No Right Answer: What's Our Deal With J.J. Abrams?

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Exley97_v1legacy

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Mcoffey said:
Also for the record, I'd watch Star Trek Nemesis twice before I'd watch Into Darkness once. Wretched fucking film.
Now you've gone too far, sir. You've mentioned the Star Trek film that shall not be named. The film that literally killed a film franchise and stopped TNG dead in its tracks. A TRUE rip-off of Wrath of Khan loaded with weak action scenes, bad dialogue, and a silly story. An awful, awful film directed by a guy who was goddamn clueless about Trek and didn't even know how to pronounce the names of the characters. (!?!?!?!?!?!)

Look, whatever Abrams' faults are, you cannot argue that the guy didn't work hard at learning and understanding Trek and the characters, the history, and the importance of all it. Basically, the complete opposite of what Stuart Baird did with Nemesis.
 

Exley97_v1legacy

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Mcoffey said:
Olas said:
Mcoffey said:
Olas said:
Mcoffey said:
I don't dislike JJ Abrams because he loves his material and he's successful. If I hated people for that I'd also hate Quentin Tarantino. I dislike JJ Abrams because he made a films that are a bastardization of a series that is very dear to me, and because those shitty films were successful, they have set the course for the franchise to be shitty for years to come. He has ruined Star Trek for the foreseeable future. And since he's just a shit writer and director in general, clinging to one stupid gimmick (His bullshit mystery box), he's going to fuck up Star Wars too.
Face it, Star Trek was dead in the water when JJ picked it up. The last 2 Star Trek films before the reboot were commercial and critical flops, as was the prequel tv show. You may not like the new direction of the series, but at least it HAS a direction and possible future now. Before Abrams' reboot it was just a tired old franchise that was rapidly losing it's relevancy even within the geek culture that had sustained it for so many years.

On top of that, you can hardly call Abrams' 'shitty writing and directing' below average (much less a low point) for the series up until then. Star Trek has always had it's highs and lows. Perhaps the biggest mistake of Into Darkness was that it was trying to be a remake of one of the franchises better movies rather than one of it's more embarrassing ones.
I would rather a series stay dead than be warped and milked just because there's money to be made. Case in point: Episode VII. There shouldn't be one. The Skywalker story was done, and no mystery box Abrams hamfistedly shoves into this film will make it anything other than a shameless cash grab.

Also for the record, I'd watch Star Trek Nemesis twice before I'd watch Into Darkness once. Wretched fucking film.
Nobodies forcing you to watch the new films. The fact that you despise them for some yet unexplained reason isn't justifiable reason to wish them out of existence so that nobody else can enjoy them. You're free to watch Star Trek Nemisis (which is not one of the worst ones in my opinion) all you want, and nothing Abrams does will "warp" that or any of the existing films.

I also don't see any reason to be up in arms about the "mystery box" considering there was no mystery about the Star Trek reboot and barely one for Into Darkness. It seems he's downplaying that gimmick more and more, which I think is a good thing, although it was hardly much more than a marketing technique anyway.
You know what might've been awesome? There was a rumor after Disney bought LucasArts that Zach Snyder was going to do a Seven Samurai-esque Star Wars movie. It wouldn't have been a numbered episode, and it wouldn't have anything to do with the Skywalkers. A stand alone movie, telling its own story instead of riding on the coattails of better films. That's a movie I'm interested in seeing. The spin-off movies they're planning might be worth a watch if they can keep Abrams' stink off them.
Zack Snyder?!?!?!?!?! Zack Snyder who got beat up over Man of Steel (for the record, I loved the first half of that movie and hated the second half, so I'm split)? Zack Snyder who made that awful Sucker Punch flick? Zack Snyder the guy who shows a complete inability to focus on story and character development? THAT'S who you want to make a Star Wars film over Abrams????

EDIT: I'm trolling a bit here, sorry. I actually like Snyder for the most part. 300 was a bit of a let down, but I loved Watchmen and Dawn of the Dead is unequivocally the greatest horror remake of the last 30 years, second only to the The Thing (1982 version, not the 2011 prequel).
 

SNCommand

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Personally I'm skeptical about JJ Abrams because his contribution is likely going to be mediocre, which I guess is fine, it's better than being outright bad, and there was a lot of bad stuff in the post-Return of the Jedi Expanded Universe, but there was a lot of great stuff made as well, and JJ Abrams' movies are likely going to never reach those heights, instead it's going to be like the Star Trek movies, a by the numbers experience where nothing truly exciting besides fan service happens

Oh well, at least it will likely not be terrible, they could have done a lot worse, they could have picked M. Night Shyamalan, then he could have added Star Wars along with Avatar: The Last Airbender among my personal favorite franchises he has shit upon
 

Tono Makt

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Exley97 said:
Just curious, what was the first flashpoint for your dislike of Into Darkness? I've asked this of other Trek fans I know, and I've gotten a wide variety of answers, ranging from the opening scene ("Kirk would never break the Prime Directive so blatantly!") to the Klingons ("They didn't look like real Klingons!"). Honestly curious here, not poking fun at all.
For me, it started with the inconsistent transporter set up. When the Enterprise couldn't beam Spock up due to his location and the location of the ship, I got the impression that the "Good Guys" were going to have transporter issues throughout the movie and I figured that the "Bad Guys" were going to be able to use Transporters without problems. So immediately I was watching for that throughout the movie... and yep. That was the case.

So the flash that made me begin to dislike ST:ID was that scene, but the scene where Khan transported from Earth to the Klingon Homeworld was where I decided I wasn't going to make the effort to like the movie. Yes, I know that in the literature surrounding the movie Khan hopped from ship to ship to ship until he got to the Klingon homeworld, he didn't transport directly with the Transwarp Transporter Thingie, but the movie didn't even attempt to explain that. Had they even filmed a 5 second "Khan transports into a dark ship, then reaches out and touches a console on the wall then transports again!" before he appears on the Klingon Homeworld it would have been... acceptable. I would have gone with it because I WANT to like the Star Trek movies. I want them to succeed because I WANT a new "Original Series" with modern production values.

Kirk breaking the Prime Directive is a "Whatever. It's Kirk.". Klingons looking different is another "Whatever. Different Klingon "Races" - humans have differences to their facial structures, body structures and skin colour, Klingons have differences to forehead ridges and other stuff. No big deal." The ship looking like an Apple store is something I actually LIKE. I love the new Engineering section and Med-Bay. (See: wanting new series with modern production values) What I don't like is blatantly ignoring things like Time and Distance. I don't like Kirk and Spock going from Engineering to the Bridge in the span of two sentences. I don't like the Enterprise and the Vengeance having a battle on the edge of Klingon space, going to warp, then in the span of maybe a dozen sentences they're fighting over Earth. Star Trek has always tried to keep itself rooted in reality, particularly from The Next Generation and onward, and even in TOS it tried to keep things somewhat believable. (if only because they didn't have the budget for something huge)

NuTrek ignores these things. NuTrek also completely and utterly ignores what Starfleet is - it's the Military Branch of an interstellar government. It's like today's military, except where every single captain in the fleet has literal World Destroying technology at their hands. Every Starship in Starfleet is like a Nuclear Sub in the US Navy - and the US Navy isn't going to promote a Cadet to Captain of a Nuclear Sub due to the efforts of a single battle. Neither would Starfleet. You aren't going to have your next potential Chief Engineer coming from the navigators - they're going to come from Engineering. These are just two of the things that drive me absolutely off the rails about NuTrek, and makes me unwilling to ignore the other aspects that ignore the spirit of Trek, like Red Matter. Red Matter NEEDED an explanation in the movie. That's part of what differentiates Star Trek from Star Wars - Star Wars can introduce "Red Matter" and do crazy crap because it's attempting to be a Fantasy set in a Science Fiction-type world.

