I've been meaning give that one a long listen. I sampled a bit of it and it seemed like they fixed the horrible production that completely sabotaged their debut for me.Xartyve2 said:3. Father, Son, Holy Ghost (Girls) 8.7
I've been meaning give that one a long listen. I sampled a bit of it and it seemed like they fixed the horrible production that completely sabotaged their debut for me.Xartyve2 said:3. Father, Son, Holy Ghost (Girls) 8.7
"Art of Almost" would fit on Yankee Hotel Foxtrot or A Ghost Is Born, which are my two favorite Wilco albums. I can see how others would be averse to it, though. "One Sunday Morning" is fantastic. I was missing the deeper voice he used for songs like "Kamera" [http://www.youtube.com/watch?v=LgZ6KwwiefY], so it was nice to hear it again.Julianking93 said:Wilco's new album was great, though I disagree with Art of Almost.
Sounded too much like Radiohead to me, honestly.
Though "One Sunday Morning" is up there in my favourite songs by them ever.
Loved their live performance of it when I saw them back in September with Nick Lowe.
Excellent album by an excellent band. I wish they toured the States more often, I would love to see them live!vrbtny said:Elbow - Build a Rocket Boys!
/thread.
Oh I'm not saying it's bad at all or that it doesn't sound like a Wilco song but when I first heard it, my initial reaction was "Uh... okay, so they're like Radiohead now?" but I still do like the song. Just not my favourite off the albumDustyDrB said:"Art of Almost" would fit on Yankee Hotel Foxtrot or A Ghost Is Born, which are my two favorite Wilco albums. I can see how others would be averse to it, though. "One Sunday Morning" is fantastic. I was missing the deeper voice he used for songs like "Kamera" [http://www.youtube.com/watch?v=LgZ6KwwiefY], so it was nice to hear it again.
Disagree completely about Iron & Wine. I thought that album was an outstanding departure from what Sam normally creates - a very positive progression in style. He could continue to record the same melancholy (yet always beautiful) album or take a chance. And to me, it totally paid off. I was in the pit (three rows from the stage) at Bonnaroo this year and his performance with a full band was beyond transcendent (it also happened to be on my 30th birthday ^_^)DustyDrB said:It's the end of the year, the time for looking back and appreciating the good things we experienced. So let's partake in the tradition, and name out favorite albums of the year. For some extra discussion, what are some trends in music you liked or disliked? Did your listening habits change any this year?
This was actually a slow year in my opinion. I started off the year reading an excellent book called Our Band Could Be Your Life, which chronicles a number of punk/alternative bands from the 80's to early 90's (Sonic Youth, Fugazi, Minutemen, Butthole Surfers, etc). So with that, I immersed myself in the music of these bands and didn't pay much attention to new releases for a good portion of the year. That's highly unusual for me.
But there were a few gems this year. And for me, they were:
Edit: I just realized I somehow cut out my #5 pick. Who has ever heard of a top 4? Anyway...
5. We Were Promised Jetpacks - In the Pit of the Stomach. Between Frightened Rabbit and We Were Promised Jetpacks, I'm really thinking I need to look to Scotland more for music. WWPJ's first album was OK. It's main issue was that songs just sounded too much alike. They switch it up more here and it pays off. Adam Thompson has one hell of an emotive voice. Personal highlight: "Sore Thumb" [http://www.youtube.com/watch?v=inQaYV6A-20&feature=related].
4. Wilco - The Whole Love. Wilco has been my favorite band for nearly a decade now, but their previous two albums never really gripped me. The Whole Love brings back some of the magic they worked in the past. Personal highlight: "Art of Almost" [http://www.youtube.com/watch?v=yWP4bI37mCE].
3. The Decemberists: The King is Dead. It was departure for them. The album wasn't a concept album or an epic folk tale. Instead, it was a collection of pretty traditional Americana. But it was well-done and I've listened to it consistently throughout the year. Personal highlight: "Dear Avery" [http://www.youtube.com/watch?v=ixbdVfHKcnQ].
2. St Vincent: Strange Mercy. I actually didn't care much for St Vincent's previous albums. I've always felt Annie Clark is talented, but her past records often sounded rather forced. But Strange Mercy was a delight. The weirdness is still there, but the pieces just fit better. Personal highlight: "Dilettante" [http://www.youtube.com/watch?v=894MYqeAzIo].
1. Laura Marling: This is the second year in a row a Laura Marling album tops my list. She's grown in talent and her voice has become more dynamic. That sinister tone of hers that she used to such great effect in I Speak Because I Can doesn't show up as often here, but she's found other ways to be great. Personal highlight: "Sophia" [http://www.youtube.com/watch?v=j-TMl5oCRjk&ob=av2e].
The big disppointments: Iron and Wine - Kiss Each Other Clean, Bon Iver - Bon Iver, Radiohead - The King of Limbs
Seeing Elbow live is good. Seeing Elbow live in their home city of Manchester is a totally different thing. I've seen them live a few times (Sorry, not trying to boast.) and they are sooooooo much better if you see them in Manchester, especially the MEN arena.ironfist86 said:Excellent album by an excellent band. I wish they toured the States more often, I would love to see them live!vrbtny said:Elbow - Build a Rocket Boys!
/thread.
I don't have a problem with a band changing its sound some. The Shepard's Dog was a departure from his first two albums and it is still my favorite of Iron and Wine's. I appreciate the refusal to do the same thing over and over, but with a change in style comes the possibility of losing some fans. Shepard's Dog made me love the band more, but Kiss Each Other Clean still has yet to grab me.ironfist86 said:Disagree completely about Iron & Wine. I thought that album was an outstanding departure from what Sam normally creates - a very positive progression in style. He could continue to record the same melancholy (yet always beautiful) album or take a chance. And to me, it totally paid off. I was in the pit (three rows from the stage) at Bonnaroo this year and his performance with a full band was beyond transcendent (it also happened to be on my 30th birthday ^_^)
Summerteeth is an amazing record. I regularly flip flop it and A Ghost Is Born as my second favorite Wilco album. "Via Chicago" is the perfect showcase for why I love Wilco so much. It's that comfortable folk sound, but with chaos brewing beneath. From Summerteeth to A Ghost is Born, the band was simultaneously traditional and subversive.Julianking93 said:Oh I'm not saying it's bad at all or that it doesn't sound like a Wilco song but when I first heard it, my initial reaction was "Uh... okay, so they're like Radiohead now?" but I still do like the song. Just not my favourite off the albumDustyDrB said:"Art of Almost" would fit on Yankee Hotel Foxtrot or A Ghost Is Born, which are my two favorite Wilco albums. I can see how others would be averse to it, though. "One Sunday Morning" is fantastic. I was missing the deeper voice he used for songs like "Kamera" [http://www.youtube.com/watch?v=LgZ6KwwiefY], so it was nice to hear it again.
And yeah, love Kamera and the softer tones with songs like that.
Oh and favourite album from them would have to be either Yankee Hotel or Summerteeth.
This [http://www.youtube.com/watch?v=x7Z13k_uTsQ] never fails to put me in a good mood.