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Stranger of Sorts

Individual #472
Aug 23, 2009
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[HEADING=2]13.[/HEADING]
[HEADING=1] A Top 10 Special[/HEADING]
[HEADING=2]Because I have nothing better to do and I'm coming up to 500 posts so why not?[/HEADING]​

Hello there, since I've been asked by many to step outside my comfort zone and do music that I wouldn't usually listen to I'm thinking of taking up an offer I previously refused of reviewing Sub Focus. But before I take this thread on that path I'm going to talk you through exactly where I'm coming from with these reviews. And what better way to do that than by showing you my top 10 favourite songs of ever.

A brief introduction. Hello, my name is Jonny and I am a self confessed music addict. I'm listening to music almost every waking second of the day: when I wake up I plug my iPod in and I usually fall asleep to music. How can one become addicted to music? Well many of you may have realised I am very into the slower, more emotional songs and that is because while all music stirs emotions, these songs stir the emotion of bliss. The effect only lasts for a few plays each good song so I am constantly searching for more, and more and more, which explains the 10,000 or so songs on my hard drive. Now some songs do this a lot better than others so I'm going to show you the ones that I've been listening to for years, all in spoiler boxes to stop it from taking up too much of the page, enjoy.

Kreuzberg by Bloc Party

Now I believe I've stated this before but this is the best song I have ever heard and judging by the fact this has to be a review otherwise I'll get told off for bumping a thread with nonsense, I'm going to tell you why. Kreuzberg starts off with just the guitar repeating the same set of notes accompanied by a faint hum of orchestral instruments, this simplicity continues through the verse with the singer excellent voice before the chorus kicks in. While it is definitely not a loud chorus, it is in comparison to the verse, a heavier, more rhythmic guitar part kicks in with a simple set of keyboard notes that just sound perfect to me. Everything fits together properly and I can't fault a single piece, then after the second chorus the interlude/ outro begins, a slow build up of voices, guitar, drums and the excellent keyboard into a crescendo at the end.

The effect this song, even this band, have on me is profound. When I was listening through the original list of 46 that I had to cut down for 10 for this 'review' I found my jaw hurting from me grinning like an idiot while it was playing, even though this is a pretty depressing song, I guess it just cuts into my teenage anxiety. In fact all of their songs do, if I didn't have a 'no more than one song per band' policy then Bloc Party would take up most of this list.


Magnet by Bombay Bicycle Club

I remember reviewing this album before I started this thread, I believe it bore the stamp of 'fan-wank' since I just went on about how I love it so much. That love had a lot to do with this song, it's confusing though as on the outside this song comes across as a generic piece of pop-rock music. That is, until the chorus kicks in.

The only word I can think to describe it is epic, it comes out of nowhere and 'blows your face off with awesomeness', so to speak. It is very well done and made up of heavy guitar, heavier drums and some synthesisers thrown on top. It psychs you up into a near frenzy and then chills you out in the outro, it's more of a journey than a song.


Big Big Love (Fig.2) by Foals

And now we get to a song I've already reviewed, I think I reviewed it when nobody read this thread so I guess I can churn out the same bollocks stuff again. Big Big Love is one of the most chilled out and relaxing songs I've ever heard and is one of a few such songs on this list. It involves a lot of repetition mixed in with extra instruments being added or taken out and the volume changing that makes the song build up and the down which, while messing with your head, is really cool.

Another thing to note is when the guitar proper comes in at around the 23 second mark it is absolutely amazing. When this song was played at a party I was at everyone seemed to go in a trance.


Set Fire to the Third Bar by Snow Patrol

This is possibly the most heard of song on this list by a band that you should have heard of. This is a duet with Martha Wainwrite, who I've never heard of but has a very high voice that perfectly complements the Snow Patrol singer's low one. This is yet another one of those songs that shines in the chorus', it's fairly bland, although still good, in between them but as soon as the chorus starts the music picks up and it really is very, very good.


The Only Difference Between Martyrdom and Suicide is Press Coverage by Panic! At the Disco

It's a shame this band were branded with the 'emo' badge, as a result they didn't get the attention they deserved. The whole of the first album was full of great music and intelligent lyrics. The song in question is probably the heaviest on the album, it's fast paced and loud, it demands your attention! Now I haven't actually listened to this song in ages since it came out 4 years ago but I still got the rush when I started playing it. Apart from the rather 'gay' opening the song is almost faultless, it knows when to rest, when to pick back up again and then when to go crazy. Tis good.


Lucky You by Lostprophets.

