On a more cynical note, slumdog millionaire could've become the big winner because of the sap-factor as well. It being made for and with poor people and all.
The Oscars are generally seen as the pat on the back for the American film industry. So it's good to see a British film winning. Remember kiddies: your film needs to be shown in a certain amount of US theatres for a certain amount of time to be elligible. This is the main reason the Oscar for best animated movie used to not be awarded every year (only since 2001 has that one become yearly) and why Miyazaki got it for Spirited Away and not any of his earlier (and if you ask me superior) work.
galletea:
There's loads of film awards out there as well. But the Globes and the Oscars are the only ones you really hear about. Sometimes Cannes draws some attention but the Palme d'Or winner doesn't have the same ring as Oscar winner, unless you're into arthouse flicks. Same goes for the Golden Bear.
The most telling awards you can get in the music industry are not from award shows but rather from pure sales that award you with silver/gold/platinum albums. A little piece of sculpted glass is nice, but a triple platinum album is generally seen as more impressive I think.
fix-the-spade said:
So after Shallow Grave, Trainspotting, Life Less ordinary and 28 Days Later, they finally decide Danny Boyle's worth an Oscar, about freeking time!
Hmmmm, that could be a very good factor as well. This happens to directors a lot. 'Yeah, we passed him over so many times, he should really win this time around shouldn't he?' syndrome.