You don't need to explain how C-3P0 is so intelligent, so emotional and so human-like - it's a Fantasy. He just is. Star Trek is supposed to take the Science seriously, so it has to explain why Data is the way he is. We know how hard it is for computers to actually use emotions, and so we expect that computers in Star Trek are going to have the same problem, even if they're shaped like humans. Star Trek has to explain how the Warp Drive/Warp Field works (even if it gets inconsistent and plot-devicey on a regular basis) and how Transporters work. Star Wars just has to say "Punch it!" and go to Hyperdrive, and when Star Wars does try to explain things "scientifically", fans hate it. See: Midi-chlorians. Because Star Wars is a fantasy set in space, Star Wars fans (and I'm right up there with them) are quite content with "The force is what gives a Jedi his power. It's an energy field created by all living things. It surrounds us and penetrates us; it binds the galaxy together." It's right out of Fantasy, which is what Star Wars is.

Star Wars can have a smuggler help with one battle (Yavin), then save one of their leaders from the Empire (Hoth) and promote them to General, giving them the command of one of the most important aspects of the final assault on the Emperor and Empire. We go with that because 1) They're Rebels and 2) It's Fantasy. We don't go with Kirk becoming the Captain because he won a single battle because 1) It's a Military and 2) It's supposed to be grounded in reality. Star Wars, ironically, had a more realistic infiltration scene than ST:ID when Han used outdated clearance codes for Endor and the Empire was going to let them pass before Vader got involved (and he let them go through anyway). Compared to Scotty simply getting in line with a shuttlecraft and flying into the Treasonous-Top-Secret base and then getting onto the flagship of the secret war fleet.

I could probably go on if I wanted to google more about NuTrek, and to explain why other aspects of it were just terrible for Star Trek. But the bottom line for me is that NuTrek is utterly terrible as Trek movies... but if they were supposed to be in the Star Wars universe, with Star Wars names instead of using Trek characters, the movies would work much, much better.
 

Exley97_v1legacy

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Tono Makt said:
Exley97 said:
Just curious, what was the first flashpoint for your dislike of Into Darkness? I've asked this of other Trek fans I know, and I've gotten a wide variety of answers, ranging from the opening scene ("Kirk would never break the Prime Directive so blatantly!") to the Klingons ("They didn't look like real Klingons!"). Honestly curious here, not poking fun at all.
For me, it started with the inconsistent transporter set up. When the Enterprise couldn't beam Spock up due to his location and the location of the ship, I got the impression that the "Good Guys" were going to have transporter issues throughout the movie and I figured that the "Bad Guys" were going to be able to use Transporters without problems. So immediately I was watching for that throughout the movie... and yep. That was the case.

So the flash that made me begin to dislike ST:ID was that scene, but the scene where Khan transported from Earth to the Klingon Homeworld was where I decided I wasn't going to make the effort to like the movie. Yes, I know that in the literature surrounding the movie Khan hopped from ship to ship to ship until he got to the Klingon homeworld, he didn't transport directly with the Transwarp Transporter Thingie, but the movie didn't even attempt to explain that. Had they even filmed a 5 second "Khan transports into a dark ship, then reaches out and touches a console on the wall then transports again!" before he appears on the Klingon Homeworld it would have been... acceptable. I would have gone with it because I WANT to like the Star Trek movies. I want them to succeed because I WANT a new "Original Series" with modern production values.

Kirk breaking the Prime Directive is a "Whatever. It's Kirk.". Klingons looking different is another "Whatever. Different Klingon "Races" - humans have differences to their facial structures, body structures and skin colour, Klingons have differences to forehead ridges and other stuff. No big deal." The ship looking like an Apple store is something I actually LIKE. I love the new Engineering section and Med-Bay. (See: wanting new series with modern production values) What I don't like is blatantly ignoring things like Time and Distance. I don't like Kirk and Spock going from Engineering to the Bridge in the span of two sentences. I don't like the Enterprise and the Vengeance having a battle on the edge of Klingon space, going to warp, then in the span of maybe a dozen sentences they're fighting over Earth. Star Trek has always tried to keep itself rooted in reality, particularly from The Next Generation and onward, and even in TOS it tried to keep things somewhat believable. (if only because they didn't have the budget for something huge)

NuTrek ignores these things. NuTrek also completely and utterly ignores what Starfleet is - it's the Military Branch of an interstellar government. It's like today's military, except where every single captain in the fleet has literal World Destroying technology at their hands. Every Starship in Starfleet is like a Nuclear Sub in the US Navy - and the US Navy isn't going to promote a Cadet to Captain of a Nuclear Sub due to the efforts of a single battle. Neither would Starfleet. You aren't going to have your next potential Chief Engineer coming from the navigators - they're going to come from Engineering. These are just two of the things that drive me absolutely off the rails about NuTrek, and makes me unwilling to ignore the other aspects that ignore the spirit of Trek, like Red Matter. Red Matter NEEDED an explanation in the movie. That's part of what differentiates Star Trek from Star Wars - Star Wars can introduce "Red Matter" and do crazy crap because it's attempting to be a Fantasy set in a Science Fiction-type world.

You don't need to explain how C-3P0 is so intelligent, so emotional and so human-like - it's a Fantasy. He just is. Star Trek is supposed to take the Science seriously, so it has to explain why Data is the way he is. We know how hard it is for computers to actually use emotions, and so we expect that computers in Star Trek are going to have the same problem, even if they're shaped like humans. Star Trek has to explain how the Warp Drive/Warp Field works (even if it gets inconsistent and plot-devicey on a regular basis) and how Transporters work. Star Wars just has to say "Punch it!" and go to Hyperdrive, and when Star Wars does try to explain things "scientifically", fans hate it. See: Midi-chlorians. Because Star Wars is a fantasy set in space, Star Wars fans (and I'm right up there with them) are quite content with "The force is what gives a Jedi his power. It's an energy field created by all living things. It surrounds us and penetrates us; it binds the galaxy together." It's right out of Fantasy, which is what Star Wars is.

Star Wars can have a smuggler help with one battle (Yavin), then save one of their leaders from the Empire (Hoth) and promote them to General, giving them the command of one of the most important aspects of the final assault on the Emperor and Empire. We go with that because 1) They're Rebels and 2) It's Fantasy. We don't go with Kirk becoming the Captain because he won a single battle because 1) It's a Military and 2) It's supposed to be grounded in reality. Star Wars, ironically, had a more realistic infiltration scene than ST:ID when Han used outdated clearance codes for Endor and the Empire was going to let them pass before Vader got involved (and he let them go through anyway). Compared to Scotty simply getting in line with a shuttlecraft and flying into the Treasonous-Top-Secret base and then getting onto the flagship of the secret war fleet.

I could probably go on if I wanted to google more about NuTrek, and to explain why other aspects of it were just terrible for Star Trek. But the bottom line for me is that NuTrek is utterly terrible as Trek movies... but if they were supposed to be in the Star Wars universe, with Star Wars names instead of using Trek characters, the movies would work much, much better.
Hey. I hear ya about these inconsistencies. I think you make some valid points (the one about the Enterprise and the Vengeance warping back to Earth in the span of a few sentences bugged me too). But listen -- Trek is FULL of these kind of inconsistencies. Chock full of them, from TOS to Into Darkness. It's not just the last two movies. It's the entire franchise.

