MrSpectabular said:
Oh here's an awesome thing:
http://www.mtholyoke.edu/acad/intrel/orwell46.htm
tl;dr version: A better way of saying it's getting late would have been, shockingly, 'it's getting late'.
(i) Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.
(ii) Never us a long word where a short one will do.
(iii) If it is possible to cut a word out, always cut it out.
(iv) Never use the passive where you can use the active.
(v) Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent.
Writing it in some over the top convoluted way like that just because you think it shows the reader how clever and creative you are is generally the wrong road to be going down unless you're spectacularly masterful at it. You're writing the book to convey your story, characters and world to the reader, not to impress them with flowery ways of describing things.
What does using that phrase actually accomplish? Does it convey any particular image of HOW the sun is setting? Or is it just setting exactly like a sun sets? No image is conveyed, no insight is gained, it's just pointless fluff that makes reading the book take a little longer and doesn't help the reader get a clearer image of what's happening in the story at all.
I think it does pretty well, I actually like the symbolism of the whole sentence, both the characteristics of the suns situation and "mood", tells that it's getting late. It creates atmosphere, It's funny I've just read this other book which also colorfully described a sunset. "As the sun sets - a ball of molten iron sinking into the chilling waters of the Diamond Sea - you catch sight of Valsinore at long last". Sure you could describe that as simply, at the sun sets, you see valsinore, but that would be plain and boring.
This is basically amateur writer mistake #1 and shows a complete misunderstanding of the entire concept of good writing.
Well what is good writing really, I didn't know that there was a standard, and usually people are very at odds about what that standard is.
The paper you link to, George Orwell seems to focus completely on expressing oneself clearly, when the goal is clarity, not entertainment or creative ways of expressing a setting. Indeed George Orwell talks specifically about the political use of the language, and how better clarity can be achieved by not over expressing yourself, when you need people to understand you as best as possible.
In Yahtzees description of the sunset, he starts by saying that the day is wearing thin, effectively making sure that the reader knows already from this what 'time' of day it is, and then proceeds to 'paint' a picture of it, or set the mood. Like a descriptive "!". If we apply George Orwells guidelines, even though they aren't IMO meant to be applied to this form of writing, Yahtzee wouldn't even be able to write that the day is wearing thin, because this is a metaphor, and someone could misunderstand it, it would lack precision.
Despite the liking ZP comment, otherwise I'm 100% behind OANST and consider him 100% correct in this thread. Not just me who thinks so, GEORGE ORWELL agrees. ;D
I didn't find it particularly amateurish, at least it wasn't boring, but than again I find that the terms, amateurish writing and good writing to blend together a little since given the lack of concrete examples.
OANST said:
But don't you see that this is the problem with that particular line? We have no idea what he means by it. That's not good writing.
No not really, I mean he describes it as flamboyant, as in having the characteristics that flamboyant covers.