JimB said:
I was using "you" in the general, imprecise sense. I was not attempting to describe your (the specific you, this time) personal beliefs, Irick. You (the specific you) do not seem to think racism is wrong, so you (the specific you) don't have to weasel out of anything.
*rolls his eyes*
Please. Detaching from pathos to consider a decision as an academic isn't approving. It's being academic. This isn't a defense of racism, it's an assertion that racism doesn't have a bearing on the quality of fiction.
But hey, assumptions right?
JimB said:
Given that there is no objective standard of what makes a good writer, the idea that presence of hatespeech in his body of work cannot be considered toward the quality of that body of work seems arbitrary at best to me, and at worst deliberately set up to avoid discussion. Why shouldn't people be allowed to consider "On the Creation of Niggers" as making him a worse author than some other?
Allowed? What is this about being allowed? You can involve the whole of the text when you analyse an author's works, but this has already been done. That's how we gain contextual insight into H.P. Lovecraft's works. That's how we extract themes. However, why exactly does it mater to
The Case of Charles Dexter Ward that lovecraft is racist? Does it make it any less of a novel? Does it somehow magically diminish its cultural impact?
Moreover, as we are talking about morally charged situations, why ought I care? Does being interested in Literature mean I must take into account the racial themes or connotations of everything I read? Should I not celebrate Mark Twain because he used racial slurs in his writing?
Do you want me to defend H.P. Lovecraft? Because I don't particularly feel like defending his racism. I could instead say the man is a man and men are flawed. I could point to the textual evidence that he moderated his views later in life and from there could argue that he was at the very least changing. I could point out it is never fair to judge a man by a snapshot of their life. These are all defences of H.P. lovecraft, but I'm not defending him.
I'm defending the iconic image of Lovecraft's contributions to the literary arts. I'm defending the spirit of celebration. I am asserting that that spirit and appreciation of art transcends modern morality, or immorality as the time may be. I'm asserting that art is the connecting factor of all of humanity. I reject the simplistic black and white thinking of good or evil men and choose to see man as a complex whole, intertwined with measures of both.
I assert it is possible, or even preferable to not draw lines, but try to come together in art. Why should we not acknowledge these influences? In what way does celebrating a love of fiction influenced by Lovecraft push us further apart? In what way does denying his iconic status bring us together?
What is good about fictionalizing lovers of literature across these arbitrary divisers?
None of this asserts that it's bad to criticize Lovecraft's racism where it is rampantly apparent, or note it as a possible influence on his works. Those are textual details. They are valid discussions. However, implying that because a man is flawed his art is somehow lesser is just ludicrous. In logic we would call that an informal fallacy, but honestly it could be a formal one. A fundamental flaw in logic.
Consider the following two syllogisms:
Racist people are bad
H.P. Lovecraft was Racist
Therefore H.P. Lovecraft is bad
Art influenced by racism is bad
H.P. Lovecraft's art was influenced by racism.
Therefore, H.P. Lovecraft's art is bad.
So, lets look at the premises.
First off, Are racist people bad? I don't think so. Racist people are people. They could be not racist, that would make them not bad right? Universally, we can not say that Racist people are bad, we can just say they are racist.
We can, however, probably agree that Racism is bad.
Lets revise Syllogism 1.
Racism is bad.
H.P. Lovecraft was Racist
Therefore H.P. lovecraft was bad.
Now wait, this doesn't follow.
Racism != Racist.
A is B
C was D
Therefore C is B
This can not be said to be a logically consistent stance.
Now, the astute will probably not that none of the Syllogisms so far have been valid. Even the superfically valid one doesn't work because is != was. This is intentional.
I mentioned that H.P. Lovecraft moderated in his views later on in life. You can see this from the shifting tone in his fiction and the slow death of the vitriol in his personal correspondence. It can be easily said that later on he started to change his views and it is difficult to argue that he went to the grave a racist.
Now, this brings me to the 'are Lovecraft's works bad' question. lets look at Syllogism 2.
I question the primace. Racism influences a lot of work, again I mention Mark Twain. And in order to directly address or criticize racism, you need to be influenced by it. So this doesn't work.