Did you ever wonder in Undiscovered Country, for example, how it was possible, despite being a veteran communications officer with the rank of commander, that Uhura DIDN'T know how to speak Klingon? Don't you think someone in that position would know the language of the Federation's primary enemy?

Did anyone find it odd that in Wrath of Khan, the Genesis project was designed to terraform an existing planet and yet, somehow, when Khan detonates the torpedo, it literally creates a new planet in a vacum?*
*(I know, I know -- the explanation is that the torpedo created the Genesis planet from the gasses in the Mutara Nebula and all that, but it's still weak considering the final shots of the Enterprise/Reliant show the two ships well outside the nebula)

I could rattle off a bunch of these, but most of them are discovered on secondary viewings and don't really affect how I remember the movie. And I guess that's my point about the new Trek films. I don't notice the transporter shit or science stuff the first time around, and don't really care much about afterward.
 

Tono Makt

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Exley97 said:
Tono Makt said:
Exley97 said:
Just curious, what was the first flashpoint for your dislike of Into Darkness? I've asked this of other Trek fans I know, and I've gotten a wide variety of answers, ranging from the opening scene ("Kirk would never break the Prime Directive so blatantly!") to the Klingons ("They didn't look like real Klingons!"). Honestly curious here, not poking fun at all.
(snip for space)
I could probably go on if I wanted to google more about NuTrek, and to explain why other aspects of it were just terrible for Star Trek. But the bottom line for me is that NuTrek is utterly terrible as Trek movies... but if they were supposed to be in the Star Wars universe, with Star Wars names instead of using Trek characters, the movies would work much, much better.
Hey. I hear ya about these inconsistencies. I think you make some valid points (the one about the Enterprise and the Vengeance warping back to Earth in the span of a few sentences bugged me too). But listen -- Trek is FULL of these kind of inconsistencies. Chock full of them, from TOS to Into Darkness. It's not just the last two movies. It's the entire franchise.

Did you ever wonder in Undiscovered Country, for example, how it was possible, despite being a veteran communications officer with the rank of commander, that Uhura DIDN'T know how to speak Klingon? Don't you think someone in that position would know the language of the Federation's primary enemy?

Did anyone find it odd that in Wrath of Khan, the Genesis project was designed to terraform an existing planet and yet, somehow, when Khan detonates the torpedo, it literally creates a new planet in a vacum?*
*(I know, I know -- the explanation is that the torpedo created the Genesis planet from the gasses in the Mutara Nebula and all that, but it's still weak considering the final shots of the Enterprise/Reliant show the two ships well outside the nebula)

I could rattle off a bunch of these, but most of them are discovered on secondary viewings and don't really affect how I remember the movie. And I guess that's my point about the new Trek films. I don't notice the transporter shit or science stuff the first time around, and don't really care much about afterward.
I did notice the inconsistencies of the older movies, and they do deserve to be brought up - they're examples of how Star Trek has always been willing to bend (or break) consistency for the sake of story. You can have things like "The Character is dying of an unknown, incurable disease - but her pattern was stored in the transporter! Se can simply beam her around and she'll be back to what she was then, and with all the memories of what happened!" with "We can't save this person, I'm sorry." But there is a limit to what will be acceptable and if those inconsistencies are met with other problems (poor stories, poor effects, poor acting, etc.) then that limit becomes less and less. And keeping with the spirit of Trek extends the limit farther and farther. Old Trek had the benefit of the doubt for a while, then ended up losing it by the end. (No one really took Action Hero Picard seriously, for example)

And in all cases, if there is an attempt made to give a scientific explanation from some character, it will extend the line. Had Old Spock said "Reverse Energy Distribution" and said "In its purest form it is red" with "It has enough potential energy to destroy entire planets or even creating black holes, if one was somehow able to transport 7 grams into the core of a star", then the Red Matter wouldn't cross that line for so many people. Yes, a fair number of people would ***** about it, but a majority of fans would go with it while saying "Dude, you heard the Technobabble - it's Future Science. Go with it." where right now we're going "Dude, it's Space Magic. Go... go make your point I can't really disagree with somewhere... can you make it a bit more politely, please? You're making me look bad."

Similarly, had Kirk been back at Starfleet Academy to take the Kobayashi Maru test as a Lt. Commander as a way to prove he was ready to move into a position where Starship Command would be a possibility, then him being named Captain at the end of the movie would be much more acceptable - he isn't going from "Dude, you just got suspended for cheating in your Senior Year at Westpoint" to "You're in charge of the Ballistic Missile Sub Alabama", he's going from "Dude, you were at Westpoint to prove you could be a Captain of the Alabama, then the world went to hell, you proved that you could win a real-life no-win scenario, now you're a Captain.". Again, some would have bitched. "Oh, Kirk never served on the USS Catgut, where he learned all about the Momar Ali maneuver he used to beat Khan!" while the rest of us would go "Time Travel movie - that stuff doesn't have to happen anymore." and we would go with it.

With the second one, what would need to change from Trek 2009? Spock still outranks him, as does Pike. He shouldn't be hitting on the Orion cadet or Uhura. You can still have a bar fight with Kirk before he joins Starfleet. You can still have him hit on an Orion chick (she's incidental to the plot anyway). Or you can have Kirk hitting on them in the bar but no one realizing that he's a "commanding officer", including him. You have him realize that after he wakes up with the Orion Cadet, sees her putting on a Cadet's uniform and realizes "Oh shit. I am in... how do I get out of THIS one?" Heck, you could even work a few aspects into that to show how good Kirk is at tactical thinking in unique circumstances, adding to the character while still having him have to keep from letting Uhura see him. You tweak a few things and you eliminate one of the biggest problems of the movie without making any substantial changes. And maybe even add to the character in the process.

All it takes is the acknowledgement of the spirit of Star Trek, which includes the idea of giving the fans something factual to base their belief in. Otherwise we're looking at a Fantasy in Space - which is Star Wars. (and ironically why I think Abrams is going to make a good, maybe even great, Star Wars series.)
 

Therumancer

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I'd just like to comment that I think "JJ Trek" was always hated, it was just financially successful. The thing is JJ's marketing was sufficient to get a lot of people on board with it looking good, and in terms of generating a lot of hype. What's more he was able to do a good job of promoting blacklash as the truth, mainly with most people hating on Star Trek your going to get contrarians who are going to praise it for the attention, and of course JJ's people were quick to pick up on promoting what were basically the toxic elements of the internet, operating in reverse, for PR purposes.

Let me put it to you this way. If you want to find one of the biggest communes of hard core Trekkies on the internet, head over to the FTP game "Star Trek Online" especially after it's resurrection. This is also a good place to pick up on some of the business trends involved with Paramount and Viacom based on what the company can and cannot do, and what leaks about why, as a weird thing about Cryptic's contract is that they basically need permission for anything they add to the game, and what's more in terms of how they add it, which ultimately comes down to Viacom's long term plans for the franchise, which despite denials they apparently have.

