The Tomb Raider series is an examination of the decline of the upper class in the modern age. Lady Lara Croft resides in her ancestral mansion aloof from society, and in her adventures outside those walls her only encounters with the lower classes are bloody gun battles in which soldiers, mercenaries and security guards - in a word, working men - are slaughtered with as much dispassion as she slaughters the wild beasts that, a hundred years ago, her class hunted almost to extinction for sport.
Lara refuses to engage with the modern world except with violence. Her goals are always backward looking, digging into and revelling in the ancient past. It is implied that Lara is only at ease when she is surrounded by the relics of earlier ages, when the peasantry knew their place, amidst the ruins of kings and emperors. Like the once mighty British Empire, Lara spans the world, and yet she leaves nothing in her wake but death and destruction, and like Lord Elgin, robs the world's great historical sites for her own gratification.
Fundamentally then, Tomb Raider is about class struggle, and the violent efforts of a doomed ruling class to assert themselves over the increasingly rebellious proletariat.
Lara refuses to engage with the modern world except with violence. Her goals are always backward looking, digging into and revelling in the ancient past. It is implied that Lara is only at ease when she is surrounded by the relics of earlier ages, when the peasantry knew their place, amidst the ruins of kings and emperors. Like the once mighty British Empire, Lara spans the world, and yet she leaves nothing in her wake but death and destruction, and like Lord Elgin, robs the world's great historical sites for her own gratification.
Fundamentally then, Tomb Raider is about class struggle, and the violent efforts of a doomed ruling class to assert themselves over the increasingly rebellious proletariat.