The Critic would be my favorite animated television show if not for the brief existence of Clerks: The Animated Series. I remembering watching it back in my parents' room (the only other TV we had at the time outside the TV room) when I was a kid and laughing uproariously at it despite only getting a small fraction of the jokes at the time. I really need to track down the DVD release some day and buy it. It's a mix of humor that now seems incredibly dated (Jokes about current political figures and such) and humor that is almost timeless (Pretty much every movie parody.) Season one was funnier than season two, in my opinion, but Alice was a great character in spite of having the smell of shoe-horned love interest about her.
I only found out about the webisodes after they had been taken town. I tracked them down on YouTube, and was sorely disappointed. Stripping out all of the characters save for Jay and a brief appearance by the restaurant owner ripped out the heart of the show. Movie parodies are funny and all and Jay striking out or succeeding to woo the unmemorable blonde lady are good for a chuckle. But at it's heart, the thing that made The Critic work as a show was the cast of characters that interacted with Jay. His parents, his boss, his makeup artist, his best friend, his kid - they're what made the show great. Watching an over-weight, middle-aged, balding film critic strike out with a woman and explain how the latest Hollywood schlock is awful is nowhere near as amusing as watching him spar with his boss or deal with his family life or somewhat ineptly try to be a good father. Good on them for trying, but the project seemed doomed to fail by only concentrating on one small part of the show's magic.
The first two seasons are well worth watching. You may need to jump over to Wikipedia to figure out a joke here and there, but it's one of the smartest, funniest shows ever to be broadcast.
I only found out about the webisodes after they had been taken town. I tracked them down on YouTube, and was sorely disappointed. Stripping out all of the characters save for Jay and a brief appearance by the restaurant owner ripped out the heart of the show. Movie parodies are funny and all and Jay striking out or succeeding to woo the unmemorable blonde lady are good for a chuckle. But at it's heart, the thing that made The Critic work as a show was the cast of characters that interacted with Jay. His parents, his boss, his makeup artist, his best friend, his kid - they're what made the show great. Watching an over-weight, middle-aged, balding film critic strike out with a woman and explain how the latest Hollywood schlock is awful is nowhere near as amusing as watching him spar with his boss or deal with his family life or somewhat ineptly try to be a good father. Good on them for trying, but the project seemed doomed to fail by only concentrating on one small part of the show's magic.
The first two seasons are well worth watching. You may need to jump over to Wikipedia to figure out a joke here and there, but it's one of the smartest, funniest shows ever to be broadcast.