Dude don't be stubborn and watch the whole video so that your response to it at least understand the bigger picture.Hawki said:After wasting 3 minutes of my life watching this, I refuse to waste a further 13 minutes on a thesis based on "I dislike it when biased critics refuse to reflect my own biaises."
It would also be more believable if the user used more than three examples of supposed critic-audience divide (Batman v Superman, Suicide Squad, Ghostbusters). In contrast, let's look at some other RT scores:
-Sausage Party: 82% vs. 62%
-War Dogs: 58% vs. 74%
-Ben Hur: 28% vs. 67%
-Bad Mums: 62% vs. 76%
-Jason Bourne: 57% vs. 62%
-Secret Life of Pets: 74% vs. 65%
-Florence Foster Jenkins: 86% vs. 76%
-Star Trek Beyond: 83% vs. 83%
Now, to cite the movies he mentioned:
-Suicide Squad: 26% vs. 68%
-Batman v Superman: 27% vs. 65%
-Ghostbusters: 73% vs. 57%
Even Ghostbusters seems to have normalized, though its user score is suspect given the controversy it stored. But apart from that, the movies he cites as the divide are comic-book based, where most other movies listed, with the exception of Ben-Hur, fall within a reasonable length of consensus. But hey, I guess the critics are only biaised against movies the poster likes. Bear in mind, I actually like Suicide Squad, but I don't feel the need to rationalize me being in the minority.
Oh, and he defends Gamergate, which is frankly hilarious on its own, but I've realized that I've wasted 13 minutes of my life anyway writing this so...
Bleh. ;p
I don't follow the guy, but films are a case by case experience, there is no consistent rule by which to mathematically review each work. In your case, suicide squad is attempting to take itself seriously which gives it a different light in which to observe. Yet Sausage party is a small, not-highly budgeted lighthearted slightly insane comedy. Not the type of thing that really demands clinical accuracy with in world logic.Silentpony said:Critics can have whatever opinions they want, it honestly not a big deal.
I just find it curious when critics praise/hate a movie for one thing, then turn around and hate/praise another movie for the same thing.
Case in point, and lets be polite and respectful here, MovieBob. His review of Suicide Squad was critical of the movie's many plotholes and threads that either made no sense or went no where.
Then in his Sausage Party review, he never brings up the plotholes like how sometimes its the food that's alive, and other times its the food containers that's alive. Here we have a utopia of puritanism, and yet no one seems to care that jars are filled with ground up grapes and strawberries. How is it okay to have living tomatoes, and also jars of tomato sauce(with pictures of said sauce on pasta no less) and yet no one knows food is meant to be eaten?! Also bread loafs? Is each individual slice alive, or the loaf as a whole? Or the packaging? At what point does the food become sentient? If we have a living bag of sugar, is each grain inside also alive?
I know its reading to much into things, but holes are holes.
But like I said, I don't really care what a critics gives a movie. I just like consistency of criteria.
Yeah not to really defend Movie Bob but as Xsjadoblayde said...Silentpony said:Critics can have whatever opinions they want, it honestly not a big deal.
I just find it curious when critics praise/hate a movie for one thing, then turn around and hate/praise another movie for the same thing.
Case in point, and lets be polite and respectful here, MovieBob. His review of Suicide Squad was critical of the movie's many plotholes and threads that either made no sense or went no where.
Then in his Sausage Party review, he never brings up the plotholes like how sometimes its the food that's alive, and other times its the food containers that's alive. Here we have a utopia of puritanism, and yet no one seems to care that jars are filled with ground up grapes and strawberries. How is it okay to have living tomatoes, and also jars of tomato sauce(with pictures of said sauce on pasta no less) and yet no one knows food is meant to be eaten?! Also bread loafs? Is each individual slice alive, or the loaf as a whole? Or the packaging? At what point does the food become sentient? If we have a living bag of sugar, is each grain inside also alive?
I know its reading to much into things, but holes are holes.
But like I said, I don't really care what a critics gives a movie. I just like consistency of criteria.
Media analysis is an entirely subjective process. The reasons one might have for "panning" or embracing a piece of media are nigh limitless, and all speak to that person's individual predilections. If you do not like the criteria a particular critic uses to assess media, then it falls to you to find a critic who is more in line with your tastes.KissingSunlight said:If you going to pan a movie, the reasons for panning the movie shouldn't be that it conflicted with your politics.
I agree with you that reviews are subjective. I believe that the point being made is the difference between a good critic and a bad critic. A good critic will review the product. A bad critic will make it about him/herself.BloatedGuppy said:Media analysis is an entirely subjective process. The reasons one might have for "panning" or embracing a piece of media are nigh limitless, and all speak to that person's individual predilections. If you do not like the criteria a particular critic uses to assess media, then it falls to you to find a critic who is more in line with your tastes.KissingSunlight said:If you going to pan a movie, the reasons for panning the movie shouldn't be that it conflicted with your politics.
This whole "politics should never be a part of media analysis" horseshit is the most transparently veiled "I don't like the personal politics of the reviewer" imaginable. Too bad, so sad. Don't like the politics of the reviewer? Find a different one. Having a hard time finding reviewers who share your politics? Write your own reviews, or have a moment of self-reflection to try and determine why your personal viewpoint isn't commonly reflected in media criticism.
At no point is the answer "muzzle what criteria critics can and cannot employ when assessing media", unless you're undertaking an object lesson in sneaky fascism.