TheIronRuler said:
technically speaking, music is objective.
If you look at the basic form of it without all of the bling, you'll learn that it is objective.
The first thing you learn in the subject of harmony is the Intervals that create Chords. These Intervals are divided into two groups - Cossonant and Dissonant. Cossonant are nice to hear while Dissonant usually sounds like two cats trying to kill each other.
If you string them together in the best way humanly possible (with other supporting roles, themes and rythem) you have the greatest music ever created.
Not entirely right. Notice that your analysis still involves essentially subjective terms: "Cossonant are
nice"; "string them together in the
best way humanly possible". Until you can describe what makes one chord good and another chord bad
in a way that does not use subjective terms like good or bad you haven't shown that musical taste is objective.
Not to mention that what we consider consonant would be considered dissonant by the standards of a contemporary of Mozart; other musical traditions do not categorise sounds as we do (e.g. systems where 1/8th tone changes are counted as different notes would sound off-tune to us).
EventHorizon said:
I for one, believe that most music is subjective, and that beauty is in the eye of the beholder etc etc, But there is (and forgive the over-used example which I'm pretty sure you will be sick of by now) no excuse for music like Rebecca Black's Friday.
discuss.
Even if everybody in the world agreed that a song was good or bad, that does not prove that it is
objectively good or bad. All it shows is that everyone has the same subjective view.