Turkey Braveheart said:
Keppler said:
Turkey Braveheart said:
Keppler said:
Turkey Braveheart said:
My nomination:
No Country for Old Men, a movie that followed the main characters' conflict and action only to have the climax happen off screen!
I
loved the ending for that movie! The movie isn't centered around the good guy, it's centered around the bad guy. What happens to the antagonist is more important that what happened to the protagonist.
And more to the point of the actual
ending, I loved Tommy Lee Jone's monologue to end the film, when he's talking about the dream he had. It's one of the rare moments when a movie finds a great, powerful spot to end. It doesn't add the 10 extra minutes of film that wayyyy too many directors feel they have to put in there.
It didn't cover the antagonist's ending much either, he just limped away.
As for Tommy Lee Jones, how is his scene the real ending? He's not that important.
And that extra ten minutes is called the climax, and if it's not there then why bother following Bardem and Brolin through most of the film? Why the gun battles and chases? Why everyone talking about how insane and out of control Bardem is?
That scene is the "real ending" because it is, literally, the ending. Credits roll after his monologue.
And if you're watching this movie and focusing on the gun battles and chases, then no you aren't going to like how it ends, but that's not my problem. I love the movie and how it ended.
What were you focusing on if the shooting weren't that important?
I didn't say the shooting wasn't important, I said it's far from the only thing there. The few scenes that do involve gun fights (or air piston fights...) are well done and fit within' the movie contextually. I love it when Chigurh kills the mexicans in the hotel and follows it by sitting down on the bed and taking his socks off as though they (not he) are dirty. And that's one of the reasons I love the movie; the excellent way in which a window was opened into each character's mind through their various actions. Every single character was developed to the fullest extent, and in such subtle ways.
My favorite scene, for example, is when Chigurh is in a gas station and has the discussion about the significance of the quarter with the manager after telling him not to put it in his pocket. Even the simple simple pair of lines when he meets up with Carson Wells later:
Wells: "Do you have any idea how goddamn crazy you are?"
Chigurh: "You mean the nature of this conversation?"
Those are two of the moments where it's made abundantly clear that this character is not just a hitman with a gun. He's cerebral, calculated, and exactly what Wells describes him as: "He's a peculiar man. You could even say that he has principles"
I pointed to Tommy Lee Jone's monologue at the end because it's a powerful look at who he is while at the same time it has broader (though subtle) significance and parallels to the movie at large. To me, the story it told and the moment it left us at was a gripping way to end the movie.