At any rate, the backlash to "JJ Trek" was almost immediate. I'm hardly the only one pointing out that the first movie was just plain out stupid. Yes Kirk was supposed to be a maverick as a captain, and he did hack a simulator once, but what was supposed to be a character building phrank there was exploded into this major incident in his past which caused him to be in the process of being court martialed/drummed out of the academy. The dude only gets on board "The Enterprise" by basically stowing away, exploiting a bureaucratic loophole which makes no sense (Doctor McCoy bringing his patient with him... a sick guy onto an enclosed starship being sent into a dangerous situation), at which point the guy not only walks onto the bridge, but engages in what amounts to an act of massive insubordination and outright mutiny, which should have basically seen him shot in the head or dumped out an airlock immediately. To be honest "plot armor" can only go so far in a series like this which is fundamentally about an organization organized around military lines, JJ should have at least learned something about say the Navy before he wrote this. Really the biggest praise for the movie was how they used an outed homosexual in the co-star role, and gave the black girl in the crew an expanded role compared to what she did in the original series. A victory for political correctness if that matters to you I guess, but that by no means makes the series good. Both of those actors nailed their roles however, so they do deserve praise for their performances, however I think the politics around it helped inflate that into saying that because they did a good job and they were under a microscope to some, this made it a good movie, and a good work of Star Trek, when really neither is the case.

With the sequel, it was more of a matter of people saying what they thought right from the beginning, and expecting JJ's hype machine and spin right from the beginning. The guy went on to do some truly terrible things, like the new Klingons, and of course the ongoing question of why Kirk is on board a ship, never mind commanding one, instead of rotting in some military prison. Simply put the way they characterize this guy is stupid, they pretty much exaggerated the character to a ridiculous degree, while sort of missing the point that one of the reasons why Kirk got away with some of the stuff he did was because he did it while he was already in command, and also on a detached assignment. Being a bit of a rebel who let's this come out in greater force when he's in command on the frontier without much direct accountability other than occasionally checking in, is one thing, behaving like that as a cadet, especially on the bridge, is not going to be tolerated. Kirk should have been a maverick, but generally going a bit out of line, not generally stepping over lines that should have resulted in an on the spot execution. For the sequel all the people who were critical of the first one, also had to pretty much sit here and go "okay, now we have to suspend disbelief that someone put this guy in charge of an actual starship...".

We won't even get into the WTF finale of the second movie which seemed like a calculated effort to slot off fans by subverting one of the most dramatic moments in the original movies... and let's be honest... immortal tribble injections? I mean really? Granted Trek is all about pulling the solution out of it's rear, covered in techno-babble, in a way that at time comes across like the old "Superfriends" solution that no problem can't be resolved by Superman flying around it really fast.... but that seemed almost like it was mocking the show and it's fans.

As a general rule this is right on the money for JJ, except when dealing with Trek, which was simply terrible on almost every conceivable level. I'd also point out that one thing you do pick up from STO is that Viacom has apparently separated Trek into different IPs under the same name. Basically the Trek TV series (all of them) and most of the movies are considered to be "Star Trek" "Prime Universe" which is the "real" trek canon. The JJverse is considered to be an alternate product entirely. "Enterprise" and the movie "First Contact" are considered alternate realities connected to prime universe, representing a side continuity. The basic logic being that as "All Good Things" showed there are more alternate universes than just the main "mirror universe" and First Contact which lead into Enterprise (and seemingly greatly changed Trek history) can be considered to have been in one of those alternate universes. As a result STO has gotten permission to use stuff from "Enterprise", "Mirror Universe" ship variants, and things like the "Galaxy X Dreadnaught" which is the version of The Enterprise with a cloaking device and spinal mount seen in "All Good Things". On the other hand despite the promotional possibilities (especially seeing as STO was at the height of it's spike a couple years ago) they have specifically been denied the ability to use or reference much of anything from the JJverse other than the Romulan catastrophe. The bottom line is that is being contained in it's own little cosm, which really hasn't bothered any of the real fans who play a game like this. It should also be noted that within "Prime Universe" there are things Cryptic was told it cannot do, such as allowing Androids to be starship captains (ie a playable race) and similar things, because they impact some of the plans for the property... although android Boffs (NPCs that follow your captain around on planets) are allowed and are a reward for a lifetime subscription. This has lead to a lot of speculation over the last few years, along with some alleged leaks that a new Star Trek series called "Star Trek: Prime" is at least in the planning stages. Speculation is that it might focus on having androids or a purely mechanical race (as opposed to cyborgs) as one of the antagonists, potentially linked to Borg analysis of Data, with them deciding to entirely do away with their flawed "organic and genetic components"... but it goes further afield from there, and like most speculation it gets increasingly useless.

The point of this lengthy rant is that "Trek" isn't a good example of JJ's work, because very few people ever really liked it, it was just made to seem that way. That said to a Trek-starved audience they would rather deal with this kind of crap and complain than they would go entirely without.

Indeed one cry from trekkies is to buy the tickets to prove the profitability of the IP, but make sure your hatred for what they did with it is known, in hopes that they will actually get working on some real Trek sequels, as opposed to doing spinoffs, prologues, and reboots.
 

Exley97_v1legacy

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Whoa whoa whoa -- hold on. There's so much nonsense here it's hard to know where to start. I'll guess the top will do.

Therumancer said:
I'd just like to comment that I think "JJ Trek" was always hated, it was just financially successful. The thing is JJ's marketing was sufficient to get a lot of people on board with it looking good, and in terms of generating a lot of hype. What's more he was able to do a good job of promoting blacklash as the truth, mainly with most people hating on Star Trek your going to get contrarians who are going to praise it for the attention, and of course JJ's people were quick to pick up on promoting what were basically the toxic elements of the internet, operating in reverse, for PR purposes.
So you're saying that Abrams made a critically acclaimed blockbuster film solely through marketing and a "hype machine" even though the franchise was dead in the water, ridiculed by the masses outside of its own hardcore fan base, and held next to no interest from mainstream audiences? That's what you're arguing??? You're saying that Abrams is such an amazing marketing magician that he was able to turn fan backlash and online toxicity into box office gold -- with a freakin' STAR TREK film, for which there was absolutely no demand? Well, that'd be a neat trick.

Therumancer said:
At any rate, the backlash to "JJ Trek" was almost immediate.
Really, is that so? That's why Paramount after early screanings decided to move the film from a December 2008 release date to a more crowded and potentially lucrative summer release? The backlash was so brutal that the movie was shortlisted as a potential Best Picture nominee and the studio quickly greenlit a sequel? That's what you're arguing?

Therumancer said:
Really the biggest praise for the movie was how they used an outed homosexual in the co-star role, and gave the black girl in the crew an expanded role compared to what she did in the original series. A victory for political correctness if that matters to you I guess, but that by no means makes the series good.
OMG what are you even talking about? First of all, Quinto didn't come out until after Star Trek 2009, so you're totally wrong there. Second of all...."outed homosexual"/"the black girl"???? Where are you from, the 1950s? Seriously dude. You're going to start wailing about political correctness, and you're a fan of Star Trek, one of the most progressive, forward thinking franchises in the history of popular culture?

Therumancer said:
The point of this lengthy rant is that "Trek" isn't a good example of JJ's work, because very few people ever really liked it, it was just made to seem that way.
I'd like to counter this idea with a new theory: I think a lot more poeple actually like (and in my case, LOVE) Abrams Star Trek films, but it's just made to seem like the opposite on the Internet because of some very vocal, very negative fans.
 

Therumancer

Citation Needed
Nov 28, 2007
9,909
0
0
Exley97 said:
Whoa whoa whoa -- hold on. There's so much nonsense here it's hard to know where to start. I'll guess the top will do.

Therumancer said:
So you're saying that Abrams made a critically acclaimed blockbuster film solely through marketing and a "hype machine" even though the franchise was dead in the water, ridiculed by the masses outside of its own hardcore fan base, and held next to no interest from mainstream audiences? That's what you're arguing??? You're saying that Abrams is such an amazing marketing magician that he was able to turn fan backlash and online toxicity into box office gold -- with a freakin' STAR TREK film, for which there was absolutely no demand? Well, that'd be a neat trick.


