You sound like me with V for Vendetta.TheSunshineHobo said:I've read Watchmen 4 or 5 times. I read bits and peices of it when i'm bored with whatever else i'm reading. To my understanding Watchmen (The novel) is an exploration of not superheros, but the people behind the mask. Alan Moore's story takes a look at the reality of what a superheros daily life would be. He shows us just how screwed up superheros would be, look at nightowl, he can't have sex without wearing his costume. The novel presented these people as real, in both nerosis and fighting prowess. No one in the novel could kick others across the room.
The film ramps up their fighting prowess past the realm of the possible (In my opinion) and presents their superhero lives as hyper violent battle royals. Zak Snyders adaptation undermines the point of the novel with each Hyper-violent fight scene it presents, turning the story into a violent action film, rather than a thoughtful look at the people behind the mask. The novel was firmly grounded in reality (Or at least as grounded as a naked blue god will allow for), but the strength of the film rests in those action scenes, whereas the strength of the novel rested on the dialogue, the action scenes were negligable to the plot. That was my problem, Zak Snyders strength as a director rests in action, not in dialogue, whereas the strength of Moore's novel was in its characters and presentation, not its action.
The action scenes turn these real people inot super-human fighting machines, rendering the point of the novel pointless.
Anyway, you claim that the movie attempts to turn people into superheroes which I don't think it does. There is no more unreasonable powers than in the novel, such as the bullet catch. Their nerois (damn, I wish I could spell) are still there, although some are not as well expressed through since they had to cut out things like the doctor (who I felt added to Rorshach's character a far bit). Reinforcements of the central ideas, namely the black freighter, were left out but the ideas themselves survive.
Hyper-violent was not negligable to the plot of the novel either, it was often used to prove a point. Rorshach's strength of conviction was shown through his disdainful brutality, nightowl's sincerity of feeling was shown by one of his few violent moments being at the death of Hollis, the detachment of Dr Manhattan was conveyed in his brutal way of destroying his foes, the death of the vietnamese lady shows the comedian's disillusionment with humanity and his utter indifference to the fate of people (although that is shown to be incomplete by what he discovers, sorry for being vague but I think I'm giving away too many spoilers already).
Really though, I think that some of the emphasis on action in inevitable with film being a more visual medium. Doctor Manhattans power was simply in the novel, it wasn't easy to see what it was but people exploded. In a movie they can't simply show a static result so they have to animate it and an animation of someone being turned inside out is eye-catching no matter what. Disjointed cuts, like how the novel presented the death of the comedian, don't work so well and adaptions to the method are inevitable. Whether or not you judge it as better is a matter or opinion.