Shows that Wasted a Perfectly Good Plot

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NoX 9

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gandhi the peacemake said:
Avatar: The Legend of Korra.
I second this. I really adored the villain in the first season. Amon was an utter badass with a suitably evil scheme that your 'Average Joe' could get behind, considering the countless generations of playing second fiddle the non-benders must have endured, particularily in the more modern time Korra inhabits.

Something obviously went very wrong though (maybe they went stupid, maybe Nick screwed them over, I don't know). I hadn't expected it to live up to The Last Airbender, but it was way further off the mark than I imagined it would be. Troughout the entire first season Korra is simply retracing her own steps over and over, which quickly got boring. Learn from your damn mistakes for once, TLA was so good at that!. The humor is very hit-and-miss (not unlike TLA), but sometimes it gets downright uncomfortable, for me anyway. They tried a few jokes that clearly were supposed to be funny, but mostly came off as meanspirited and awkward. And that fucking love triangle... GAWD! At one point I really thought one of the girls would get wise and tell Mako to go fuck himself, the boring lump of meat that he is. Evidently His Blandness is just sooooo atractive.

The season still had some good stuff in it though, and most of the characters are really quite good. The biggest letdown by far is the very end of the last episode, in which they COMPLETELY toss out a really great idea for a second season with the cheapest and most illsuited copout I can remember. Not a fan X3.

Season 2 had some really neat ideas, and I absolutely loved the kind of flashback thing to the first Avatar. I would actually have liked for the show just to be about him! Haven't seen 3, I hear it's a step up from the other two.

Nikolaz72 said:
BBC's miniseries - Sherlock.

-snip-
I never really thought about it that much, but I find myself agreeing. It is a shame that the entire focus of the show is on the 'big' stuff. I may get murdered for this, but I actually don't find Moriarity all that interesting in this version. Always loved to read the books though.
 

FPLOON

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Okay... #1 I'm not touching because I don't care about that series anymore (and yet, I still keep up with the anime for some "odd" reason), but #2 I would suggest giving the manga (Pokemon Adventures) a good read, since I think that should do the trick... #3, however, I'm pretty sure it's not suppose to take itself seriously... and if so, the dub's REALLY not helping that case...

Anyway... I was going to say Helix, due to certain characters taking some unprescripted doses of "Incompetence 101" whenever the plot felt like throwing a curve-ball, but seeing how Season 2 seems to be going in a
Resident Evil-like
direction, I'll give it the benefit of the doubt...

However, I will not be giving Salem that kind of "beneficial" doubt, since they kinda dropped the ball during the first season finale... That's not to say that it hasn't been leading to a waste of a "good" plot to begin with, but still... *sighs* Season 2's going to be "interesting", even if I am just saying that with more sarcasm than I'm willing to express right now...
 

Sheo_Dagana

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Aug 12, 2009
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The Irregular at Magic High School is currently airing, but I find myself unmotivated to watch it past the first seven episodes, which isn't even past the first story-arc of the series.

The show is set in a world where magic has been brought to life through the power or science and programming sequences, which is interesting because the main character can read casting sequences so quickly that he is able to develop counter-measures for enemy casting, even though his own magical aptitude isn't that great. Other students use their electronic focuses in interesting ways and can even have others program those devices for them to use different spells that they themselves would have a hard time creating. They're basically like wizards. So... Techno mages, I guess. Raw power isn't all that matters - clever use of magic overcomes the brash casters, which is why I like it so well.

The world itself is interesting because the now-common use of magic across the world has led to a post-World War III cold war, where the arms race now involves countries training up as many mages as possible through their academies, the most prestigious of which is attended by the main character and his sister, where only top students are allowed to attend, although some students who's aptitude for magic is lower are still allowed in as reserves and receive secondary privileges to the First Course students, so there's some class-ism going on as well since the Second Course students are often getting harassed by the First Course students.