I'd like to counter this idea with a new theory: I think a lot more poeple actually like (and in my case, LOVE) Abrams Star Trek films, but it's just made to seem like the opposite on the Internet because of some very vocal, very negative fans.
What Abrams did was rope the Trek-starved masses into the first movie, and do a good job of spinning both the backlash and negative hype. Given that it was a success on paper a sequel was green-lit, and big plans were made around it.

The problem in attempting to argue with me is that your missing the entire point of this discussion and what was established. The bottom line is the dislike of "JJ Trek", which is pretty much the default, and what this whole video is about, along with questioning why it seems that a movie that was "loved" saw such virulent hate when it's sequel was released which should have meant the sequel wouldn't have been inspiring this level of backlash, which has caused a lot of people who now look at the situation to realize you can't find much nice said about the first one either. I've simply been pointing out that it's based on a false assumption, that the first movie was actually well loved, which it wasn't, as if you were paying attention you would have noticed the backlash immediately, it's just that the hype and information control meant that a lot of people didn't notice.

What's more, a lot of the things I've mentioned about the business, aren't something you can really ignore. Like it or not Viacom has pretty much relegated JJtrek to it's own little box in the corner, while being rather assertive in it's handling of the core properties showing at least some long term plans. Simply put if they felt JJtrek was going anywhere they would have been more than happy to sell Cryptic the rights to put elements of it into their game. They are however very careful about what Cryptic can and cannot due, even with a heavily non-canon game, having stepped in on matters like what they can do with androids, what kinds of ships they can make playable, and what they can and cannot do with their future timeline. Given Cryptic's player base (especially then) the release of various ships, uniforms, etc... from the JJverse would have been a financial boon to both Viacom and probably Cryptic, but they are the ones who pretty much decided this wasn't happening, and also the ones who have pretty much laid out what IPs are considered to be attached to what.

See, "Trekkies" have gone massively multi-generational which is unusual, and the backlash here is from people already invested in the universe and concepts. This is not a small group of people, indeed it's the "core" audience that keeps this alive and is going to be buying the stuff for decades to come. While a lot of casual movie goers without much investment (emotional or otherwise) in the IP, like the films fine on their own merits, and others feel such a "Reboot" is positive because it lets them get involved in a universe they otherwise find impenetrable given how established it is, those people actually represent the minority, and the least valuable, and most fickle, part of the entire equasion.

As a general rule when something like this happens there is always a tendency to want to label the group you disagree with as an unusually vocal "small, toxic, fringe" but that is not usually the case especially when it becomes as prolific as your seeing here.

As far as your attacks on me, my point is that as "progressive" as Trek has been (which is highly debatable by the way) a lot of the critical praise has come about for PC reasons due to the people involved, rather than the merits of the movie itself. Largely because the people doing this don't feel society is that progressive and thus minorities need to have their contributions lionized even if the overall product is poor, even if this winds up propping up a poor product by association. Basically the new Spock and Uhura did good jobs (genuinely) more so than say the new Kirk who was kind of cardboard, you can't take that away from them. Wanting to lavish praise on that to be seen being PC means inflating the quality of the movies and of course a big part of that isn't the movies themselves, but how well they fit into "Star Trek" and it's established continuity.


As far as Trek being really progressive, that depends on a lot of things. There have been many people who have analyzed Trek in a number of ways, with mixed results: http://www.stardestroyer.net/Empire/Essays/Trek-Marxism.html is one example.

At the end of the day though, the thing to understand about Trek is that it's hardly Utopian, and indeed is very critical of itself. For the most part you get to see things through the eyes of the military elite, Star Fleet, which can also arguably be considered the rulers even if they claim not to be, and make pretensions of listening to a "civilian government". This military elite is also deeply flawed in that it has a very elitist and discriminatory attitude about who can join. For example as much as people hate the character understand that "Wesley Crusher" was supposed to be a genius second to none, heralded as a messiah "he Davinci of matter and energy" or something like that at one point, and yet he was unable to fairly qualify right off the bat, losing to some alien from a backwater world who scored nearly as high as he did. In comparison for example it's pointed out later that politics play a huge role, as Nog, a Ferengi, is able to get into Star Fleet (and is later shown having a command in the future) with a reference and seems to be sort of paraded around as an example after that point. Other references to Star Fleet have mentioned the brutal curve, and how basically you had to compete on a planetary level to even get a chance to apply due to all the people who wanted in. So basically if your from a species, like the Bajorans (where it was mentioned in Voyager they at one point wanted to get as many Bajorans in SF uniforms as possible for political reasons, the Bajoran this was in relation to being incompetent at her job as the focus for the episode) or the Ferengi so they can say "we have one" and use it diplomatically, your pretty much screwed. Some people have also pointed out that Picard's reference probably accounted for less when it came to Wesley than Sisko's did for Nog, also because Sisko was at what amounted to a diplomatic post in a galactic flashpoint, where while a big wheel Picard's command wasn't quite as impressive on paper.

Outside of Star Fleet the rest of the galaxy is shown as being a mess, Tasha Yar's planet was a dystopian nightmare full of roving "rape gangs", which is mirrored in another planet visited by Picard when he goes undercover as a mercenary. Those seen in the background seem to go rambling around in matching jumpsuits. The Federation also seems to be willing to sell off it's citizens and colonies for diplomatic gain when the mood suits it, which is what caused the whole "Marquis" faction to splinter off when they pretty much abandoned tons of citizens to the Cardassians.

While The Federation hasn't gone after anyone for their skin color, they do go after people for genetic modification, all justified by a now-ancient war. In "enterprise" they were even seen to be keeping genetic kids in cryo-stasis for "moral reasons" and hunting down anyone with modifications. In DS-9 Bashir has to hide minor genetic upgrades and only stays in Star Fleet on a technicality while his parents are sent to prison. Other kids who were less fortunate? They got to be locked in an Asylum where they grew to be entirely dysfunctional.

There is a ton of stuff that can be said about it, but the bottom line is that while Trek is fun, and it's not as dark as many other science fiction universes, it's not what I'd call entirely "progressive" in any real sense. Indeed while stories about Star Fleet are fun, if you were actually born in that universe your life would probably be nothing like that. You wouldn't have it as bad as some plebe in "Warhammer 40k" of course, but chances are you'd be some jumpsuit wearing labourer locked into a schedule, mathematically you'd probably be on some backwater planet, or hauling freight on a cruddy ship or space station, far away from the perfectly maintained utopia of places like Earth that are occupied by Star Fleet and the Federation's administrative elite. Much like today your government would sell you out in a heartbeat for personal gain, except in this case the government has enough firepower to blow your planet away if you get too uppity. Of course if your really unlucky your probably as bad off as someone from "40k" living in one of the worlds like Tasha Yar was from.

Of course to be fair, most people don't think of Tasha Yar's planet while listening to a moral speech about an alien species and what it's doing, or selling how great The Federation is. Me, it's in the back of my mind, but that's part of what gives the universe a grain of reality. As good as some of the good guys are, and as well intentioned as they are, they aren't going so crazy as to present the reality of the Federation as being angelic space hippies who somehow made it work. If anything you could say The Federation is a sort of "enlightened facism" which does a good job of keeping so many diverse worlds and such an ungodly huge population in line, while oftentimes engaging in multi-front wars against empires that are far worse than they are. The Federation's big selling point to many who join it probably comes down to the bottom line of "your better with us, than as subjects of the Klingons" (or another big empire).
 