The best song in the best album by Lostprophets, Lucky You is a masterpiece in bridging the transition between the quiet and the very loud. As usual with Lostprophets, the guitar is fairly important, here it takes back-seat to the singing but it's constantly changing to complement the voice. This song also does a similar thing to Magnet in the way there's a few minutes at the end of the song that just chills you out again, ready to repeat the song. Okay the lyrics are cliché and the song is a bit long but I just don't care with this song, somehow it manages to work, and work very well at that.

I have to confess that my favourite part is the cool down where the instruments leave one by one till it's just the voice whispering 'lucky you' over and over again.


23 by Jimmy Eat World

At 500 plays (keep in mind it is a 7 minute song) and counting, the only reason this song is not at the top of my list is that I've played it to death. I still get a bit of the ol' rush when I listen to it but I used to be hands down obsessed with this song. What this song is is a build up song, it gets slowly louder, with more and more parts added in till the end where they all come in at once. The singer's voice works perfectly with this song, it's smooth and emotional and it plays against the ever-returning guitar riff/ solo bit that plays in the interlude between verses. The theme of the song is very similar to Kreuzberf in the way it's about leaving it too late to do anything substantial with your life. Which I think most of us here can relate to.


Trouble by Coldplay

I reviewed this one quite recently, number 10. I believe, so some of you may remember me referring to this as a 'piano ballad'. But it's slightly more than that, it has very subtle guitar in the background which elevates the song into great. Unlike other Coldplay songs, this album doesn't end in a bang, instead it slowly fades out. Needless to say this is a very heartfelt song and is the only reason why I defend Coldplay from being called generic, as this song certainly isn't. The other songs? Yeh I guess.


Another Space Song by Failure

You know the thing that pissed me off about this band? It's that they broke up due to poor sales of this album which is frankly fantastic (if you see the album title you'll find that there was a pun hidden in the sentence). This song is another one of the mellow, relaxing ones like Big Big Love, but this one is done with a heavy amount of distortion. It never seems to pick up and this annoyed me the first time I listened to it but it really does grow on you. This song 'drifts', if you can use that word to describe music, and is a joy to listen to from one of the most underrated bands of ever.


Go On by Taking Back Sunday

The confusing thing about this song is that I don't actually like most of it, it lacks work and polish as it was only ever released as a demo before the band split and then reformed with different members. The whole beginning of the song is pretty bland and a bit shouty and blunt but it isn't too bad. So why is this song in the top 10? Well it's all thanks to the last minute which compromises of one of the most moving piano outros I've ever heard. i don't know quite why I like it, it just sounds amazing to me.

The only youtube link I could find has terrible quality, yay. Oh well you can hear the outro well enough.


I hope that gives you an insight into what goes through my head when I'm reviewing albums and what I'm comparing them to. If anyone feels the need to tell me their top 10 then go ahead. Back to normal next time, I promise.

I was actually on 493 posts so I had to spam the off-topic forum before I could post this, it was disheartening and sickening I know, but I'm sorry.
 

The Rockerfly

New member
Dec 31, 2008
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Very good review, I quite enjoy your series even though I don't usually have the albums they are a good read anyway. I wish there was a notification for when you made another review but I will just lookout more

Oh if you are taking requests, can you review "Them Crooked Vultures"? It was voted the best album of last year by a British magazine called Kerrang and I honestly hated it. I would like you to review it because you may really like it or hate it but either way it could be an interesting album for you

Thanks
 

Stranger of Sorts

Individual #472
Aug 23, 2009
1,227
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The Rockerfly said:
Very good review, I quite enjoy your series even though I don't usually have the albums they are a good read anyway. I wish there was a notification for when you made another review but I will just lookout more

Oh if you are taking requests, can you review "Them Crooked Vultures"? It was voted the best album of last year by a British magazine called Kerrang and I honestly hated it. I would like you to review it because you may really like it or hate it but either way it could be an interesting album for you

Thanks
I may actually start PMing people who want to know when I put one up, Them Crooked Vultures will be the next review then. Can't wait to start ripping into them.
 

Stranger of Sorts

Individual #472
Aug 23, 2009
1,227
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Jekken6 said:
Stranger, I would like to see what you think of Crack the Skye by Mastodon
I was editing the thread, adding a contents bit and so on when I came across your comment which, until now, I have been oblivious to. Really sorry about not getting back to you and I may well review the album shortly, just after the next one.
 

