Not sure if this deserves its own thread or not, but I do think it's nice to have a relatively sane thread in which to discuss these things - this one not being tainted by the Destructoid cast-offs who enjoy flinging poo in the ZP threads - so I?m all for it.
To the critique: it's interesting. I don't really agree with it, but that's a given

As a long-time video editor (and producer, and director, and etc. etc.) myself, I tend to agree with you about the need to stay one's hand on the Whizzy Graphic Button, but in this case, with a TRT of just under 12 seconds, half of which is devoted entirely to relatively motionless title cards, I think it's a bit far fetched to suggest the effects are overstaying their welcome. But that?s just me. Granted, I'm well aware everyone has different tastes as far as this sort of thing goes, but seriously, the opening "The Escapist Presents" logo has a longer run time than the whizzy part of the ZP intro. To my eye it's exactly just enough announce the show then get out of its own way. Your mileage may, of course, vary.
But here's the really exciting thing (to me): Having done this sort of thing for quite some time, I can say with all seriousness, a large measure of authority and a great amount of conceit that after a week or two no one will even notice the intro. In fact, I'm quite sure the only reason people are noticing it right now is because it's new and different and therefore offensive to that part of the brain that expects things to be in the same place we left them when we return to the room. I don?t know if, after a few weeks, folks will have become more amenable to the new intro, or if they will have simply ceased to care, but I am quite sure that it will no longer matter one way or another.
As you yourself pointed out, people just don't notice or care about the Ooh Ahh Whizbangs we spend most of our time on in the editing room. They get tuned out. That's just the way it is. And really, that?s kind of the point. Because seriously, as someone in this very thread already said, the intro is just a bookend for the content. The ultimate color or shape of it just isn?t that important in a relative sense, beyond signifying that it?s the beginning of
Zero Punctation and not, for example, Regis and Kelly. If I can say this, having spent a month or so producing the music with Ian and about two weeks assembling the graphics myself, then so can anyone.
One thing I will point out isn?t accurately addressed in the above critique (and I?m going to assume this comes from a place of being an editor rather than a producer, but that could just be conceit on my part), is the brand identity of the show and how the intro fits into that. You talk about tone, but with all due respect (because I do sincerely appreciate the measured tone of your critique), I think you?re missing the boat there.
What?s actually not very well known is that Yahtzee and I spent about a week back when
The Escapist first acquired the series trying to come up with a name for it before finally agreeing to ?Zero Punctuation.? He was originally calling the reviews ?Fully Ramblomatic,? but that didn?t have quite enough zing. So we threw names at each other, and I forget who, exactly, spouted the words zero and punctuation, but I do remember they were spawned from focusing on the elements of his reviews that set them apart from everything else: his rapid-fire delivery and seemingly endless store of breath. That is to say, his brand identity. The phrase ?Zero Punctuation? captured the essence of his style perfectly and we knew immediately we had it.
With that in mind, the new intro tries to recapture that original feeling in graphical form, and this is going to be a great, big ?duh? but I think it succeeds admirably. The screen fills with text before imagery takes over, blazing past almost too quickly to follow, emulating Yahtzee?s lyrical style and uncanny ability to perfectly animate his thoughts. You may call the intro vacuous, but that?s kind of the idea. It adds nothing to the tone of the series that wasn?t already there, merely reminds the viewer of what he?s about to watch. As if to say, ?Yo, it?s time for that show with the cartoon bits and the fast-talking guy.? There were plenty of ways we could have gone with the intro, but a live-action, Friends-style montage of Yahtzee in his apartment, for example, just didn?t seem to fit the bill.
Zero Punctuation isn?t about Yahtzee, per se, it?s about his reviews. Therefore building the intro out of his reviews seemed the only logical choice.
And now here I?ve done it, wasted an hour or so of my time and killed about a thousand words on the altar of defending something I, a few hundred words ago, claimed wasn?t all that important. That?s what the internet does, people; it gets you drunk, convinces you your opinions actually matter and seduces you into the notion you have something interesting to say. Then you wake up the next morning in a pile of your own word vomit with a giant throbbing headache and an inbox full of angry flame mails. Take it from me. I?ve been here since the beginning, and no matter how hard I try, I still can?t force my opinions to mean diddly squat, no matter how often I take them for a walk and allow them to crap all over someone else?s tubes.
In closing, for the record, I'm quite pleased with the way both the music and the graphics turned out, and I think both elevate the brand identity of the series in way it had been sorely needing. In fact, I look forward to the day when, long after anyone has ceased to give a crap about the damn intro, Yahtzee walks into a room somewhere and the music begins playing, or a screen comes to life in some darkened room or internet café, suddenly filling with the animated graphical intro and everyone has the same thought simultaneously: ?Zero Punctuation.? That is, after all, what a theme and intro are for.