not poor design from that artical awhile back. If it isn't fun to watch/play, than it isn't good.Matthew Geskey said:It wasn't bad (It's one of my favorites), it just is not what it appears. It's very deep, but it's all deep. If you don't want to go down and get the story, you will just see it as a sequence of music videos.
I haven't seen SuckerPunch, this is just my outlook on how it's judged.
However, this does not make it inherently worthwhile. It just invalidates the arguments of those who "don't get it".
Suckerpunch? Good film. Thoughtful. Sexy while at the same time making you consider what that ideal means. Not for everyone? Agreed. I can't say the acting was stand-out, but I don't recall it being terrible either.