Exley97_v1legacy

New member
Jul 9, 2014
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Therumancer said:
What Abrams did was rope the Trek-starved masses into the first movie, and do a good job of spinning both the backlash and negative hype. Given that it was a success on paper a sequel was green-lit, and big plans were made around it.
Yes, you've said this already. And it still makes no sense. You're essentially arguing that so many people hated the first film, despite obvious metrics to the contrary, and yet somehow a major sequel was greenlit even though hating the first film was the default setting.(????)

Therumancer said:
The problem in attempting to argue with me is that your missing the entire point of this discussion and what was established. The bottom line is the dislike of "JJ Trek", which is pretty much the default, and what this whole video is about, along with questioning why it seems that a movie that was "loved" saw such virulent hate when it's sequel was released which should have meant the sequel wouldn't have been inspiring this level of backlash, which has caused a lot of people who now look at the situation to realize you can't find much nice said about the first one either. I've simply been pointing out that it's based on a false assumption, that the first movie was actually well loved, which it wasn't, as if you were paying attention you would have noticed the backlash immediately, it's just that the hype and information control meant that a lot of people didn't notice.
So you're saying I'm wrong in a discussion about a video series called "No Right Answer"? Okay, got it. Furthermore, what you're arguing is beyond ridiculous. "Information control"??? You're making Abrams and Paramout sound like the NSA or something out of "1984." What's more likely here: that JJ Abrams somehow control the media and the flow of information on the Internet? Or that you're exaggerating negative feedback on the films from an Internet echo chamber and taking this feedback from a sometimes insular fan base as gospel. This reminds me of all the gamers who run themselves ragged on forums and message boards insisting that no one likes Call of Duty, and yet....well, you get the point. Or maybe you don't.

Therumancer said:
What's more, a lot of the things I've mentioned about the business, aren't something you can really ignore. Like it or not Viacom has pretty much relegated JJtrek to it's own little box in the corner, while being rather assertive in it's handling of the core properties showing at least some long term plans. Simply put if they felt JJtrek was going anywhere they would have been more than happy to sell Cryptic the rights to put elements of it into their game. They are however very careful about what Cryptic can and cannot due, even with a heavily non-canon game, having stepped in on matters like what they can do with androids, what kinds of ships they can make playable, and what they can and cannot do with their future timeline. Given Cryptic's player base (especially then) the release of various ships, uniforms, etc... from the JJverse would have been a financial boon to both Viacom and probably Cryptic, but they are the ones who pretty much decided this wasn't happening, and also the ones who have pretty much laid out what IPs are considered to be attached to what.
Wow....so because a poorly reviewed MMO with a troubled development history, a declining subscriber base, and which was forced to go F2P, didn't incorporate anything from the so called "JJ Verse," you take that as a vote of no confidence in the new Trek films from Paramount/Viacom? That's your argument? If Viacom really felt like JJTrek as you call it wasn't going anywhere, then....why the hell did they greenlight a sequel? Why not just go all stop and reboot the reboot (Superman Returns, for example)??? As for video games, how do you explain the 2013 Star Trek game? If Viacom really had no confidence in the new franchise, then why'd they make that? (admittedly, it was a bad game, but still, it got made) Good god, man!!!! Get a grip!!!!

Therumancer said:
See, "Trekkies" have gone massively multi-generational which is unusual, and the backlash here is from people already invested in the universe and concepts. This is not a small group of people, indeed it's the "core" audience that keeps this alive and is going to be buying the stuff for decades to come. While a lot of casual movie goers without much investment (emotional or otherwise) in the IP, like the films fine on their own merits, and others feel such a "Reboot" is positive because it lets them get involved in a universe they otherwise find impenetrable given how established it is, those people actually represent the minority, and the least valuable, and most fickle, part of the entire equasion.
I suspect that a big reason you hate JJTrek as much as you do is because non-fans like the movies so much, and you can't abide by that for whatever reason.

Look, you can cite Trek history and nitpick about Naval tactics and whatnot to point out why the new movies suck. I get it, you don't like them. And I'm not trying to convince you to like them. But what I can't, for the life of me, understand is how you can sit there and cite nonsense about politically correct casting and Abrams' lack of military knowledge to say why OTHER PEOPLE shouldn't like them on your way to proving that EVERYONE hates the reboots. Dude, the franchise is full of contradictory elements, plot holes and generally stupid stuff -- but we let that go because Trek is THAT GOOD and because as fans we don't sweat the small stuff as long as the show/movies deliver the goods.

For example....did you ever wonder why in Undiscovered Country, the Federation sends ONE GODDAMN SHIP to meet the Klingon chancellor? And that the Klingons did the same? No armada? No escorts, even? Does that seem like sound Naval tactics to you? Same for the "rescue" on Rura Penthe -- the Enterprise just swoops in, no cloaking device and all on its own, and rescues Kirk and McCoy? And that's the Klingon's most closely-guarded prison? Now did I jump up in the theater and cry foul when I saw these things? No, I actually didn't notice them until later viewings. Did they ruin the movie for me later on? No, actually -- I don't like Star Trek 6 for other reasons that were pretty apparent the first time around (lame, campy humor, predictable plot, hammy ending, etc.).

Lastly, I didn't argue Trek was always Utopian, although that's been a major criticism of the franchise over the years. I argued that it's progressive. And yes, I've read plenty of material comparing the economics of Star Trek to Karl Marx, communism, and so on and lamenting the elimination of religion/Judeo-Christian values. All I can say is, depending on the source, these musings can be mildly interesting and even compelling, despite relying on quite a bit of assumptions, suppositions and guess work. And they don't change the fact that by and large, Trek has consistently been very progressive (despite Tasha Yar's home planet).
 

Exley97_v1legacy

New member
Jul 9, 2014
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Sleekit said:
look as far as the reception of JJs Trek films goes to my mind there's basically 3 groups involved:

lets call them A. "Trekkies", B. "people familiar with Star Trek" as in "...sure i've watched Star Trek...[small]but i'm not 'a Trekkie' mmmkay[/small]..." (which btw i count myself as and there are a lot of), and C. "the people who don't really give a fuck".

for the most part A, B and C all liked the first film...although ofc the Trekkies had niggles and caveats and some just flat out said well "that's not in our chosen canon...but it's ok cause its a divergent time line"...which is all fine.

there is nothing wrong with passionate fans being the passionate fans they are.

and in Treks case in particular...there arguably wouldn't be Star Trek (in any form) without them.

the problem is that with the second film in my estimation they pretty much lost the Bs (who knew just enough to know how bad and wrong the film was), drove the As apo-bloddy-plectic and left the Cs standing going "why the fuck are you guys so annoyed ? it looked ok to me"...and thus annoying everyone else even more...

it was the worse possible kind of "fan service" because it's clearly been made as "fan service" by people with no fucking idea how to pay "fan service" to Star Trek...because they (ie mostly "JJ") simply aren't "Star Trek fans"...

look i've been a watcher of Star Trek since i was a child and was involuntarily sat in front of it.

i own the first JJ film and pimped seeing it round my non Trek viewing family where it was widely well received.

i haven't watched the second one and have very little inclination to.

or any more of "them".

now given as well as being a "B" in this little exercise i could also, quite reasonably in my estimation, be called part of their "core audience"..at least as far as i'm concerned, they done fucked up...

just of the Khan premise alone i will only additionally say this : The Wrath of Khan isn't just "the best Trek film to Trekkies" it was "the best Trek film" to everybody else (or at least most of us "Bs" and a fair amount of "Cs") as well...that's why IT made money (largest weekend gross in history at the time)...and i have zero inclination to watch it ruined buy people who somehow think they're doing me a favour in the process.
I think your assessment of the general response to Star Trek 2009 is pretty accurate. But I don't think Into Darkness lost both the As and Bs, as you call them. Again, I think a lot more "fans" liked Into Darkness than some people in this discussion think or want to believe. And this idea that critical reaction to Into Darkness from fans on the web has all been negative.....listen, that's just not true. I don't frequent a lot of fan sites or Trek blogs, but I've read enough of them to know that on a lot of these sites the reation to the film (yes, even today, with hindsight and rpeated viewings) is much more mixed to positive than, as you say, making hardcore fans apoplectic with rage.

