What do you have against The Witcher series?

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Phasmal

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Jun 10, 2011
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I haven't played the games because they don't seem good enough, really.
Everyone I know who has played them has given them a resounding `Meh` at most.

Plus, with things in it that already don't appeal to me, I have no reason to.
I don't mind immature boobstuffs if the rest of the game is good, but to be honest I don't have a reason to bother with it.

Don't automatically dislike it but I think the fake maturity is boring and I haven't seen anything that would make me want to play it.
Nothing against those who do, but I'd much rather play Dragon Age. Sucks that it's already becoming cool to hate on it.
 

Riekle Wiersma

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Jan 16, 2014
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Never played the first game, loved the second one (final boss of the 2th act aside, that fight was complete ass) and eagerly awaiting the release of the third installment. Love the story, but i would agree to a extent that the combat system leaves a little something to be desired.
What the hell kind of term is "grimdark" by the way?
 

Zannah

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Jan 27, 2010
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Even if the first Witcher game wasn't more tedious then filing my taxes, and even if the second game wasn't the single most pathetically hatefully misogynistic piece of media I've had the misfortune of consuming - the fanbase for these games is so overloaded with unbearable smugness, it makes me want to bludgeon people, preferably with a stack of papers composed from every single languages definition of "maturity". That certainly would be closer to the concept then these games or it's fans have ever gotten.
 

Phantom Kat

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I like the Witcher games. Sure the combat in 1 is clunky as all hell but I enjoyed the story and 2 is one of my favourite games. I enjoy the "grimdark" nature of it instead of the ever so cliche "must have a happy ending" tripe Hollywood seems to love. It also amuses me that most of the complaints about it's "maturity" seem to reek of "I'm so much more mature" peacocking by detractors, often conveyed in immature ways.
 

Alex1508

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Sep 20, 2014
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Riekle Wiersma said:
Never played the first game, loved the second one (final boss of the 2th act aside, that fight was complete ass) and eagerly awaiting the release of the third installment. Love the story, but i would agree to a extent that the combat system leaves a little something to be desired.
What the hell kind of term is "grimdark" by the way?
http://knowyourmeme.com/memes/grimdark


basically that.
 

BiscuitTrouser

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May 19, 2008
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Riekle Wiersma said:
What the hell kind of term is "grimdark" by the way?
Its a way of sarcastically implying a setting is trying to be so gritty, sad and dark it ends up comical or bland due to lack of variety.

In a universe where everything is bad, everyone is miserable, nothing ever makes anyone happy ever it comes over like the fanfiction of a troubled youth. Its not interesting to read about a world with no interesting divide except for "bad" and "more bad". Its predictable that everything remotely "good" will be crushed by the bad after its introduced, because in this universe everything is bad all the time. Think 40k but with no humour (orks) at all. The tiniest bit of sillyness, joy or humour is unacceptable because it might spoil the constant attempt to make everything grim constantly. People tend not to like these settings.
 

Riekle Wiersma

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BiscuitTrouser said:
Riekle Wiersma said:
What the hell kind of term is "grimdark" by the way?
Its a way of sarcastically implying a setting is trying to be so gritty, sad and dark it ends up comical or bland due to lack of variety.

In a universe where everything is bad, everyone is miserable, nothing ever makes anyone happy ever it comes over like the fanfiction of a troubled youth. Its not interesting to read about a world with no interesting divide except for "bad" and "more bad". Its predictable that everything remotely "good" will be crushed by the bad after its introduced, because in this universe everything is bad all the time. Think 40k but with no humour (orks) at all. The tiniest bit of sillyness, joy or humour is unacceptable because it might spoil the constant attempt to make everything grim constantly. People tend not to like these settings.
Alright then, thank you for the explanation. The term does not really fly for The Witcher series in my opinion, some things do tend to work out eventually.
 