Sound interesting? Sadly, it's not executed well once you start watching it. The entire premise for the show became lost on me once I saw it was one of those kind of shows where the main character is amazing at everything, a hit with the ladies, and whose skills are recognized by the First Course students, thus quickly rendering his status as a Second Course student moot. The thing is, we're also supposed to believe this guy, who is also a ninjutsu master (because it wouldn't be anime if he wasn't, amirite?), is the underdog, when not once are we ever presented with evidence that he is.

I could forgive such a protagonist, but you immediately start to find out that, surprise, tons of these Second Course students are actually badasses in disguise. There's just an air of smugness about it. There's no tension because you know someone's just going to bullshit their way out of something, and it always happens so quickly and effortlessly that I can fully understand how someone could describe action as 'ball-numbing.' Pile that on top of other characters that behave irrationally, even by Japanese Anime standards, and the whole class-ism thing getting cranked up to 11 way too soon, and they've ruined the really cool jumping off point they'd started with.
 

Neonsilver

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I'll second Naruto, it really jumped the shark with replacing the final boss over and over now. The real Madara was only recently introduced as a character instead of some kind of legend or something and suddenly he is the guy behind everything. Only to burn whatever is left of the train wreck by replacing him with someone that was barely mentioned in a few chapters before. That it went the Dragonball Z route at some point is another thing.

Sword Art Online is another thing, there is probably a lot of missed potential with the setting of a videogame that is suddenly not just a game anymore.

I think historys strongest disciple kenichi lost me at some point because, it got just to ridiculous with the fights. It is going the same route as Dragonball Z with just increasing the strengths of the fighters.
 

necromanzer52

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To love ru.

So, this bloke accidentally gets engaged to this alien princess. Before he can break it off, her dad comes to see them and decides he must prove himself worthy of marrying his daughter. If he can't, he'll blow up the earth. Meanwhile, various suitors of the princess come into play, which the main bloke has to fight off for various. Also there's this kickass assassin called the golden darkness, who was hired to kill the main bloke.

That should have been awesome.
 

bliebblob

Plushy wrangler, die-curious
Sep 9, 2009
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A while ago there was this show called terra nova. The premise was that earth is screwed due to pollution and overpopulation but luck has it we discover a time-portal back to the dino days. So humanity starts drip-feeding colonists and equipment through it with the idea of starting over and being a little more eco-friendly this time around. So basically: humans versus dinosaurs. Could be awesome right? There's also some intrigue with a splinter group of colonists that want to kill the rest of the colonists for some reason and mysteries rock carvings.

Except, as far as I watched anyway, it's mostly a soap opera about the colonists not getting along. The episode that made me give up was the one where the protagonist's rebellious teenage son gets involved with some bad apples and they sneak out of the colony. Ofcourse they then run into dinosaurs and daddy the ex-cop has to come save them. /cringe


TLDR: terra nova. I was hoping for jurassic park, I got Noah's ark: soap opera edition.
 

Lieju

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babinro said:
Lost instantly comes to mind as it sets interesting things up in the first 2 seasons and the gradually becomes a total mess.
Yes, this so much.

Also I agree on Naruto.
I think it messed up a long time ago, around the time they put Sasuke into the bucket around Chuunin exams, maybe a bit later than that.

The series started out as lighthearted, but there was the background of really dark things happening to little kids, and how being a ninja was dangerous, and you had to make difficult decisions, and there was this whole world with different villages and how they dealt with things, and their politics...

And then Sasuke ran away and they just refused to deal with him becoming a missing-nin, and rest of the world was forgotten, and then we had the huge ninja-war.
And no sneaky business going on. A prolonged conflict with gurrilla tactics would have been so much more interesting.
Instead it's just a huge-ass battle.


And don't even get me started on BS powers...
 

