Can't say enough to agree with the problems of the premise. I can't shake the feeling that these games, whse crazy, rampant xenophobia seem to be excused as weakly written 'plots', are going to be our generation's blackface minstrel shows.
I loved the stinger, particularly the bit about the most which could be hoped for in death was to be found in a pose which confused archeologists.
Zachary Amaranth said:
Evonisia said:
You know how zombies were originally an analogue for black people? Well, maybe you don't, but early zombies, before they were a commentary on commercialism or republicans or whatever else the writer wants to call mindless, they were an analgoe for black people. There was this fear that black people were going to take us by storm in the US, and America would be ruined by having....Slightly higher melanin in the skin? I don't know.
Source(s), please? I'm not arguing zombies haven't been a metaphorical stand-in for racial tension from time to time but I am curious what works you're referencing with this timeline.
Well they come from Voodoo mythology, so that already makes them a stand in for black people or at least fear of it from a colonialists perspective. However people forget that Golems were also once a thing (guess what, Jewish mysticism there) in Medieval paranoia and stories. It goes really far back. Really only modern versions introduced the idea of disease or pandemic, even though the Romero movies rarely gave an explanation, just drew the metaphors. Hope this helps.