Wrong. I'm both helping you and pointing out the irony. And I put it in quotes because I was quoting you. A-duh. And you're missing my point. I know the language they're using it technically sound, but I'm complaining that their awareness of the real original is just not there.bahumat42 said:THANK YOU!GamerKT said:*you'rebahumat42 said:GamerKT said:I'm totally okay if they call it that, but they usually don't. They just call it "the original."^=ash=^ said:When people say 'the original movie' it more than likely means the 1st movie, not the original idea for a story that is this movie.GamerKT said:This has come up a lot recently with the news of new Oldboy and Akira movies. People cry "It'll never surpass the original movie!"
First of all, it's not out yet. Shut up.
Secondly, both of those movies were based off of a manga, so they're not even original themselves.
The same goes for the new Scarface movie in the works. The Al Pacino one was a damn remake, too. And even the previous one was based off of a book, I believe.
Anyway, any time there's news of a remake, people are quick to champion the "original" as a masterpiece. Why don't many people know, or care, that most "classics" were based off of books to begin with?
P.S. I want to hurt people who are calling the new Spider-Man movie "a remake of the original."
Secondly, at least the way of thinking it will suck knocks down the hype, then it may totally knock ones socks off.
ok your not allowed to be butthurt over that, its contextually accurate language. Same as if you said that mustang ha d a nice mane people would assume you mean the horse, acting as if you think differently just makes you seem like a slow learner.
"slow learner"
All righty.
the only time people use grammar nazi-ism as their only point is when they have no valid ones left
And no slow learner doesn't need to be in quotations because i am making a statement not emphasising an alternate understanding of the word.
If people read enough Spider-Man stories (including the comics: the source material) to make that opinion, I'd be fine with it.Batou667 said:OK, instead of saying "original", how about we say "definitive" instead?
As in, the Toby Maguire Spiderman films are the definitive Spidey, and we don't need a bloody reboot so soon.
That's the thing. They shouldn't say original. Especially with Batman, they're gonna have to just not be lazy and say the film's name (and year to clarify between the two Batmans). The "original" would be the comics.Ragsnstitches said:So when people talk about the original batman, are we talking about this:
or![]()
or![]()
or![]()
or![]()
![]()
The term "original" holds no weight between mediums and even within mediums, holds no weight from author to author/director to director/studio to studio etc. etc.
Context is incredibly important. The Animated Akira is the original Akira "FILM" which fans of the TRUE original would say is a butchered and minced version of the Manga. To everyone else it's the original probably because they don't read mangas?
Get over it. These topics always seem like ego boosting drivel.
See, you know what I'm getting about. Why are you part of the, like, 3% that does? That's weird.Penguin_Factory said:I remember this coming up with the Let The Right One In remake. A lot of people who love the Swedish movie (which is excellent, don't get me wrong) aren't aware it was based off of anything or haven't read the original novel. This led to some people decrying elements of the American remake that were closer to the source material (particularly the way the vampire girl was portrayed) as being needless alterations to the story, when in reality the Swedish movie was quite different from the novel.
I think people just need to calm down about remakes in general. The level of emotion some of these movies elicit is beyond insane.
I'm going to be potentially controversial and say that you shouldn't need to know the last 7 decades of Superman backstory, lore and retcons to be able to enjoy the lastest Superman film. Part of the reason comic superheroes are successful is their simple character design and motivations: you can place, say, Superman, Batman, The Hulk or Wolverine into any given situation and the story would almost write itself from that point onwards.GamerKT said:If people read enough Spider-Man stories (including the comics: the source material) to make that opinion, I'd be fine with it.Batou667 said:OK, instead of saying "original", how about we say "definitive" instead?
As in, the Toby Maguire Spiderman films are the definitive Spidey, and we don't need a bloody reboot so soon.
Despite having a relatively small body of work (the upcoming Girl With the Dragon Tattoo will only be his 9th film) Fincher is very well liked and respected in the industry, largely because he has put together a strong body of work in a short time. Apart from Alien3 (which he inherited when it was already a mess), Fincher's resumé is pretty much flawless (Panic Room is debatable).GamerKT said:Kind of off-topic, but is David Fincher's track record really that awesome? I just checked his filmography, and he's done a lot of cool stuff. A lot of adaptations. I liked Benjamin Button (beats the shit outta the book), Fight Club, and The Social Network. Would you recommend any of his other stuff in particular?ChildofGallifrey said:Me too, but mostly because David Fincher is at the helm (though Reznor's remix of the Immigrant Song is badass to the nth degree). Goddamn, that man should be able to gold-leaf his house with awards by now, but he doesn't have a single Oscar. Well, I guess it took Scorsese nearly 50 years to win one, and for a remake as well. That seems pertinent for this topic...Worr Monger said:I'm banking on the new Girl With the Dragon Tattoo to be better than the Swedish original as well (For Trent Reznor's soundtrack alone)