Henkie36

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gandhi the peacemake said:
Avatar: The Legend of Korra. Granted it had a lot to live up to, but even on its own the premise was amazing. And while I won't go so far as to say that it "wasted" a perfectly good plot, it certainly hasn't executed quite as well as I would have liked. Still a good show, mind.
It's a little more complex than this. Season one had a rocksolid plot but a lot of unnecessary fluff. The plot with the Equalist revolution was really good. I always argue, that was what The Dark Knight Rises should have been like. For the most part it got this down quite well, but there was also stuff like pro-bending, which was a complete waste of time until Amon shows up at the arena. A bigger problem was the love triangle. They kept droning on and on about it, even when the city was on fire. those are my two biggest problems.

Season two had a lot of good ideas, but the execution just wasn't very good. Trying to get spiritual balance back? Great. Telling us the origins of the Avatar? Great. Creating a Dark Avatar? Sure, I can go with it. But the villain is boring, Korra is either useless or just a *****, they're still keeping the love triangle going, and around the middle the plot just grinds down to a halt. If they cut out something like, three episodes between the first two and Beginnings, I think it would have been a lot better.

Season three is looking a lot better so far. Even thought not that much has happened yet, it does feel a lot more like a show I want to keep watching for what it is, not for it's heritage. For me, that's good enough.
 

Thaluikhain

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Jan 16, 2010
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bliebblob said:
Except, as far as I watched anyway, it's mostly a soap opera about the colonists not getting along.
That applies to far too many shows. Stargate Universe comes to mind, a bunch of supposed geniuses sit on a ship and spend the time whinging or trying to out stupid each other. For some reason, people think this sort of conflict is important to an unrelated plot.
 

Relish in Chaos

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Heroes. The first season was an interesting take on episodic comic-book storylines about people developing superpowers, with a great diverse cast of characters. However, from the second season onwards, it just?fell apart, with poor pacing and badly-handled characters, to the point that it felt like bad fan-fiction by the end.

Final Destination. The first film was a genuinely suspenseful flick with a conceptually interesting plot based around fate and unique among horror film franchises in that the ?villain? is the invisible force of death itself, but that potential was squandered by a slew of derivative sequels that are basically ?watch the increasingly ridiculous ways we can make these shitty actors die?.

Knowing, purely because of that bullshit ending.
 

Canadamus Prime

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Jun 17, 2009
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I'm going to concur with Naruto, although I never got as far as the big ninja war that everyone is talking about. I couldn't get past the whole "we're going to bring Sasuke back" thing. Guys, he left of his own free will, it's not like he was kidnapped or anything. What exactly were you planning on doing? Dragging him back kicking and screaming? And Sakura's heartfelt declaration of love would've been really touching if she wasn't TWELVE (at the time).
 

Scarim Coral

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Heroes-
A bunch of people had gain superpowers from an eclipse and they all had no connection but had interaction with each other in one way or other.

After they finally meet each others, that went it all went downhill from there (which I blame parts of it from the writer strike).
 

Mangod

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Dexter hands down. It was such an awesome show and then it fell apart around season 5 or so. I didn't even bother watching the final season because it just became a joke of a show near the end.
 

ExDeath730

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thaluikhain said:
bliebblob said:
Except, as far as I watched anyway, it's mostly a soap opera about the colonists not getting along.
That applies to far too many shows. Stargate Universe comes to mind, a bunch of supposed geniuses sit on a ship and spend the time whinging or trying to out stupid each other. For some reason, people think this sort of conflict is important to an unrelated plot.
This. And it takes me on the new tv show Dominion. Ok, the Human civilization was destroyed by angels, the world is a horrible place, but the battle still rages on. In the post-apocalypse Las Vegas a remnant of the humans still thrive and a chosen one is with them. And better, there is a badass archangel fighting for the humans.

So, let's focus on the political bullshit and try to shock an audience that can watch Game Of Thrones.
 
Jul 9, 2011
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Spoiler warning ahead of time, as this is a long post and spoilers are scattered throughout.