BlueInkAlchemist

Ridiculously Awesome
Jun 4, 2008
2,231
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Stranger of Sorts said:
BlueInkAlchemist said:
Stranger, I'm enjoying this series. I have two suggestions for you: LostProphets' Fake Sound of Progress, or The Airborne Toxic Event.
It's been a while since I've done one of these, well 3 days give or take but compared to the others that's quite a long time. Quite rude of me as well as I promised BlueInkAlchemist the review would be up straight away. There have, however, been several reasons for this, firstly I've been busy with all the revising for my GCSE's and whatnot, secondly I had the sudden urge to review Fallout 3 (go check it out) and that took rather longer than expected.
I'm on my way to check out your Fallout 3 review, but I wanted to thank you for reviewing this album. Would Sometime Around Midnight fall on the "good" or "bad" side of the fence for you?
 

Stranger of Sorts

Individual #472
Aug 23, 2009
1,227
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Before the review: I've added a contents thing on the first post for all first time/ newish people reading this thread. Also on a Dubstep related note, MtEden have put a sneak peak of their new mix on Youtube and it's really good. I'm not too sure what I'm going to review next time, possibly Crack the Sky by Mastodon but I'm still not too sure.

The Rockerfly said:
Very good review, I quite enjoy your series even though I don't usually have the albums they are a good read anyway. I wish there was a notification for when you made another review but I will just lookout more

Oh if you are taking requests, can you review "Them Crooked Vultures"? It was voted the best album of last year by a British magazine called Kerrang and I honestly hated it. I would like you to review it because you may really like it or hate it but either way it could be an interesting album for you

Thanks
[HEADING=2]14.[/HEADING]​

[HEADING=1]Them Crooked Vultures[/HEADING]
[HEADING=2]_The so called 'Supergroup'[/HEADING]

[h4]Genre = Classic rock

Number of Songs = 13

Highlight(s) = Elephant[/h4]

Here it is, Kerrang's favourite album of 2009... I really want to meet whoever they hire to do their reviews as in my mind they hire a 50 year old man, completely stuck to the old style of rock music, he tries to get 'down with the kids' but is completely out of touch. I wouldn't put this past Kerrang either because as most people in Britain know, they're a bit of a laughing stock. They try and give the image of sticking it to the man by not playing 'mainstream' music but it's obvious they are yet another business making money from the ignorance of the masses. So why did I bring up this rant on Kerrang and whoever chose this album to be the best of 2009? That's because Them Crooked Vultures is exactly the type of music a 40/50 year old man would chose, it's a collaboration between the bassist from Led Zepplin,
a guy from Queens of the Stone Age and someone from Foo Fighters.

There's one slight problem with this for me though, I don't think Led Zeplin were that good, I don't like Foo Fighters and I absolutely hate Queens of the Stone Age. Just my luck then, that this album sounds exactly like Songs for the Deaf by Queens of the Stone Age. There is a bit of Foo Fighters and Led Zep that you can hear but it's drowned out pretty spectacularly. This album does sound like they've got elements from each band and just smashed them together to try and create music, there is nothing new to be found; which is really boring from a listener's perspective but it will probably appeal to the nostalgia full people who just want music 'from the good old days'.

The album consists of heavy, fast paced riffs, frantic drumming and slightly moan-like singing. There is some good stuff in it though, I picked out Elephants because the opening riff is pretty sweet and the bridge is a nice break from the pounding guitars, shame the pounding guitars start again otherwise the song would have been pretty good. To me this album just sounds like an assault on my ears, and not in a psyche-up way like Colors by Between the Buried and Me was.

It may seem like I'm only telling you about the bad things on this album, but trust me I haven't even started yet. Scumbag Blues may just be one of the worst songs I've heard for a while: painfully high singing, boring guitar and possibly one of the most awkward guitar solos I have ever heard. You can barely hear the guitar over the other instruments and even when you catch a listen of part of it it's nothing special. I think the main problem Them Crooked Vultures are having is that they are not really a band yet, they're all trying to do their own thing and it shows in their mismatched and badly put together songs.


This album is a great disappointment to me, I thought that three men who are very experienced in making music would bring out something that I could listen to, but they have failed completely. I know that there will be many who disagree with me as they want 'proper rock' to come back. But seriously guys, there is a reason why that music died, there's only so much you can do with it and all of it has been done. Anyway, wasn't Led Zeplins most famous song an acoustic B-Side? Exactly.
 

Stranger of Sorts

Individual #472
Aug 23, 2009
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BlueInkAlchemist said:
I'm on my way to check out your Fallout 3 review, but I wanted to thank you for reviewing this album. Would Sometime Around Midnight fall on the "good" or "bad" side of the fence for you?
At the moment, the good side but mostly due to the fact I've been listening to Them Crooked Vultures for a few days and comparatively it stands up very well. From what I remember, it was a good song at the beginning and the end but was let down by a boring part in the middle with repetitive lines which all sounded the same and the singers voice doesn't sound good at all when it's low. This song was worn down on me a long time ago due to the fact it was the free single of the week on iTunes so that have something to do with the nitpicks..
 

