So allegedly you want to take it to academia? OK, give us the source of that quote. You could be making it up for all we know. As an aside, what you do think of universities offering degrees in Music Technology? Are they somehow excluded from your viewpoint? What university are you at which teaches that there are no such things as electronic instruments?Grant Hobba said:Oh I get you now ? Ill tell the publishers of my text books they are incorrect because someone on the internet told me so, thank you! you have saved my university! are there any other subjects you disagree with because pop culture is more important that factual information ?
Oh, idolising Clint Mansell? Interesting. Very interesting. You see he's quite a big on electronic music, even writes his on computers for others to perform when it comes round to recording sessions. He was also a bit of a rock n roll excessive, do you remember a band called Pop Will Eat Itself too? He was the lead man in that which heavily used sampling and electronics, even collaborating with the Prodigy for a tune. Want some quotes from the man to go with that?electronic isn't some major breakthrough in the advancement of human kind... its stoners making bass sounds with computers... take a short walk off a long cliff mate, you are clearly a few brain cells short of a working human being
http://www.youtube.com/watch?v=hKLpJtvzlEI if dub step is music this was a complete waste of a great musical composers time...
Surely you're familiar with John Carpenter? Well known for his electronic music and scores.Clint Mansell said:Which composers do you admire?
CM: The one I always go back to is John Carpenter. His films are probably seen as B-movies, but when I first saw stuff like Hallowe'en or Assault on Precinct 13 I thought, yes, these are the kind of sounds I want to hear. Electronic, very ominous, but melodic as well. They had a real quality that made me say 'OK: I'm into this film'. Carpenter's music was one of the first things Darren and I bonded over. I think Pi, looking at it now, is very Carpenteresque. We wanted something that hit you, we wanted a melody, we wanted something ominous, and we wanted this brooding nature.
Saving the best for last;Clint Mansell said:Q:Your partnership with Darren is like that of Angelo Badalamenti and David Lynch. And Lynch, who's what, sixty-something now, has released a couple of dance tracks.
CM: He put them out last month, yeah, and they're good! People said they sounded like Underworld, which is quite complimentary. Have a nice day, or have a good... 'Good Day Today', I think it was called. But he did that stuff with Dangermouse as well, and with the guy who was in Sparklehorse.
Source [http://thequietus.com/articles/05670-clint-mansell-interview-black-swan]Clint Mansell said:Q:With the accessibility that the internet allows, and advances in available musical technology, do you think there's a chance that low-budget or independent film-makers will be more adventurous or creative with their soundtracks?
CM: Without a doubt. Some people moan as if 'that's not real music' or electronic music isn't real music, but I said this even to myself ? I got an app for my iPhone that makes it look as if you've filmed things using Super-8. And you've got that Hipstamatic thing that everybody on Facebook's using for their photos. It's great, but once things become easily available they become overused. But this is where talent and individuality come in. Somebody takes a look and sees what's going on in the populace, and does something away from all that but is somehow as good as all that. Or is understanding of all that, and put into a new context. That's what'll happen ? the four-track tape recorder came along just like that, and allowed our first band to multi-track ideas on a cassette and work out how to make songs. It was a fantastic development for us. Now kids have laptops they can record into. But talent is the one factor you can't buy. You've either got it inherently, or you're prepared to work at it until you create something that's good.
Having access can only mean that that can happen more. It's exciting when people just go for it, do their own thing, kind of fuck convention, try and find their voice and express themselves. That's how you get people like Darren Aronofsky, or Gaspar Noé, or Quentin Tarantino, or David Lynch. People doing their own thing, saying 'this is what's important to me'.
Seems that even your idols think you're a silly moaner. Over to you, don't forget those textbook and University references.