Kerg3927 said:
I don't know, Raynor was chivalrous. Chivalrous guys tend to do white knight stuff for women. And as a good person, he was mortified by what happened to her, and felt sorry for her and wanted to believe that there was still good in her. Could have been love, but not necessarily, and if so it was probably one-sided. I don't remember her ever showing affection toward him. She just rolled her eyes at his flirting, as I remember. Again, they were never a thing. They were just squadmates.
Kerrigan shows affection to him in New Gettysburg, and again by letting him live on Char. Her 'rolling her eyes' is at their first meeting. While they interact over the course of 4 missions, there's a clear progression as to how their relationship develops over the course of them. Even the development of Kerrigan pre-SC1 specified that her death should represent "loss for the hero" (Raynor).
Either way, doesn't bother me. If it was a retcon, it was a good one.
This is semantics, but even if this wasn't the original intent, it doesn't constitute a retcon.
Say I write a multi-part series. In book 1, John and Jane are shown having a close relationship that's left ambiguous. In book 2, I specify that John and Jane were in love. This isn't a retcon i it isn't even necessarily retroactive or recontextual (which is something only the author can answer). Not that I ever thought the relationship between Raynor and Kerrigan was meant to be ambiguous, but new information that adds to old isn't a retcon. If it was, then practically every single multi-installment narrative is retcon heavy.