Now I've always defended modern music on this forum. Whenever someone starts shooting their mouth off about how terrible everything they hear on the radio is, I tend to jump in their with my list of semi-obscure gems from the last decade. There is plenty of new stuff in the world which I have no qualms about enjoying or recommending. People like Animal Collective and Arcade Fire aren't really what this is about.
This also isn't so much about big pop acts like Rihanna, Justin Bieber or Lady Gaga, whos music I find ranges from fairly pleasant to pretty damn catchy. I don't really have any issues with them.
There seems to be quite a popular opinion on this forum that music like BrokenCYDE, the Millionaires or Ke$ha is what gets played in the special circle of hell reserved for anyone that has ever judged someone based on the contents of their iPod. It was the particular ire that I felt when listening to these acts that got my train of thought going.
Its not difficult to see why they get their hate, the lyrics are crass at the best of times, music is a combination of 2 already hated genres (club pop and screamo), they've got an extremely bratty attitude and sing about heavy drug use and promiscuous sex.
However, I suspect many of the more vocal critics of these acts also like AC/DC, who are crass, bratty and sing about heavy drug use and promiscuous sex.*
Now, I'm going to make it clear, I don't own any music by BrokenCYDE, the Millionaires, Ke$ha or any of that lot. However, when I look back at music history and see how pretty much every new genre has been rejected by the "old fogies", I ask, are we really any better than the people that thought rock n roll would be the end of music, because they grew up listening to swing jazz?
I can't think of that many criticisms of them that I couldn't also apply to a lot of the music that I have. I mean, I can't complain about their lack of instrumental ability when I listen to, say, the Ramones. Between Abba and ZZ Top, I've got whole albums about murder (Murder Ballads by Nick Cave), sex (Songs about Fucking by Big Black), Pedophilia (Histoire de Melody Nelson by Serge Gainsbourg), drug use (the Velvet Underground).
While I don't think I'll ever be a fan of this new music, should I at least take head from history and face up to the fact that this stuff may be remembered as "groundbreaking" in a couple of decades?
*saying that, at least AC/DC had some idea of innuendo. The Millionaire's music makes AC/DC look subtle in comparison, which is impressive in a sortof retarded way
This also isn't so much about big pop acts like Rihanna, Justin Bieber or Lady Gaga, whos music I find ranges from fairly pleasant to pretty damn catchy. I don't really have any issues with them.
There seems to be quite a popular opinion on this forum that music like BrokenCYDE, the Millionaires or Ke$ha is what gets played in the special circle of hell reserved for anyone that has ever judged someone based on the contents of their iPod. It was the particular ire that I felt when listening to these acts that got my train of thought going.
Its not difficult to see why they get their hate, the lyrics are crass at the best of times, music is a combination of 2 already hated genres (club pop and screamo), they've got an extremely bratty attitude and sing about heavy drug use and promiscuous sex.
However, I suspect many of the more vocal critics of these acts also like AC/DC, who are crass, bratty and sing about heavy drug use and promiscuous sex.*
Now, I'm going to make it clear, I don't own any music by BrokenCYDE, the Millionaires, Ke$ha or any of that lot. However, when I look back at music history and see how pretty much every new genre has been rejected by the "old fogies", I ask, are we really any better than the people that thought rock n roll would be the end of music, because they grew up listening to swing jazz?
I can't think of that many criticisms of them that I couldn't also apply to a lot of the music that I have. I mean, I can't complain about their lack of instrumental ability when I listen to, say, the Ramones. Between Abba and ZZ Top, I've got whole albums about murder (Murder Ballads by Nick Cave), sex (Songs about Fucking by Big Black), Pedophilia (Histoire de Melody Nelson by Serge Gainsbourg), drug use (the Velvet Underground).
While I don't think I'll ever be a fan of this new music, should I at least take head from history and face up to the fact that this stuff may be remembered as "groundbreaking" in a couple of decades?

*saying that, at least AC/DC had some idea of innuendo. The Millionaire's music makes AC/DC look subtle in comparison, which is impressive in a sortof retarded way