XzarTheMad

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Oct 10, 2008
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I was raised on Baldur's Gate, Icewind Dale, Neverwinter Nights, Morrowind, Lands of Lore, Fallout 2, Planescape: Torment and more. What I'm trying to say is, I know RPGs, and I like RPGs.

But the Witcher bored me. I tried to play the first one 3 times, got so far as to the second "act" (entering some kind of city or some shit), and it just bored me immensely. The fact that it was so stingy with information about skills and potions annoyed me, the combat system was not to my liking and the entire first part of running around a rural village area to do shitty fetch-quests and trying to figure out where the hell to go next, and being ambushed by ghost-demon dogs every night... I dunno. I believe there's an interesting story in there, somewhere, but I dislike the gameplay too much. Also, I found Geralt to be a really boring, brooding antihero with no real appeal to me. I didn't connect with his forgetting himself like I did, say, the Nameless One in Torment. Again, it's probably a good game to those who like the gameplay, but it felt unintuitive to me, and I tried. I tried so hard. And it pains me, 'cause GOG's been throwing the sequel(s?) around for dirt cheap for so long.
 

Danbo Jambo

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The whole "juvanile approach" is baffling. As a bloke in his mid-30's who's lived a fair bit in villages in the middle of England, TW2 is a fair reflection of the mentalities and lives I'd say.

What is it that people see as "juvanile"? The attitude to sex is pretty much bang on in terms of realism, as is all the cursing, drinking, fighting, racism and rowdy behaviour. Reminds me of late local mining villages in the 80's & 90's where you were bought up to go out on a Friday night for a "fuck or a fight"

Jake Martinez said:
Finally, I really enjoy the relationship with Triss and Geralt. It's obviously flawed and they both know it, in fact I think on Triss' part it's very tragic. It's not often in media other than books that you see a relationship between protagonists that aren't what I would consider impractically perfect, or riddled with tropes, so I enjoy the fact that sometimes, you actually really dislike Geralt for... well basically being Geralt, but you also get to see (through the options you are presented with in the game, depending on how you play it) that although he is cool emotionally, he's also suffering. Not very many players have been very perceptive about this, but part of what appears to attract Triss to Geralt is that it's in her own nature to be drawn to the suffering of other people.

Although this should be obvious I would think considering the actions she undertakes and the causes she supports and fights for, they don't seem to apply this to her personal relationships despite this being primarily what her interactions with Geralt are based around.

In fact, one of the things that really bothers me about some of the criticism leveled at this game, or Triss's portrayal in particular, is that most people leveling it are very shallow in their assessment. They don't seem to understand that Triss is fully self aware of her own tragedy and unhappiness in loving Geralt. It feels to me that in their rush to find something to disapprove of, or cry "sexist" about, they basically take a complex and self aware character and turn her into a two dimensional caricature to try and make their points. Frankly, I think it's an overall sign of immaturity of general criticism that people have turned concepts such as unrequited love into jokes like "friend zoning" (complete with replacing the tragic aspect of it with a bizarre shaming narrative) or the concept of a doomed love into "sexism", if the one who is doomed is a woman (particularly ironic since this is a constant theme in womens literature going back to Jane Austin)
That is so bang on and I hope that CDKPR have the balls to not comprimize this in the 3rd installment.

I've been seeing a girl on and off for 15 years now. She's stunning looking (technically out my league), very independant (earns £40k+) and we tend to drift in and out of each others lives between relationships with other people and depending where life takes us a the time. We both know we'll never settle down together, but where always there for each other when needed (including to satisfy those more primal urges). That's very much how I see Geralt & Triss's relationship, and to have such and adult POV on relationships in the game is something which I think is fantastic and REALLY adds to the realism. Triss & Geralt are there for each other when needed and as the days & urges take them. They have their own paths to walk, can care abundantly about each other, but feel no need to tie the other down and respect each others paths may take them to different places. It's superb. Absolutely superbly realistic adult storytelling refreshingly detached from the Hollywood-esq "perfect couple" malarky we usually see, and I for one hope they stick with that approach.
 

endtherapture

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Danbo Jambo said:
The whole "juvanile approach" is baffling. As a bloke in his mid-30's who's lived a fair bit in villages in the middle of England, TW2 is a fair reflection of the mentalities and lives I'd say.

