Chimpzy said:
Indeed. Out of the phalanx and the testudo, the hoplites probably have the best odds of beating a cavalry charge of knights in full plate.
Although I'd say they'd be better off not using their dory and fielding a sarissa instead. They would lose the added protection of their shields (the first row may keep them tho) because the sarissa is too heavy and long to use one-handed: up to 20ft comparated to the roughly 10ft dory. But they would gain an engagement range advantage over the knights' 15ft heavy lances. If the hoplites brace their pikes, they would essentially become a pike square, traditionally a good counter to frontal heavy cavalry charges.
Although that's assuming a frontal charge from the knights. If the knights manage to outflank the phalanx, the latter are thorougly screwed. The sheer momentum of the knights would probably bowl over the hoplites, shields or not.
But as you said, there's a lot of factors to consider.
While I'd agree that a pike phalanx would have an even better chance, the key word being 'hoplite', once given a pike, he ceases to be a hoplite and becomes a pezoi (contextual use of the word, not literal). Still, the problem is that pikemen emphasise both strength and weakness of the hoplite: indomitable from the front; inflexible in battlefield manoeuvres; weak to missiles (more so because of a smaller shield); etc. etc. My tendency is to consider the hoplite better because only really one strength is increased. That said, command structures that gave rise to pike phalanxes were way better so cultural speaking, hoplites would need a lot of training to take advantage of any potential lochos/pentekostys level tactical superiority.
Kyrian007 said:
Artistic cherry picking is hardly unique to Sparta, though I do agree with your position.
Pretty much everything about Spartan society would be considered morally reprehensible (or just plain dumb) by modern standards, whether it's the standard by which Homoioi were held (is it any wonder that post-Plataea, their numbers never increased?), the stupid number of social strata and the gulf between the Homoioi and pretty much everyone else, treatment of helots (I mean, they genuinely had a 'kill a slave holiday'), the intentional killing of deformed newborns as you mention (to them, since they basically threw them off a cliff it was a matter of 'the will of the gods' concerning survival), their military training (even contemplate anything remotely resembling the agoge, there'd be civil unrest at the first suggestion of it), Carneia banning military action, and literally everything about the krypteia. And let's not forget that Gorgo was Leonidas half-niece...
The problem is that in the eyes of the casual viewer, the sole formal martial tradition, being a duarchy, bizarrely progressive views towards the role of women in society and the quaint legend of heroism of an outnumbered band fighting to the death while quipping is enough to make people overlook (whether in being willfully ignorant, or just ordinarily ignorant) all their myriad faults. Things could have been vastly different. Had Ephialtes not blabbed to the Persians, the Greeks would have held out long enough for the Persians to go hungry and need to bugger off for a few months, and the Battle of Thermopylae would be nothing more than a footnote in the general campaign of a modest Greek force that so happened to have a dinky contingent of Spartans. I mean, what popular medium is actually willing to concede that the Lacedaemonian contribution to the combat troops was only about a fifth of the total force and that the King led more than just Spartiates (worse, who actually knows, without looking it up, the name of Leonidas' co-king and his contribution to the war?)? It doesn't take much of an internet search to figure out that even the most conservative estimates place the allied Greek force at 4000+ (7000-ish being the accepted number). Besides, most military analysts dub Thermopylae an unmitigated disaster as it made Themistocles' position at Artemisium untenable, except that Themistocles actually had a contingency.
But it is what the battle represents that makes people like it. It drips with symbolism so much, it knows it can get away with whatever nationalist or racist undertones representations of it may convey. As told by Dilios,
300 is the perfect story for whipping up patriotic fervour and hatred for the foreign invader and their subsequent wholesale slaughter.
Besides, who would want to watch a film about Athens? They have no story or legend that people at large have a hankering to tell or be told, merely a succession of poets and philosophers, it'd be like the ancient equivalent of
Copenhagen. By comparison to land warfare, their famous shtick of naval warfare had no sophistication in that time (based on what we know) that can be easily conveyed in a realistic manner to consumers of pop culture, and it just doesn't smack of 'manliness' in the way that Spartan hoplites do (not a defence, BTW). Further, this is reinforced by the contrast of Attic vs Laconic wit. Virtually no-one appreciates Attic wit (whether ancient or modern) these days because of how it is deemed pretentious, socially elitist and literarily imprenetrable (at least by casual readers). Laconic wit is easily appreciated and again hearkens to traditional 'manliness'. Why talk a man to death when you can more easily laugh and stab him through the neck? *shrug*
Not sure if you've read the
Lion of Macedon books by David Gemmell (fictionalised life of Parmenio

(*blech*), then fictionalised life of Alexander the Great unsurprisingly with a title like that), but it does paint the Spartans in a more negative light than is generally found in media. One idea for a film could be the struggle between tyranny & democracy (the Boeotarchs post-Peloponnesian Wars, the build up and climax at Leuctra). That makes for a good story with applicable modern themes, but whether anyone would actually want to see that or not...?
Samtemdo8 said:
Interestingly enough there has been 3 portrayals of major Greek Wars in Movies so far:
The Trojan War in Troy 2004
The Greco-Pesian War in 300.
And the Wars of Alexander the Great in Alexander 2004.
No movie about the Peloponnesian War however, and that war is deemed to be the reason Greece declined as a Great Civilization until the Macedonians revitilized them.
Funny you mention that, all of those films are (circuitously and otherwise) based on older films of similar names...
I think the reason the Peloponnesian War doesn't have any popular media based on it is because of how 'dry' it is. There's no 'story' behind it, much less a romantic story. Sort of like (obvious reasons notwithstanding) why no-one is going to see anything based on the Wars of Unification (German, that is) (
1864 notwithstanding). As you mention, the war rendered the Greece a barbarian landscape for longer than they'd be comfortable admitting.