evilthecat said:
DoubleU12 said:
Women have very different priorities, wants, needs, concerns and means of dealing with problems than male characters and bringing these details out strengthens a character's design.
Nope.
I agree it's sometimes cool if they have these things, but there's also something to be said for the Femshep approach. The idea that women are and have always been irreconcilably different from men reeks of bad essentialism. Often, for everyday purposes, there's really nothing particularly mysterious or complex or difficult to understand about human beings having slightly different genital configurations.
So really, much of the expected difference between male and female characters depends on the priorities of the audience, since the audience are ultimately the ones who decide what is and isn't a good character. If the audience expects all female characters to be snivelling, squealing ultrafemmes obsessed with shoes and babies then fine, but I think there's a good deal of evidence that isn't the case here.
Deciding in advance what the audience wants is a self-fulfilling prophecy, and like most such prophecies is not particularly clever.
: ) Maybe, I'm not saying making a character gender neutral is bad. There is definitely something to be be said for gender neutral characters, but there are plenty of behaviors that both men and women can relate with that a large majority of the other gender cannot and it is ok to explore these.
I like Zelda's design in Hyrule Warriors because she looks strong, confident and sensible on a battle field but she also gave it quite a girly side. It still has a long pink skirt and tight wearing leggings. She clearly didn't dress to be mistaken for 1 of the many male soldiers around her, she dressed to stand out and be identified as a woman.
I think it is important when writing a character, even a character with a very small part to consider the tiny details and emotions that they are feeling.
As a simple example, a female characters that want to feel beautiful and noticed by men around them but get very self conscious around women who are confident with their bodies which discourages them. Making a male character who messes around and does a lot of gross jokes all day to the point where you are genuinely surprised when he suddenly steps up and proves himself quite admirably. This is behavior that a lot of real world men would understand and can relate with, likewise with the female character. A lot of real world women would be able to relate with this despite it being something that men in a real world sense can't really relate with.
Even if your goal is to make a character that is gender neutral and simply all business all the time. It's good to see a small hint that they have human emotions.
A tough girl who obviously isn't the delicate little flower like the other girls around her able to keep up with all the tough male characters she interacts with. She always puts on a strong front, always ready to kick ass, always 100% about buisness. Then it is nice to see her hide, break down for just a small moment to cry over something simple that the tough male characters wouldn't really understand. She's still a woman, maybe on occasion she wants to be pretty delicate flower like the other girls around her but that just isn't how she is and every time she's tried she winds up just looking foolish and wondering why she ever thought she wanted this to begin with.
Same with male characters, this applies to all characters you are writing your story for.
A very shy boy who is dragged along by his very aggressive female friend to places he doesn't want to go and do things he doesn't want to do, but then when the time comes where it's time for him to step up he is hesitant but he doesn't disappoint those around him.
What I'm basically saying is I think when you are able to capture those tiny details that real women and real men can relate with you put more human in the characters you are telling your story about and hopefully allow the audience to connect with them better.