I recently rewatched Cowboy Bebop and I liked it a lot more than I did the first time. As a product of anime as a medium there is very little that I have seen (and I have seen a lot) that parallels it. You would have to reference the likes of Neon Genesis Evangelion to find an equal.
Unlike many anime, this show is genuinely art, not in that it is merely the product of artistic process (Code Geass and Death Note for instance told good stories in thoughtful ways but they were both mired in genre and convention), but because it transcends its state of being anime and becomes simply Cowboy Bebop. At this point, anime is merely a convenient label.
In the end, why is it so good? Because it derives from and involves a thought process, indeed the thought processes of many people, (Hajime Yatate, as the credits refer to the team), that goes beyond the necessities of what an anime series is commonly thought to be: a story - with a beginning, a middle, and an end - with an immediately graspable conflict which is expanded over the course of the series and finally resolved at the end. Cowboy Bebop has all these things of course, but it has so much more.
Consider this post,
Unlike many anime, this show is genuinely art, not in that it is merely the product of artistic process (Code Geass and Death Note for instance told good stories in thoughtful ways but they were both mired in genre and convention), but because it transcends its state of being anime and becomes simply Cowboy Bebop. At this point, anime is merely a convenient label.
In the end, why is it so good? Because it derives from and involves a thought process, indeed the thought processes of many people, (Hajime Yatate, as the credits refer to the team), that goes beyond the necessities of what an anime series is commonly thought to be: a story - with a beginning, a middle, and an end - with an immediately graspable conflict which is expanded over the course of the series and finally resolved at the end. Cowboy Bebop has all these things of course, but it has so much more.
Consider this post,
This interpretation is one of the reasons Cowboy Bebop is not only great, but ultimately better than a great many series. It doesn't have to true, but the fact alone that such an interpretation can arise - that is divine.SaintWaldo said:Here is the frame that seems to capture the gist of this show's appeal for me. I hope it helps.
Each show is a jazz piece, stand alone, played by instruments.
The instruments are the characters, and we start with just Jet, and he quickly pairs with Spike, and a simple duet is formed, rhythm and bass so to speak. Faye, Edward and Ein all join in on subsequent episodes, and we have a quintet.
Each character, after they are introduced, plays along in combo with the whole, but then each gets a "solo", a show about mainly them and their back story. In Edward's case, her solo also forms her play off.
After the solos, each member drops out, and we are left with Spike and Jet, and then finally just Spike.
Fin.