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SPOILER TALK FOR LEGEND OF KORRA
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SPOILER TALK FOR LEGEND OF KORRA
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NoX 9 said:
I really adored the villain in the first season. Amon was an utter badass with a suitably evil scheme
Honestly, all of the villains thus far have been suitably well-defined, including the second season ones that people apparently don't like. What they lacked, though, was that all-encompassing menace that you could only achieve by slowly expanding upon their characters throughout the seasons (a la Ozai and Azula). It would have made for some interesting conflicts of interest, too. Unalaq freeing the four assassins in order to help him take control of the South in exchange for the Avatar's head; Amon taking on Unalaq as part of his crusade against benders; when whatshisface-dark-spirit-lord is freed, the four assassins turn on Unalaq in order to gain its powers; Amon attempts to seal said whatshisface's power and/or merges with it... The stories they could have told would have been really interesting stuff.

The humor is very hit-and-miss (not unlike TLA), but sometimes it gets downright uncomfortable, for me anyway. They tried a few jokes that clearly were supposed to be funny, but mostly came off as meanspirited and awkward. And that fucking love triangle... GAWD!
Most of them I found to be a quick pander to the younger, regular Nick crowd, and I can forgive that for the most part. Sometimes they were awkward, like you said, in that they do weird things to the characterization. Bolin's character is especially rife with this, but he also seems to get the most good jokes, too, so you take the good with the bad, I suppose.

As for the love triangle, I again think that if they'd just let it progress naturally over a longer period of time, it would have made for more interesting watching than it was. All three are enjoyable enough characters (though the scales tip waaaaaay in Asami's direction, with Korra and Mako coming in distant second and third, respectively) that they could make a triangle work given enough space.

The biggest letdown by far is the very end of the last episode, where they COMPLETELY toss out a really great idea for a second season with the cheapest and most illsuited copout I can remember. Not a fan X3.
Agreed; I think many fans are of this opinion. Though to be fair, it was made pretty obvious from the very get-go that Amon's "spirit bending" wasn't actually spirit bending. That Korra would eventually break out of it was a given, but the way in which it happened was the major letdown. Korra should have taken the initiative and worked to regain her bending by diving back into her training and mastering herself as the Avatar, not have it restored to her via deus ex machina.

Season 2 had some really neat ideas, and I absolutely loved the kind of flashback thing to the first Avatar. I would actually have liked for the show just to be about him! Haven't seen 3, I hear it's a step up from the other two.
That's one of the things I dislike about this new series. It relies overmuch on poorly-framed flashbacks. You don't just get flashbacks in this show, you get flashback DUMPS. The series is designed to throw as much information at you as it can without taking time to let that information sink in. Which is why, for the umpteenth time, I think the show would be greatly improved by having more episodes each season.

Compare the First Avatar flashbacks to, say, Aang's various flashbacks to his previous life/lives. The former takes place within the span of just a few episodes (two, I think...). Aang's, on the other hand, are all contextualized by the present-day situation he finds himself in: his flashbacks of Bumi happen in Omashu, he fixates on the memory of running away into a storm WHILE he's in a storm, his flashbacks to Roku happen when he needs the late Avatar's advice, etc. Even Zuko's flashbacks are framed in similar ways, as are the rest of the characters'.

And Season 3 is more of the same, in my opinion. Lots of rushed storytelling, Bolin gets another superficially interesting love interest instead of developing his relationship with Asami (Bosami 4 life yo), spectacularly-choreographed and -animated action sequences that aren't very memorable otherwise, and oddly enough, Tenzin turns from a sometimes overbearing wise airbending teacher to an inept and all too easily flustered teacher. But Lin's backstory finally gets some payoff, and we learn about Toph finally, and Bolin's bending finally takes a step forward and he gets to take the spotlight away from his much less interesting brother.

Henkie36 said:
but there was also stuff like pro-bending, which was a complete waste of time until Amon shows up at the arena.
I actually quite liked the pro-bending. It's a quick and effective way to illustrate how different this Avatar world is from the previous Avatar world. It's a world-building mechanic.

