Because then we can include magic by having really advanced technology as opposed to just sudo-tech bullshit to explain everything. Basically it lets the writer inject some soft science and not have to do research into real world tech.
It's a bit of a classic trope isn't it along with such gems as "aliens always being bipedal humanoid" and "Aliens invade Earth for :REASON UNEXPLAINED"Owen Robertson said:Snip
I find the very implication that I have not read HGttG highly insulting. Mr. Adams's opus has rather a different tone and atmosphere than most sci-fi settings however, which makes such self-deception very difficult.bahumat42 said:douglas adams fixed the whole of sci fi for everyone, just imagine they have thoseKlumpfot said:I imagine it's because stories involving lost civilizations and such tend to involve exploration, and exploration is exciting. In terms of plot convenience, there are other common elements in sci-fi that annoy me much more. Like how most sentient races tend to be bipedal humanoids who adopt human language as the norm after the races meet.![]()
Someone wrote once that every rpg fantasy setting is a postapocaliptic one. All those ancient necropolies, cementaries, vaults and sh*t...Owen Robertson said:But I'm simply wondering why?
As a scifi writer, I can tell you that it's a lot easier to make people that speak English in the future and have a clear American influence. That way you can get to the parts you really wanna write, like sweet action sequences or hookerbots or whatever. If everything is similar to the modern day, you can draw more attention to the actual scifi parts you want to show off.Owen Robertson said:I've noticed recently that nearly every popular science fiction universe has one or more "lost" civilizations. Shit, Halo's got two. But I'm simply wondering why? I can't see a reason other than plot convenience. By having Humans (or any other species) discover ruins on a planet, of technology far beyond theirs, you can allow a jump several thousand years forward in technological advancement, without any time actually passing, thus keeping civilization as we know it close enough to still be relatable (as in we haven't mixed into a Eurasian blend of skin tone and language.) But to me, that seems a bit like lazy writing. It takes maybe 30 minutes to shit out a "timeline" of technological and/or societal advancement that leads you to 10,987 (assuming we keep B.C.E. that long) where we're still racially diverse and speak English. So if anyone can explain to me why else you might want to introduce a long-lost species that conquered the galaxy before the dinosaurs died out on Earth, please do.
Protheans are just the only ones we've heard of. It's entirely possible that the Protheans were just the only ones to escape having the record of their existence eradicated by the Reapers. Half of the stuff that archaeologists call "Prothean" might well be the product of some other culture.itchcrotch said:i find it especially lazy in mass effect. yes, NOW there are many races in teh galaxy. humans, salarians, korgan, asari, hannar, volus, turians, elcor, quarians, batarians, vorcha, etc. and yet in the last galactic cycle, the mysterious and powerful protheans! nobody else. just one race.... that's all....
....certain Halo just had the Forerunners. Just the one.Owen Robertson said:Shit, Halo's got two.
Clarke's third law of prediction.Any sufficiently advanced technology is indistinguishable from magic.
In Firefly's defense, that entire show takes place in the same solar system, and it can still take days, or even weeks, to reach some of their destinations. So it's not super fast, it's just faster than the much larger ships they come across on such a regular basis.evilthecat said:Clarke's third law of prediction.Any sufficiently advanced technology is indistinguishable from magic.
The problem is that right or wrong (probably wrong) we have a pretty clear idea of how we 'expect' human technology to develop, which means that if we all followed it science fiction would be very, very homogenous. Need a space ship to go faster than light? Well, your options are some kind of space-compressing effect (warp speed, at least I think that's how it was meant to work), or transferring into some kind of other dimension where Einstein doesn't get angry with you if you go faster than light (hyperspace, node space). Sure, if you're making space opera you could just give Einstein the finger and have a big glowing engine which makes your ship seem to go super fast (firefly style), but some people will notice that that's stupid and probably call you out on it.
It's a serious problem if you want to be in any way original.
However, if you introduce another species with a whole different (and superior) technological path and paradigm, then you can break the rules however you want without needing to explain them. It's okay, they're too complicated for your puny human mind to understand at the moment, aliens did it!
Unfortunately, 'aliens did it' has probably become about as overused as the tropes it's meant to replace, hence your problem.