If we want to claim any sort of truth, we must apply our rules in a universal way. Lets start with a simple axiom. We don't need to justify this axiom in this exercise, we'll just assume it's an absolute truth.
Racism is Wrong.
H.P. Lovecraft's
On The Creation of Niggers advocates Racism.
On The Creation of Niggers advocates Wrong.
Alright, alright. This doesn't work exactly from the simple primace of Racism being wrong. Let's refine this to say "Advocating racism is wrong"
Advocating Racism is Wrong
H.P. Lovecraft's
On The Creation of Niggers is Advocating Racism.
On The Creation of Niggers is Wrong.
So, we are getting to an internally self consistent argument here. Advocating Racism is wrong, and so
On The Creation of Niggers can be said to be wrong because it does just that and only that.
Alright, lets tackle Syllogism 1 again.
Being Racist was/is/willallwaysbe wrong
H.P. Lovecraft was racist
Therefore, H.P. Lovecraft was wrong.
Okay, this argument seems internally consistent. However, the conclusion is still past tense.... we can't claim H.P. Lovecraft is wrong because we have no way of knowing if H.P. Lovecraft is still racist. The only thing that can still make points or advocate are his individual works. However... these individual works may not be advocating racism. This depends on interpretation. The Author is Dead. Intent is only one portion of the text.
... but lets continue.
We have come up with the primace that Advocating Racism is Wrong, so let us apply this as a template.
Advocating Racism is Wrong.
H.P. Lovecraft's Work Advocates Racism.
Therefore H.P. Lovecraft's Work is Wrong.
"BUT WAIT". I exclaim, thumping my copy of Death of the Author I have been not too subtly dropping hints about. "Barthes states that 'To give a text an Author' and assign a single, corresponding interpretation to it 'is to impose a limit on that text.' As an artist I can not abide to art being given such arbitrary limits! Each of us interprets a given text in the context of our experience of it. If we are going to be making blanket moral statements we should make sure that they reflect the importance of interpretation.
God, I'm pushy.
Alright, we'll revise the Syllogism.
Advocating Racism is Wrong.
The Racist Interpretation of H.P. Lovecraft's Work Advocates Racism.
Therefore, The Racist Interpretation of H.P. Lovecraft's Work is Wrong.
... Well, that seems to change the message a bit, but it's internally consistent and addresses the concerns of multiple interpretations.
Again, I seem intent on referring to Roland Barthes. One may assume he had an influence on my formation of literary theory. I seem to be arguing that we must separate a literary work from its creator in order to allow it artistic freedom....
This means that a charge of advocating racism can not be inherent to a work. We can not say "H.P. Lovecraft's work advocates racism", because that imposes interpretive tyranny. The charge of advocating racism can only be levied on the interpretation of advocating racism.
But what about the statue in his likeness? Well, lets consider the history of the bust itself.
From Wikipedia:
The World Fantasy Awards, established in 1975, are presented annually at the World Fantasy Convention. The World Fantasy Award been described as one of the three most prestigious speculative fiction awards, along with the Hugo (voted on by fans and professionals) and the Nebula Awards (voted on members of the Science Fiction and Fantasy Writers of America). Writers, editors or artists can receive awards. The award statue is a caricature bust of H. P. Lovecraft designed by cartoonist Gahan Wilson in honor of Lovecraft's work and contributions to the world of fantasy. The award has the nickname of "Howard", after Lovecraft's first name.
So... the bust is in honor of Lovecraft's contributions to the world of fantasy. Well, there certainly are a lot of those... so this bust is not an award for lovecraft, but rather an acknowledgement of the influence of his work and is meant to represent great achievement in the field. And, just to be clear, that field is speculative fiction and not racism.
To suddenly remove his image from this bust because it is decided that it represents the racism of Lovecraft is to say that, for the last forty years, this award has represented the racism of Lovecraft. And, while as art that is a valid interpretation, the icon in the context of the World Fantasy Award is not interpreted this way.
However, as to be consistent with our long fought and reasoned out axioms, I offer the following:
Advocating Racism is wrong
The Racist Interpretation of Lovecraft's Bust as the icon of the World Fantasy Award Advocates Racism.
Therefore, The Racist Interpretation of Lovecraft's Bust as the icon of the World Fantasy Award is wrong.