Julianking93

New member
May 16, 2009
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Stranger of Sorts said:
Julianking93 said:
I almost 100% disagree with your Them Crooked Vultures review.
Want to elaborate? I admit mine was one sided but I really do not like the album at all.
Well, personally, I love the album.

I thought it was well put together and at first I thought it was a kind of weird combination, but I grew to love it and I actually plan on seeing them in July.

But then again, I love all those guys original bands, so I already have a bit of a basis to like them
 

Scizophrenic Llama

Is in space!
Dec 5, 2007
1,147
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I kind of agree with the Them Crooked Vultures review, but I will say, there is much worse supergroups out there [http://www.youtube.com/watch?v=xJMipg_k8Uw].

I wouldn't mind seeing a review of Symphony X's The Odyssey, but I wouldn't feel right if I didn't warn you that there is a 24 minute track on that album that quite literally retells The Odyssey. I find it to be quite badass, wouldn't mind seeing a second opinion.
 

Superfly CJ

New member
Feb 14, 2010
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MaxerJ said:
But I have to say Queens of the Stone Age are rather bland for what seems like a good band to the unlistened. And Them Crooked Vultures is the most like Queens of the Stone Age, so I would have to go with Stranger in saying that these three men should surely be paving new roads in old territory instead of following other routes.
I'd have to disagree. If people want to follow new routes and come up with the new, weird and wacky, they can go ahead; but at the end of the day, i'd still like to know that there are guys finding new ways to go in older forms of music. Not everything has to be new, and a lot of good songs are produced from mimicry- that said, i'm no fan of the Crooked Vultures, but can appreciate what they're trying to do.

I would, however, suggest listening to 'Rated R' and the entirety of 'Songs for the Deaf' by QOTSA before you call them bland. Songs for the Deaf in particular has some of the most original guitar-work i've ever heard, and the tone of the album as a whole is unmatched by any other to this day. Of course, thats just my opninion, but i'd hardly say they were only 'good to the unlistened'.


Moving on to Stranger, I like your style and the idea of the whole thing, but I find reviewing music to be often ineffective. There are so many different tastes and styles, to have any authority you have to pick a genre and stick with it- at risk of becoming too opinionated. Your intitial reviews were the best, simply because you were in your element. It shows that you have a genuine enthusiasm and understanding of (what I like to call) the 'NME' genre, and as a result you get a more balanced assessment, and a more enjoyable read.

Of course, it's still entertaining reading your reviews of different types of music (thanks in large part to your engaging writing style), so i'll be sure to keep coming back every now and again to get my fix, so to speak.

Oh, and if you ever find yourself in a lull, give a listen to Angel Dust by Faith No More. Quite possibly the best album ever recorded, in my opinion- so it'd be interesting to know what you think.
 

Stranger of Sorts

Individual #472
Aug 23, 2009
1,227
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Superfly CJ said:
I would, however, suggest listening to 'Rated R' and the entirety of 'Songs for the Deaf'
Woops, that wouldn't be the first time I've made that mistake. Anyway I have listened to all of it, albeit quite some time ago. The only Queens of the Stone Age song that I ever really got into was In My Head, but that's in a different album.

Superfly CJ said:
Moving on to Stranger, I like your style and the idea of the whole thing, but I find reviewing music to be often ineffective. There are so many different tastes and styles, to have any authority you have to pick a genre and stick with it- at risk of becoming too opinionated. Your intitial reviews were the best, simply because you were in your element. It shows that you have a genuine enthusiasm and understanding of (what I like to call) the 'NME' genre, and as a result you get a more balanced assessment, and a more enjoyable read.
There's so many conflicting opinions with this though, while you would want me to review one genre, others want to throw me into something completely new. I have to admit that listening to some of the requested albums has been quite a bit of work, especially since I haven't really gotten over albums that I reviewed ages ago. Even Fanfarlo, the first one, has been popping up every now and again, especially so with the discovery if the final part of Luna which is immense.

What I'm probably going to do now is start mixing up requests with albums that I'm really fond of. That should keep everyone (including myself) happy for the time being.

I would also like to distance my preferred genre away from NME, they gave us the Ting Tings and I'm never going to forgive them for that.
 