What is it that people see as "juvanile"? The attitude to sex is pretty much bang on in terms of realism, as is all the cursing, drinking, fighting, racism and rowdy behaviour. Reminds me of late local mining villages in the 80's & 90's where you were bought up to go out on a Friday night for a "fuck or a fight"

Jake Martinez said:
Finally, I really enjoy the relationship with Triss and Geralt. It's obviously flawed and they both know it, in fact I think on Triss' part it's very tragic. It's not often in media other than books that you see a relationship between protagonists that aren't what I would consider impractically perfect, or riddled with tropes, so I enjoy the fact that sometimes, you actually really dislike Geralt for... well basically being Geralt, but you also get to see (through the options you are presented with in the game, depending on how you play it) that although he is cool emotionally, he's also suffering. Not very many players have been very perceptive about this, but part of what appears to attract Triss to Geralt is that it's in her own nature to be drawn to the suffering of other people.

Although this should be obvious I would think considering the actions she undertakes and the causes she supports and fights for, they don't seem to apply this to her personal relationships despite this being primarily what her interactions with Geralt are based around.

In fact, one of the things that really bothers me about some of the criticism leveled at this game, or Triss's portrayal in particular, is that most people leveling it are very shallow in their assessment. They don't seem to understand that Triss is fully self aware of her own tragedy and unhappiness in loving Geralt. It feels to me that in their rush to find something to disapprove of, or cry "sexist" about, they basically take a complex and self aware character and turn her into a two dimensional caricature to try and make their points. Frankly, I think it's an overall sign of immaturity of general criticism that people have turned concepts such as unrequited love into jokes like "friend zoning" (complete with replacing the tragic aspect of it with a bizarre shaming narrative) or the concept of a doomed love into "sexism", if the one who is doomed is a woman (particularly ironic since this is a constant theme in womens literature going back to Jane Austin)
That is so bang on and I hope that CDKPR have the balls to not comprimize this in the 3rd installment.

I've been seeing a girl on and off for 15 years now. She's stunning looking (technically out my league), very independant (earns £40k+) and we tend to drift in and out of each others lives between relationships with other people and depending where life takes us a the time. We both know we'll never settle down together, but where always there for each other when needed (including to satisfy those more primal urges). That's very much how I see Geralt & Triss's relationship, and to have such and adult POV on relationships in the game is something which I think is fantastic and REALLY adds to the realism. Triss & Geralt are there for each other when needed and as the days & urges take them. They have their own paths to walk, can care abundantly about each other, but feel no need to tie the other down and respect each others paths may take them to different places. It's superb. Absolutely superbly realistic adult storytelling refreshingly detached from the Hollywood-esq "perfect couple" malarky we usually see, and I for one hope they stick with that approach.
Yeah I see a lot of so called "lad culture" of heavy drinking, misogyny, and violence of section of the working class small-town Britain in the "everyday folk" of The Witcher. It's vile, but it's a realistic portrayal of medieval culture. Not everyone is enlightened free thinkers like in Lord of the Rings or Dragon Age. People were backward and stupid and violent back then, and cruel things entertained them because life was so shit. It's quite refreshing to see a game act like that rather than being politically correct or boring high fantasy tropes.

Also, a game having a misogynistic setting and misogynistic characters does not make it misogynistic.

I agree Triss and Geralt's relationship, with Yennefer back in TW3 it could be even more interesting. Their complex casual relationship and Triss' manipulations to make Geralt's hers makes it incredibly tragic. Geralt has to bring his memory back and Triss has to help him, for his sake, even though she knows she is possibly dooming her one chance at happiness with a man by bringing back those memories of Yennefer. It's really well written and complex and it's a shame most people just see it as "tits and arse OMG juvenile and misogynist".

