While I really liked the series for the first few episodes, the storytelling got kind of hit/miss towards the end. In fact, I don't know how this is possible but the filmmakers somehow managed to make the big "reveal" totally predictable and yet at the same time totally out of the blue. I guess it was because I knew Kirby was going to be behind it all, yet the series didn't do a good enough job of establishing the possibility of Ness/Lucas being the killers.
Anyway, here's my basic critique of it all:
Loved:
-Noir setting, overall creepy tone
-Characterizations, though there were a few too many "criminal mastermind" archetypes (by the time we got to Ganondorf I couldn't help rolling my eyes)
-Most of the acting, esp Luigi and Wario.
-The pacing of the first few eps.
-Kirby in the first few eps.
Didn't like:
-The number of false reveals. I just felt like the plot wasn't really going anywhere in the second half
-The fact that Kirby was behind it all. Even though I liked his character I would've preferred it be a side plot.
-Borrowing a bit too much from Silence of the Lambs. Once again, it was funny in the beginning, but after a while I started wanting references to different movies (a Usual Suspects ending would've been amazing IMO) or I would've liked to see the story branch out on its own.
Wayward Sean said:
This is to those who complain about the lack of storytelling. The plot made every bit of sense. I know it hurts your pride to hear this, but you either weren't paying attention to detail, or you aren't capable of understanding subtlety. Sorry, I know you're mad, but it was all there regardless of how you feel. Inference is a very powerful tool.
Kirby made sense, he was a mastermind. Ness and Lucas are deranged psychic children trained by Mewtwo from the orphanage. Originally they were unleashed to appease Olimar's 'demons', or the proletariat of the Mushroom Kingdom (G&W is an allegory for the original residents being forced into labor positions). When Ness and Lucas continued the killing spree, Ganondorf lost control, but everything was working toward Kirby's plan (he knew they would get out of control). Kirby wants chaos, that is what his legacy will hold, and if he could cause chaos from behind bars, that just makes him happier. And that cliffhanger ending does not mean a sequel is necessary and it is excellent storytelling! It is a device used to tell you that the Mario Bros' job is never over, and that "to secure peace is to prepare for war."
I think when people complain about the lack of storytelling they aren't complaining about TWBB "not making sense" so much as the resolution not having any impact. Yes, the whole Kirby/Ness/etc. is understandable on a basic plot level, but the filmmakers didn't do a very good job explaining why we should care about any of it. Subtlety is a double-edged sword after all. When used correctly it can be really powerful, but screw it up and all it does is distance the audience from the struggle. I think that's pretty much what happened here.
staticnumeric said:
Eh. I didn't think there was a lack of storytelling, but that the storytelling itself was mediocre and overdone, with the plot being pure drivel. It was ridiculous, trying to extract drama from a source that had none. I'm just glad this is over so that I don't have to hear anything more about this.
I wholeheartedly applaud the creators' effort and dedication that they have so clearly put into this, but I can't help but criticize the end product.
tobyornottoby said:
Really, the creators should've killed their darling here. As has been stated in the interview:
Who came up with setting the Mushroom Kingdom in a film noir story?
This really began when Zach brought up in a conversation just how screwed up Kirby is as a character, when you get down to it. He eats people, then wears their skin. This lead us into a comparison with Silence of the Lambs, and we just kept building on to this twisted, dark, adult world of Nintendo. A few hours later, we stopped and decided "Why the hell not? Let's actually make this!"
The story up until now had grown way beyond that simple comparison. To keep it as the core of the story just doesn't feel right at all.
What I mean is that the story, to me at least, was all about the heroes (Luigi & Mario & friends) versus the dons, with the butcher as a means for the dons' goals. That as the central conflict. But in the end, it were the dons that were the butcher's means. The grand-scale the plot was working towards totally disconnected with the small-scale butcher it was revealed to be all about.
The kirby gimmick should've been a side plot.
This. This. 1000x this.