Oh and by the way....you haven't seen the film? Then how can you possibly argue it's the worst kind of fan service?
 

Therumancer

Citation Needed
Nov 28, 2007
9,909
0
0
Exley97 said:
Therumancer said:
What Abrams did was rope the Trek-starved masses into the first movie, and do a good job of spinning both the backlash and negative hype. Given that it was a success on paper a sequel was green-lit, and big plans were made around it.
Yes, you've said this already. And it still makes no sense. You're essentially arguing that so many people hated the first film, despite obvious metrics to the contrary, and yet somehow a major sequel was greenlit even though hating the first film was the default setting.(????)

Therumancer said:
The problem in attempting to argue with me is that your missing the entire point of this discussion and what was established. The bottom line is the dislike of "JJ Trek", which is pretty much the default, and what this whole video is about, along with questioning why it seems that a movie that was "loved" saw such virulent hate when it's sequel was released which should have meant the sequel wouldn't have been inspiring this level of backlash, which has caused a lot of people who now look at the situation to realize you can't find much nice said about the first one either. I've simply been pointing out that it's based on a false assumption, that the first movie was actually well loved, which it wasn't, as if you were paying attention you would have noticed the backlash immediately, it's just that the hype and information control meant that a lot of people didn't notice.
So you're saying I'm wrong in a discussion about a video series called "No Right Answer"? Okay, got it. Furthermore, what you're arguing is beyond ridiculous. "Information control"??? You're making Abrams and Paramout sound like the NSA or something out of "1984." What's more likely here: that JJ Abrams somehow control the media and the flow of information on the Internet? Or that you're exaggerating negative feedback on the films from an Internet echo chamber and taking this feedback from a sometimes insular fan base as gospel. This reminds me of all the gamers who run themselves ragged on forums and message boards insisting that no one likes Call of Duty, and yet....well, you get the point. Or maybe you don't.

Therumancer said:
What's more, a lot of the things I've mentioned about the business, aren't something you can really ignore. Like it or not Viacom has pretty much relegated JJtrek to it's own little box in the corner, while being rather assertive in it's handling of the core properties showing at least some long term plans. Simply put if they felt JJtrek was going anywhere they would have been more than happy to sell Cryptic the rights to put elements of it into their game. They are however very careful about what Cryptic can and cannot due, even with a heavily non-canon game, having stepped in on matters like what they can do with androids, what kinds of ships they can make playable, and what they can and cannot do with their future timeline. Given Cryptic's player base (especially then) the release of various ships, uniforms, etc... from the JJverse would have been a financial boon to both Viacom and probably Cryptic, but they are the ones who pretty much decided this wasn't happening, and also the ones who have pretty much laid out what IPs are considered to be attached to what.
Wow....so because a poorly reviewed MMO with a troubled development history, a declining subscriber base, and which was forced to go F2P, didn't incorporate anything from the so called "JJ Verse," you take that as a vote of no confidence in the new Trek films from Paramount/Viacom? That's your argument? If Viacom really felt like JJTrek as you call it wasn't going anywhere, then....why the hell did they greenlight a sequel? Why not just go all stop and reboot the reboot (Superman Returns, for example)??? As for video games, how do you explain the 2013 Star Trek game? If Viacom really had no confidence in the new franchise, then why'd they make that? (admittedly, it was a bad game, but still, it got made) Good god, man!!!! Get a grip!!!!

Therumancer said:
See, "Trekkies" have gone massively multi-generational which is unusual, and the backlash here is from people already invested in the universe and concepts. This is not a small group of people, indeed it's the "core" audience that keeps this alive and is going to be buying the stuff for decades to come. While a lot of casual movie goers without much investment (emotional or otherwise) in the IP, like the films fine on their own merits, and others feel such a "Reboot" is positive because it lets them get involved in a universe they otherwise find impenetrable given how established it is, those people actually represent the minority, and the least valuable, and most fickle, part of the entire equasion.
I suspect that a big reason you hate JJTrek as much as you do is because non-fans like the movies so much, and you can't abide by that for whatever reason.

Look, you can cite Trek history and nitpick about Naval tactics and whatnot to point out why the new movies suck. I get it, you don't like them. And I'm not trying to convince you to like them. But what I can't, for the life of me, understand is how you can sit there and cite nonsense about politically correct casting and Abrams' lack of military knowledge to say why OTHER PEOPLE shouldn't like them on your way to proving that EVERYONE hates the reboots. Dude, the franchise is full of contradictory elements, plot holes and generally stupid stuff -- but we let that go because Trek is THAT GOOD and because as fans we don't sweat the small stuff as long as the show/movies deliver the goods.

For example....did you ever wonder why in Undiscovered Country, the Federation sends ONE GODDAMN SHIP to meet the Klingon chancellor? And that the Klingons did the same? No armada? No escorts, even? Does that seem like sound Naval tactics to you? Same for the "rescue" on Rura Penthe -- the Enterprise just swoops in, no cloaking device and all on its own, and rescues Kirk and McCoy? And that's the Klingon's most closely-guarded prison? Now did I jump up in the theater and cry foul when I saw these things? No, I actually didn't notice them until later viewings. Did they ruin the movie for me later on? No, actually -- I don't like Star Trek 6 for other reasons that were pretty apparent the first time around (lame, campy humor, predictable plot, hammy ending, etc.).

Lastly, I didn't argue Trek was always Utopian, although that's been a major criticism of the franchise over the years. I argued that it's progressive. And yes, I've read plenty of material comparing the economics of Star Trek to Karl Marx, communism, and so on and lamenting the elimination of religion/Judeo-Christian values. All I can say is, depending on the source, these musings can be mildly interesting and even compelling, despite relying on quite a bit of assumptions, suppositions and guess work. And they don't change the fact that by and large, Trek has consistently been very progressive (despite Tasha Yar's home planet).
Okay, your pretty much just lashing out for the sake of lashing out so I don't see what we have to really talk about here. You don't really seem to know much about what your talking about, and aren't really paying attention to what was said. For example, as I pointed out, a lot of people attended the JJverse Star Trek movie because there hadn't been anything done with the franchise for a while, and they were starved for more Trek, and figured "hey, it might be good", and it really kind of wasn't. Despite the criticisms leveled at it from the actual movie goers and those invested in the genere, it did indeed make a lot of money. Sort of like how "Mass Effect 3" and "Dragon Age 2" made tons of cash despite the backlash against them. To the big wigs all they see is a pile of money, which is how a lot of crappy sequels that nobody ever wanted gets made.