Season two had a lot of good ideas, but the execution just wasn't very good. Trying to get spiritual balance back? Great. Telling us the origins of the Avatar? Great. Creating a Dark Avatar? Sure, I can go with it. But the villain is boring, Korra is either useless or just a *****, they're still keeping the love triangle going, and around the middle the plot just grinds down to a halt. If they cut out something like, three episodes between the first two and Beginnings, I think it would have been a lot better.
1.) The spiritual balance bit was, again, a good premise that didn't execute quite as well as it could have. Instead of the spirits being, y'know, spirits, they eventually just deteriorated into either more monsters to fight or cute anime mascot pets.

2.) I'm not so sure if the origins of the Avatar was something that needed to be told, or even SHOULD have been told. The mystery surrounding it, as well as the seeming timelessness of it, is what makes it such an interesting piece of the Avatar world. That said, what they did with it - especially the art style used, that was top freakin' notch - was top grade.

3.) Dark Avatar, boo.

4.) Speaking of Korra, and getting back to the spiritual balance thing, it's no surprise that she would choose to keep the gateway between worlds open. She would be that dumb.

Season three is looking a lot better so far. Even thought not that much has happened yet, it does feel a lot more like a show I want to keep watching for what it is, not for it's heritage. For me, that's good enough.
Lin's beef with her entire family could have been really great stuff. (Korra calling her a "bitter, lonely woman" really grinds my gears because it speaks more about how inept Korra is as not just the Avatar, but as a person in general than it does about Lin, but anyway.) But no, they resolve it within just a few episodes, and... argh. It's like, what is there to look forward to now? Zaheer and the other villains have barely gotten any screen time (and yet fans are slobbering over them for who knows why). Zuko was a throwaway cameo. The effects of Harmonic Convergence have been completely set aside. Tenzin is fighting against his own characterization (though not by much, and the rise of his children as teachers in their own right is a nice few leaps in the right direction).

Gra;skdsdfasdfasd. Now I'm just ranting. And for all that ranting, it irritates me that the conclusion I always arrive at is "It's stumbling in its execution, but its tackling of many, many major sociopolitical subjects makes it still one of the best shows on TV right now."

Because seriously, it still is. It stretches itself thin at times, but the sheer audacity of trying to cover a subject like the struggle between adhering to the positive values of tradition and allowing room for and recognizing when to change is something most TV shows, much less Nickelodeon shows, don't even bother to cover. Then you add in the political conducts and misconducts that lead to civil and international war, the merits and faults of a citizen-run nation, the delegation of first- and second-class citizenship based solely on birth and the societal consequences thereof... Man, I like this show more now that I've had a chance to write all that.

So heck, forget all the trash talk. Keep on trucking, Legend of Korra.

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And now, for a complete change of topic: NARUTO!!!

...except all I really have to say is that I enjoy the fanfiction that comes from it more than the show itself. I actually stopped watching the show a looooooong time ago (around the time of Sasuke's exodus from Konoha), but I've kept up with the story in broad strokes, and while I can't blame Kishimoto for dragging the series on for so long - mangaka don't often see fortune or steady work - I can't say it's very interesting, either.

Stripping away all the excesses the series has had to pile onto itself, the characters and world are all interesting enough to form the backdrop for a variety of stories. I've read everything from pure fluff to ninja-themed kink to sweeping epics, and all of them do interesting things with the same core group of characters.

So... yeah. That's what I have to say about that, I guess. Interesting characters, interesting world, no qualms with the guy for dragging it out this long, but no interest in the series proper whatsoever.
 

GamerKT

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canadamus_prime said:
Guys, he left of his own free will, it's not like he was kidnapped or anything. What exactly were you planning on doing? Dragging him back kicking and screaming?
Yes, actually. Naruto said that he'll bring Sasuke back even if he has to break his arms and legs. I don't think that he's worth all that trouble, but they did address this method.
 

spartan231490

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As much as I love the series, Sword art Online. The anime is great, but what makes it great are the characters and the action, and could have been done with many settings. ON the other hand, the SAO setting would have made a phenomenal anime if they'd gone a little darker and more psychological, and focused more on the push to get home, instead of the MC's badass ranks.