Stranger of Sorts

Individual #472
Aug 23, 2009
1,227
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[HEADING=2]15.[/HEADING]​

[HEADING=1]Mean Everything to Nothing[/HEADING]
[HEADING=2]_by Manchester Orchestra[/HEADING]

[h4] Genre = Indie Rock

Number of Songs = 11

Highlights = I've Got Friends, I Can Feel a Hot One, Tony the Tiger
_________+ The River[/h4]

Another one, so soon after the last, even though the thread is still hovering near to the top of the first page? Yes I know, it's been a stressful day and this helps me to relax, but also because Manchester Orchestra are, as I like to call it, a bit of a find. They passed under the radar of most of the indie crowd (even the ones that weren't posing), most likely due to a rather misleading and confusing name. This is, in every sense of the word, a great album but regrettably one that I forgot about for a while thanks to the wave of music that I was faced with about a month ago. But I am now reunited with it so I'll introduce you to the wonderful music that is contained within Mean Everything to Nothing.

Despite all this praise that I have pre-emptively heaped on the album it does get off to a very shaky start with The Only One, a boring and easily forgettable rock song, but thankfully the album soon kicks it up a notch with Shake It Out. This is probably the loudest song on the album, full of frustrated shouting and punchy guitar, it's a fine display of emotion played across by a guitar, drums keyboard and the excellent voice. What the song does so well is it knows when to rest, a never ending barrage of heavy music is never as effective if it can't be compared to silence. When the song does rest it is extremely powerful, just the singer and the guitar remain with a relaxing tune and then...silence. Before a loud and thrashy guitar just comes in and blows you away with its amazing awesomeness. But wait, I didn't even list this as a highlight...


What can that suggest about the next song, I've Got Friends? This song is equally as emotional as it's predecessor and although quite a bit quieter, leaves just as much of an impression. When the initial chorus of "I've got friends in all the right places, I know what they want and I know they don't want me to stay" and the following keyboard riff kicks in there is nothing left to do but gasp. It is really, really good as well as being incredibly catchy. I Can Feel a Hot One is the slower song of the album, and you know me by now, I'm into this stuff. It combines story-like lyrics with haunting guitar and an almost perfect chorus. The song is in stark contrast with Shake It Out which stands to prove the versatility of this band, amazing awesomeness throughout.

The album just continues to impress, Manchester Orchestra continue their trend of giving misleading names to things with Tony the Tiger, which is not, in fact, a tribute to Frosties. It's a quiet song with compressed chords which suddenly lets fly at the chorus with the same riff but without the muting, going along with the repeated line "Didn't think that you would actually do it." The contrast works extremely well and makes the song very memorable. The title track Everything to Nothing is also worth a mention, it's nice in a well-polished, rock song way but it just can't compete with some of the other songs on this album.

The contrast between heavy and quiet is most drastic in the last song in the album, The River. The verses are mostly quiet and downbeat and give way to the hard-hitting chorus which seems to contain every instrument the band could lay their hands on at the time. This song also contains a 'hidden song' at the end. While this song couldn't stand on it's own it's still a nice acoustic build up piece, slightly let down by repetitive vocals though.


The album is not flawless though, there are some strong similarities between songs that are more than just coincidental. Tony the Tiger and Everything to Nothing is one example, they both have quiet verses then heavily instrumental chorus' with one line repeated over them. Despite this I would highly reckomend listening to this album, whatever sort of music you are into, it is nothing short of fantastic.
 

alerriixx

New member
Apr 4, 2010
184
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As truly amazing as Manchester Orchestra's newest album is, I find it pales in comparison with their debut. I'm like a virgin losing a child is one of the most emotional albums I have ever had the good fortune to listen to. A follow up review with your opinons on it would be highly appreciated.
 

Stranger of Sorts

Individual #472
Aug 23, 2009
1,227
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alerriixx said:
As truly amazing as Manchester Orchestra's newest album is, I find it pales in comparison with their debut. I'm like a virgin losing a child is one of the most emotional albums I have ever had the good fortune to listen to. A follow up review with your opinons on it would be highly appreciated.
I never listened to that album till just now, I don't know why I just never got round to it. I'm on Sleeper 1972 and I'm completely transfixed, thanks for nudging me towards listening to it.
 

alerriixx

New member
Apr 4, 2010
184
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Stranger of Sorts said:
alerriixx said:
As truly amazing as Manchester Orchestra's newest album is, I find it pales in comparison with their debut. I'm like a virgin losing a child is one of the most emotional albums I have ever had the good fortune to listen to. A follow up review with your opinons on it would be highly appreciated.
I never listened to that album till just now, I don't know why I just never got round to it. I'm on Sleeper 1972 and I'm completely transfixed, thanks for nudging me towards listening to it.
Any time, I'm just happy finding that some other people do have my taste in music,