In fact with the people who accuse it of being juvenile, it seems like they're a bit embarrassed for it. The fact with The Witcher is that is celebrates it maturity and isn't being edgy for the sake of being edgy, it just treats most of it's mature content matter-of-factly instead of something to be embarrassed of.
 

RhombusHatesYou

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endtherapture said:
Yeah I see a lot of so called "lad culture" of heavy drinking, misogyny, and violence of section of the working class small-town Britain in the "everyday folk" of The Witcher. It's vile, but it's a realistic portrayal of medieval culture.
Anyone who's familiar with the sort of cultures/subcultures where 'fuck/fucking' is as accepted foorm of punctuation and '****' has grown beyond being a noun will probably find the attitudes on display in The Witcher games eerily familiar. I mean, for me, the setting is basically Bogans with Swords.

Also, Zoltan is the 2nd best Dwarf in any media... and would probably be 1st if they got Peter Dinklage to voice him. (yes, TV Tyrion pips him).
 

Danbo Jambo

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CutesySiren said:
Danbo Jambo said:
The whole "juvanile approach" is baffling. As a bloke in his mid-30's who's lived a fair bit in villages in the middle of England, TW2 is a fair reflection of the mentalities and lives I'd say.

What is it that people see as "juvanile"? The attitude to sex is pretty much bang on in terms of realism, as is all the cursing, drinking, fighting, racism and rowdy behaviour. Reminds me of late local mining villages in the 80's & 90's where you were bought up to go out on a Friday night for a "fuck or a fight"
Not everyone comes from such a place with such attitudes, though.

"Realistic" for some doesn't necessarily equate to "mature" for others.
True, but the setting for TW2 is essentially based on such places - medival, working class England. And the farms, local pubs and areas around here are still rooted in that era, as it's still quite detatched from modern technology and culture. You'd be very surprized to see just how similar the attitudes and behavior are tbh.

endtherapture said:
Yeah I see a lot of so called "lad culture" of heavy drinking, misogyny, and violence of section of the working class small-town Britain in the "everyday folk" of The Witcher. It's vile, but it's a realistic portrayal of medieval culture. Not everyone is enlightened free thinkers like in Lord of the Rings or Dragon Age. People were backward and stupid and violent back then, and cruel things entertained them because life was so shit. It's quite refreshing to see a game act like that rather than being politically correct or boring high fantasy tropes.

Also, a game having a misogynistic setting and misogynistic characters does not make it misogynistic.

I agree Triss and Geralt's relationship, with Yennefer back in TW3 it could be even more interesting. Their complex casual relationship and Triss' manipulations to make Geralt's hers makes it incredibly tragic. Geralt has to bring his memory back and Triss has to help him, for his sake, even though she knows she is possibly dooming her one chance at happiness with a man by bringing back those memories of Yennefer. It's really well written and complex and it's a shame most people just see it as "tits and arse OMG juvenile and misogynist".

In fact with the people who accuse it of being juvenile, it seems like they're a bit embarrassed for it. The fact with The Witcher is that is celebrates it maturity and isn't being edgy for the sake of being edgy, it just treats most of it's mature content matter-of-factly instead of something to be embarrassed of.
Superb summary *tipshat*. I suppose it's actually a good thing that it's seen as juvanile - shows the world's a more enlightened place overall :) But if you ripped out modern trappings, ignore magic & fantasy races and you could easily mistake my village for Flotsam.

Personally, I love the fact that TW2 has captured that. It's been commonplace for hundreds of years, and just makes the game ooze with realism for me.

The matter-of-fact approach to it makes it absolute quality in my book.
 

RedEyesBlackGamer

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Jan 23, 2011
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The first game was just so god awful boring. I managed to get halfway through the second act and then I just lost all interest.
 

go-10

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I know I'm going to get a lot of hate for this but... for me every character felt like Jar Jar Binks

I just couldn't care for the characters despite how good the premise was.