As far as social media goes and the ability to control and manipulate hype goes, let's just say that the corporate sector actually makes the NSA look pathetic. This goes as far as companies having people spam false high reviews to pump up ratings, buying reviewers, hiring people to sit around message boards and say nice things about them, and all kinds of other stuff that happens to be an absolute scandal when it's uncovered. Odds are if you weren't so dead set on lashing out because of the pounding I'm giving JJtrek, you wouldn't be trying to play the card of this being a ridiculous accusation. The thing is JJ Abrams is one of the masters of doing this kind of thing with him and his people getting away with things that makes the rest of the corporate machine look pathetic in comparison. Hence why when JJ Abrams comes up people will bring up the issue of his misdirects, lies, "the mystery box" trick and so on, and then point out that in many cases the trick is oftentimes he acts like there is something there when there isn't, gets tons of interest and money, and walks away looking golden, while he's pretty much just dropped a messy turd. This isn't to say he hasn't done some great stuff, but Trek is classic Abrams, and is pretty much another one of his turds, albeit
one he's still been able to cover with gold plate.

Understand, the whole thing here is the backlash is real, people really don't like JJverse. That's pretty much indisputable. The only real point I'm making is that it's not a case where people turned on it, but they never really liked it to begin with, we just saw a lot of hype saying that people did, and with less of that hype machine being held up all you have is people's genuine reactions which are generally negative. Granted you represent an exception (there are always exceptions) and pretty much anything out there winds up with some die hard fans even when it's by all accounts a horrendous failure.

Also you need to check your facts when it comes to things like "Star Trek Online". What happened was the game was rushed out starved for money under a susbscription model where it was failing. Cryptic, the company that did the game, got bought out by a Korean company called "Perfect World International" that gave them further financing. STO is one of those games that exploded in popularity when it went FTP especially seeing as Cryptic had the money to start fixing the game and turning it more into what it was supposed to be. The game went from an environment where you might only see a handful of people playing a dying game, to one of the more robust FTP powerhouses, with the game literally choked with ships and players, with the company making enough money to do a lot of things they couldn't originally like hire more
of the original Trek cast members to do voices and so on. Even after it's initial burst it's been going strong and has had more and more resources thrown into it. STO became so successful, that it got Cryptic greenlit to turn "Neverwinter" into an MMO (something picked up from a single-player development hell), a game which also became pretty hugely successful.

The point here being that Cryptic, via Perfect World, has fairly deep pockets as far as such things goes and is making plenty of money off of the IP. Indeed one of the things that works for them is releasing new ships and so on into the game, either as event prizes, or as "pay to obtain" ships through the C-store or as lockbox prizes. As a result they deal heavily with Paramount in terms of what they can and cannot do, and Paramount's future plans for the IP, and what they want to promote or not promote, becomes a big part of it. With something like the JJverse stuff, the bottom line is that Cryptic would likely pay Paramount a pretty decent chunk of change for the rights to create game assets looking like things from the movies, and in return make even more money one way or another by selling those assets through their game. It's a win/win relationship, and as a general rule Paramount only tends to say "no" when they have very specific plans for something in the future, or feel that it could cause problems with what they want to do with the continuity. Basically they want to keep JJTrek entirely isolated from the rest of Star Trek, despite the conceit of time travel somehow making it "canon".

I wouldn't use STO as a reference, if I wasn't pretty sure of it's status and the nature of it's deals. Of course to be fair now that JJtrek is what it is, I'm not sure if Cryptic would want the stuff from it as well, as it's unlikely anyone would want to spend money or grind events or whatever for it given that so few people like or respect it.

Now, I get where your coming from. You like JJtrek, and want it to be popular so it will become the "norm". I honestly do not think that will be the case, barring some kind of smash success.

I'd also point out that in the TOS stuff your talking about a big part of the events involved The Enterprise going "rogue" in one way or another to explain why it was operating without support. In the TV series it was on detached assignment. In "Undiscovered Country" it was an obsolete ship being sent out to take gas surveys (which is why it had the detection equipment it used to program the torpedo at the end), another kind of detached mission. It was also used for diplomatic programs, and again off book (ie "rogue) for a prison break. It's also important to note that the crap Kirk has pulled has had him busted down in rank, don't forget he lost his rank of Admiral in the continuity. Once your already a flag officer (Admiral, Captain, etc...) you have more latitude as is what they can do to you given the autonomy and leeway that goes with the position. On the other hand when your conceptually a borderline stowaway with no official rank on board a ship due to a bureaucratic manipulation, you do not walk onto the bridge (please not as a general rule most crew members do not enter the bridge at all, and only as part of very specific jobs) and start laying down the 'tude. Kirk's relationship with the first captain might have excused it to some extent, but once Spock took over and Kirk goes from attitude to outright insubordination and mutiny the dude should have been tossed out an airlock. Granted Spock *DID* Maroon him (and not on an especially nice planet) but then the guy shows up again, and is not only not killed on sight, but somehow manages to get promoted by the next movie...

The problem with this is not due to military tactics, or anything else, it's because it's fundamentally absurd when your dealing with a show based on a military organization, if one can assume this kind of thing is permitted, then there would be no discipline at all. Half the mystique of Trek is the guys running around in their uniforms, and the command structure, and there is also a reason why these stories focus on a handfull of bridge officers, specialists, and perhaps a civilian advisor or special case (like Neelix). Generally speaking Ensign/Crewman Bob does not get a say in what the ship is going to do, he does not get to be in the meetings, he does not get to have an opinion and will likely never be asked for one. Bob has a very specific duty station and rotation and operates under need to know, and even in serving multiple tours on a ship will likely never set foot on the bridge. Understand that JJ went so far with Kirk that he wasn't even "Bob", he was a borderline criminal, a guy who kind of stowed away based on a technicality and who was literally about to be drummed out of the service for sabotage.... seriously, think about this. The only character that came close to that (and even he didn't go that far) was Wesley Crusher, and they eventually booted him from the show because it was stupid and everyone hated the character.

Oh and "No Right Answer" still has a topic the question is more or less when people decided they hated JJtrek, and it covers what seemed to be a popular initial reaction, to a negative one with the sequel, and then people increasingly noticing all the negativity about the first one as well. There isn't really a true "everyone loves JJTrek" side to this. My point is more or less that few people liked it to begin with, and your just seeing what the field looks like without corporate marketing involved. You aren't seeing payroll writing out checks to people to sit around message boards and say nice things (viral marketing/promotion) or ensure there are more positive reviews than negative ones.

Understand that "reality through consensus" is a very real marketing tool, and something even used in politics (and discussed heavily when it comes to left wing media spin). The basic idea being that in a media saturated world people tend to follow the leader, even if they think they do their own thing. Basically if you can create an environment where a person can be made to think almost everyone else believes something, does something, or consumes a specific product, they will want to do it also in order to fit in, perhaps without even realizing it. As a result you can have a crappy product or something people who use/see it hate,, but then make those people seem like a minority entirely through spin and reinforcing the infrastructure your building. You pay a few dudes off and they can seem like a lot more dudes especially if they know how to saturate media and hit the right communities. This is why when corporations are caught say paying off popular "let's play" celebrities, having employees create false "top tier" reviews for their product (while weakly argueing that it's justified due to trolls), or just having people sit around message boards, twitter, etc.. and act positive, it can be a scandal. Albeit nothing is ever done about it. JJ is one of the masters of media manipulation and getting this stuff going, indeed some argue he was doing it before nearly anyone else was. There are even urban legends about how for a while he pretty much was the "Lost" community at one point and was personally running like 150 sock puppet accounts to promote it virally at one time to say nothing of his entourage.
 

Olaf Reinhard Weyer

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Sep 10, 2014
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Watched the video, which literally explains to me how I formed my opinion of JJ Abrams. Now that's kinda presumptuous. It's presumptions towards everyone. And Sir's, what please is "the internet"? There is no "the internet". People remain as diverse in front of their screens as they are in real life.
This video wasn't "What's up with Abrams?". Not in the slightest.